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Core Curriculum
This is a collection of essays, reviews, and lectures - some of which have gained a cult following due to online postings by Tod Papageorge, one of the most influential voices in photography today.
Passing Through Eden
"When Tod Papageorge began this work, the newspapers saw Central Park chiefly as a site of danger and outrage, and they were doubtless partly right. But the park shown here seems no more dangerous than life itself, and no less filled with beauty, charming incident, excess, jokes in questionable taste, unintended consequence, and pathos, truly described. One might say that no artist has done so much for this piece of land since Frederick Law Olmstead." --John Szarkowski, The Museum of Modern Art, New York After receiving a Guggenheim Fellowship in 1977, Tod Papageorge began to photograph intensively in Central Park, employing medium-format cameras rather than the 35mm Leicas that he had used ...
American Sports, 1970
A collection of black-and-white photographs showing fans taking in America's sporting events, and represents the social landscape at the height of the Vietnam War.
Opera Città
In Opera Città, Tod Papageorge pays homage to Rome and the act of flanerie. He strolled though the city, at first without any aim, and then almost systematically, through various neighborhoods, parks, train stations, suburban avenues and the city center. Through his lens, the much-photographed city could be any urban area, filled with ordinary people living their lives.
Todd Papageorge
Tod Papageorge: Dr. Blankman ́s New York documents a brief but critical moment in the photographer's early career, the two years Papageorge shot in color in New York in the late 1960s. Black-and-white photography was still the "serious" medium, and color reserved for commercial applications; Papageorge--25 years old and newly arrived in New York City--was encouraged by his fellow photographers to seek paying magazine work by developing a body of work in color. In some ways it was a failed experiment: Papageorge mostly approached color in the same way as he approached black and white, except that he also began to intuitively produce still-life pictures with little commercial appeal, spotligh...
Tod Papageorge: War & Peace in New York
The street life and political tensions of Tod Papageorge's late 1960s New York, in a two-volume clothbound presentation This publication comprises two books of pictures Papageorge made after moving to Manhattan as a young man. As different as they are from one another--each book advances a distinct argument supporting Papageorge's belief in photographic "fiction-making"--together they amount to a comprehensive portrait of an uneasy city during a grim, fevered time. Down to the City follows (and ironically twists) the first sentences of Plato's Republic, threading phrases from Socrates' description of a religious festival through a stream of pictures seized in Manhattan's secular streets. Thi...
Public Relations
[What Winogrand] has given us in these photographs is a unilateral report of how we behaved under pressure during a time of costumes and causes, and of how extravagantly, outrageously and continuously we displayed what we wanted. --Tod Papageorge Public Relations is a distillation of a photographic project begun by Garry Winogrand in 1969 when he was awarded a Guggenheim Fellowship to photograph what he called "the effect of media on events." With his characteristic zeal, passion, spontaneity and intensity, Winogrand photographed an array of public events including museum openings, press conferences, sports games, demonstrations, award ceremonies, a birthday party and a moon shot. The photographs depict our emerging dependence on the media as well as how the media changes and sometimes even creates the event itself. First published to accompany a 1977 exhibition at The Museum of Modern Art, New York.
Arrivals & Departures
Edited by Alex Harris and Lee Friedlander.
Diane Arbus
Diane Arbus was one of the greatest photographers of the last century. Her portraiture of freaks, circus performers, twins, nudists and others on the social margins connected with a wide public at a deep psychological level. Her suicide in New York in 1971 overshadowed the reception to her work. Her posthumous exhibition at the Museum of Modern Art a year later drew lines around the block. She was born into a Russian-Jewish family, the Nemerovs, who owned a department store on Fifth Avenue. They were family friends with the Avedons. Richard Avedon later championed Arbus’s work. Avedon rose to greater and greater commercial success through the magazine world. Arbus died in a rent-protected apartment scrambling to earn her keep with odd teaching assignments. Lubow’s biography begins at the moment Arbus quit the world of commercial photography to be an artist. She was uncompromising in that ambition. The book ends with her death. The entire narrative is a slow march towards that event.
