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A Marginal Majority
In step with the #MeToo movement and third wave feminism, women’s roles provoke lively debate in today’s evangelical sphere. The Southern Baptist Convention (SBC) has a complicated past regarding this issue, and determining what exactly women’s roles in home, church, and society should be, or even what these roles should be called, has been a contentious subject. In A Marginal Majority: Women, Gender, and a Reimagining of Southern Baptists, editors Elizabeth H. Flowers and Karen K. Seat and eight other contributors examine the SBC’s complex history regarding women and how that history reshapes our understanding of the denomination and its contemporary debates. This comprehensive volu...
Women in Music
Women in Music: A Research and Information Guide is an annotated bibliography emerging from more than twenty-five years of feminist scholarship on music. This book testifies to the great variety of subjects and approaches represented in over two decades of published writings on women, their work, and the important roles that feminist outlooks have played in formerly male-oriented academic scholarship or journalistic musings on women and music.
God Speaks to Us, Too
Raised as a Southern Baptist in Rome, Georgia, Susan M. Shaw earned graduate degrees from the Southern Baptist Theological Seminary in Louisville, Kentucky, was ordained a Southern Baptist minister, and prepared herself to lead a life of leadership and service among Southern Baptists. However, dramatic changes in both the makeup and the message of the Southern Baptist Convention during the 1980s and 1990s (a period known among Southern Baptists as "the Controversy") caused Shaw and many other Southern Baptists, especially women, to reconsider their allegiances. In God Speaks to Us, Too: Southern Baptist Women on Church, Home, and Society, Shaw presents her own experiences, as well as those o...
Anyone Can Do It: Empowerment, Tradition and the Punk Underground
For more than three decades, a punk underground has repeatedly insisted that 'anyone can do it'. This underground punk movement has evolved via several micro-traditions, each offering distinct and novel presentations of what punk is, isn't, or should be. Underlying all these punk micro-traditions is a politics of empowerment that claims to be anarchistic in character, in the sense that it is contingent upon a spontaneous will to liberty (anyone can do it - in theory). How valid, though, is punk's faith in anarchistic empowerment? Exploring theories from Derrida and Marx, Anyone Can Do It: Empowerment, Tradition and the Punk Underground examines the cultural history and politics of punk. In i...
The Disappearing L
A 2018 Over the Rainbow Selection presented by the Gay, Lesbian, Bisexual, and Transgendered Round Table (GLBTRT) of the American Library Association LGBT Americans now enjoy the right to marry—but what will we remember about the vibrant cultural spaces that lesbian activists created in the 1970s, 80s, and 90s? Most are vanishing from the calendar—and from recent memory. The Disappearing L explores the rise and fall of the hugely popular women-only concerts, festivals, bookstores, and support spaces built by and for lesbians in the era of woman-identified activism. Through the stories unfolding in these chapters, anyone unfamiliar with the Michigan festival, Olivia Records, or the women's bookstores once dotting the urban landscape will gain a better understanding of the era in which artists and activists first dared to celebrate lesbian lives. This book offers the backstory to the culture we are losing to mainstreaming and assimilation. Through interviews with older activists, it also responds to recent attacks on lesbian feminists who are being made to feel that they've hit their cultural expiration date.
Piety and Plurality
I began studying American theological education in the 1970s, and Piety and Plurality is the third of three studies. In Piety and Intellect, I examined the colonial and nineteenth-century search for a form of theological education that was true to the church's confessional traditions and responsible to the intellectual demands of the age. In Piety and Profession, I described how that model was modified under the impact of the new biblical criticism and by the American belief in professionalism. In this volume, I have tried to bring the story up to date. Unfortunately, I did not find one unifying theme for the period. Rather, theological education seemed to move forward on a number of different levels, each with its own story. Here I have tried to capture some of the dynamics of this movement and to indicate how theological educators have struggled with the plurality in their midst. In the process, theological education has learned to live with its contradictions and problems. As important as the stories are, however, there is also the story of the schools' struggles to live in the midst of a constant financial crisis that checked development at every stage.
Hidden Harmonies
Contributions by Christina Baade, Candace Bailey, Paula J. Bishop, Maribeth Clark, Brittany Greening, Tammy Kernodle, Kendra Preston Leonard, April L. Prince, Travis D. Stimeling, and Kristen M. Turner For every star, there are hundreds of less-recognized women who contribute to musical communities, influencing their aesthetics and expanding opportunities available to women. Hidden Harmonies: Women and Music in Popular Entertainment focuses not on those whose names are best known nor most celebrated but on the women who had power in collective or subversive ways hidden from standard histories. Contributors to Hidden Harmonies reexamine primary sources using feminist and queer methodologies as well as critical race theory in order to overcome previous, biased readings. The scholarship that results from such reexaminations explores topics from songwriters to the music of the civil rights movement and from whistling schools to musical influencers. These wide-ranging essays create a diverse and novel view of women's contribution to music and its production. With intelligence and care, Hidden Harmonies uncovers the fascinating figures behind decades of popular music.
Reconsidering Gender
Questions related to the issue of gender remain insufficiently acknowledged and explored in contemporary theological literature. These issues form the basis of significant unresolved tensions among evangelicals, as evidenced in debates over the nature of the Trinity, Bible translation, church practice, choice of language, mission leadership, decision-making in homes, and parenting, to name but a few examples. The essays in this volume are not meant to provide a monolithic evangelical theology of gender, but rather to provide evangelical perspectives surrounding the topic of gender. To further this aim, each of the main essays is followed by a formal response with an attempt at a concise and lucid perspective on the essay and pointers to further areas for investigation. Some contributors are complementarian while others are egalitarian, although who is what is left to the discerning reader. Regardless of one's position on the issue, all will benefit from the contributors' commitment to the further exploration of gender issues from the perspective of a broadly conceive evangelicalism.
Public Feminisms
The field of feminist studies grew from the U.S. women’s movements of the 1960s and 1970s and has continued to be deeply connected to ongoing movements for social justice. As educational institutions are increasingly seeing public scholarship and community engagement as relevant and fruitful complements to traditional academic work, feminist scholars have much to offer in demonstrating different ways to inform and interact with various communities. In Public Feminisms: From Academy to Community edited by Carrie N. Baker and Aviva Dove-Viebahn, a diverse range of feminist scholar-activists write about the dynamic and varied methods they use to reach beyond the traditional academic classroom...
