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We are Playing Relatives
We are playing relatives offers a comprehensive survey of literary writing in the Malay language. It starts with the playful evocations of language and reality in the Hikayat Hang Tuah, a work that circulated on the Malay Peninsula in the eighteenth century, and follows the Malay literary impulse up to the beginning of the twenty-first century, a time when the dominant notions of Malay literature seem to fade away in the cyberspace created on the island of Java, and the Hikayat Hang Tuah's play and dance on the sounds of Malay words seem to be infused with a new vitality. We are playing relatives covers a highly heterogeneous group of texts published over a long period of time in many places in Southeast Asia. The book is organized around a discussion of related texts that are crucial in the rise of the notion of 'Malay literature'.
Indonesian Literature Vs New Order Orthodoxy
"Perhaps we shall never know the truth about Indonesia's failed (supposedly Communist) coup of 1965. But the consequences were clear: the fall of President Sukarno and rise to power of General Suharto plus violent suppression of all "Communist" organizations. In the process a half million lives were lost." "This book analyses Indonesian literature produced during the New Order period dealing with the events of 1965-1966 and its consequences. It examines the political coercion that people were subjected to and how the authors deal with the taboo subject of the killings. It also considers how the Communist Party was seen and discusses the underlying reasons for why the fictional characters act as they do. Crucial here is the influence of Javanese culture and the significance of President Sukarno's political concept of Nasakom." "This is the first book-length study presenting the alternative version found in Indonesian literature of the events of 1965-1966. It also demonstrates that the concerns and perceptions of Indonesian writers differ sharply from those of Westerners."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Understanding Witchcraft and Sorcery in Southeast Asia
Witchcraft holds a perennial fascination for scholars and the public at large. In Southeast Asia malign magic and sorcery are part of the routine experience of villagers and urban dwellers alike, and stories appearing in the press from time to time bear witness to a persisting public concern. The essays presented in this volume describe what people believe and what actions result from those beliefs. Not surprisingly, given the range and variety of cultures, considerable differences exist in the region. Among some cultures, in Thailand and Indonesia for example, sorcerers are said to possess spirits that empower them to cause illness and misfortune. Elsewhere, in Malaysia and Sumatra, the pow...
Erotic Triangles
In West Java, Indonesia, all it takes is a woman’s voice and a drum beat to make a man get up and dance. Every day, men there—be they students, pedicab drivers, civil servants, or businessmen—breach ordinary standards of decorum and succumb to the rhythm at village ceremonies, weddings, political rallies, and nightclubs. The music the men dance to varies from traditional gong ensembles to the contemporary pop known as dangdut, but they consistently dance with great enthusiasm. In Erotic Triangles, Henry Spiller draws on decades of ethnographic research to explore the reasons behind this phenomenon, arguing that Sundanese men use dance to explore and enact contradictions in their gender identities. Framing the three crucial elements of Sundanese dance—the female entertainer, the drumming, and men’s sense of freedom—as a triangle, Spiller connects them to a range of other theoretical perspectives, drawing on thinkers from Eve Kosofsky Sedgwick, Lévi-Strauss, and Freud to Euclid. By granting men permission to literally perform their masculinity, Spiller ultimately concludes, dance provides a crucial space for both reinforcing and resisting orthodox gender ideologies.
Functional Change
None
The Potent Dead
The dead are potent and omnipresent in modern Indonesia. Presidents and peasants alike meditate before sacred graves to exploit the power they confer, and mediums do good business curing the sick by interpreting the wishes of deceased forebears. Among non-Muslims there are ritual burials of the bones of the dead in monuments both magnificent and modest. By promoting dead heroes to a nationalist pantheon, regions and ethnic groups establish their place within the national story. Although much has been written about the local forms of the scriptural religions to which modern Indonesians are required by law to adhere - Islam, Christianity, Hinduism and Buddhism - this is the first book to asses...
Literature and Politics
In the discourse of Indonesian literature history, the relationship between literature and politics is pressing issue, a situation that cannot be easily to overcome. A long time ago, during the Dutch colonial government, there was a rule that literature should not discuss ideology, religion, and politics. This colonial policy lasts and never changes even though Indonesia was already get its independence. Thats why Indonesian literary society and writers have a strong believe that literature must not be involved in politics and it must not have any moral and political goals. Literature cannot be related to real-life directly because literature is only a fictional work. The historical aspects ...
Theory Of Literature: An Introduction
Theory Of Literature: An Introduction merupakan karya Dr. H. Nuriadi, SS., M.Hum
Identity and Pleasure
Identity and Pleasure: The Politics of Indonesian Screen Culture critically examines what media and screen culture reveal about the ways urban-based Indonesians attempted to redefine their identity in the first decade of this century. Through a richly nuanced analysis of expressions and representations found in screen culture (cinema, television and social media), it analyses the waves of energy and optimism, and the disillusionment, disorientation and despair, that arose in the power vacuum that followed the dramatic collapse of the militaristic New Order government. While in-depth analyses of identity and political contestation within the nation are the focus of the book, trans-national engagements and global dimensions are a significant part of the story in each chapter. The author focuses on contemporary cultural politics in Indonesia, but each chapter contextualizes current circumstances by setting them within a broader historical perspective.
The Dancer
Set in the tumultuous days of the mid 1960s, "The Dancer" describes a village community struggling to adapt to a rapidly changing world. It also provides readers with a ground-level view of the political turmoil and human tragedy leading up to and following the abortive Communist coup. This trilogy of novels traces the lives of two characters: Srintil, a dancer whose unwitting involvement with the region's leftist propaganda machine sets her at odds with Rasus, the love of her life who embraces Islam and finds a career in the army. Through their separate experiences, both learn the concepts of shame and sin: Rasus after he leaves their home village and journeys into the wider world and Srintil when the outside world finally comes crashing into her remote and isolated village.
