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Author Unknown
An exploration of the darker corners of ancient Rome to spotlight the strange sorcery of anonymous literature. From Banksy to Elena Ferrante to the unattributed parchments of ancient Rome, art without clear authorship fascinates and even offends us. Classical scholarship tends to treat this anonymity as a problem or game—a defect to be repaired or mystery to be solved. Author Unknown is the first book to consider anonymity as a site of literary interest rather than a gap that needs filling. We can tether each work to an identity, or we can stand back and ask how the absence of a name affects the meaning and experience of literature. Tom Geue turns to antiquity to show what the suppression ...
Juvenal and the Poetics of Anonymity
Argues that Juvenal actively concealed his own authorship from his Satires in response to a dangerous political climate.
Unspoken Rome
Showcases innovative approaches to Latin literature by reading textual absence as a generative force for literary interpretation and reception. Includes chapters by a wide range of scholars, covering some of the main authors of the Latin literary tradition, often in dialogue with modern literature and philosophy.
I, the Poet
First-person poetry is a familiar genre in Latin literature. Propertius, Catullus, and Horace deployed the first-person speaker in a variety of ways that either bolster or undermine the link between this figure and the poet himself. In I, the Poet, Kathleen McCarthy offers a new approach to understanding the ubiquitous use of a first-person voice in Augustan-age poetry, taking on several of the central debates in the field of Latin literary studies—including the inheritance of the Greek tradition, the shift from oral performance to written collections, and the status of the poetic "I-voice." In light of her own experience as a twenty-first century reader, for whom Latin poetry is meaningfu...
Major Corrections
A trenchant analysis of the thought of Sebastiano Timpanaro, one of the most original leftist thinkers of the 20th century Sebastiano Timpanaro (1923-2000) was one of the most original leftist thinkers of the 20th century. His thought spans a unique range of subjects, from materialism to classical philology, from the Enlightenment to Freud, from science to socialism, from the history of linguistics to 19th century Italian literature. Timpanaro confronted this manifold material with addictive clarity and incisive honesty. This book is the first serious attempt in any language to introduce Timpanaro’s thought in its entirety. Drawing on original archival research, Geue shows the astonishing breadth of Timpanaro’s intellect and his eccentric dual profile as a Marxist and technical philologist. From this emerges not only a compelling portrait of a neglected radical thinker, but also a rallying call for the Left to revive its commitment to scientific truth and rigorous detail.
Silenced Voices
Examines speech loss across all of Ovid's writings and the ways that motif is explored, developed, and modified in the poet's work after his exile from Rome.
Herodotean Narrative and Discourse
Mabel Lang offers a new interpretation of Herodotus. Her reading of the "Father of History" pinpoints the aspects of his style that clearly derive from oral composition. Lang examines oral techniques in storytelling, known from folktales and other oral literature as well as from Homer. She shows how the dramatic use of speeches--so characteristic of folk literature--played an important part in Herodotus' development of history out of the chronologies and geographies that he knew. Story form and speeches attributed to historical persons, she demonstrates, follow traditional formulas. She also studies in detail Herodotus' distinctive use of proverbs and rhetorical questions. Throughout, Lang draws on a variety of materials and offers particularly revealing comparisons of Homeric and Herodotean styles. This analysis of the evidence for oral composition in Herodotus' Histories opens a new perspective for students and scholars of Greek history.
Tenue est mendacium
Many new and fruitful avenues of investigation open up when scholars consider forgery as a creative act rather than a crime. We invited authors to contribute work without imposing any restrictions beyond a willingness to consider new approaches to the subject of ancient fakes, forgeries, and questions of authenticity. The result is this volume, in which our aim is to display some of the many possibilities available to scholarship. The exposure of fraud and the pursuit of truth may still be valid scholarly goals, but they implicitly demand that we confront the status of any text as a focal point for matters of belief and conviction. Recent approaches to forgery have begun to ask new questions...
Complex Inferiorities
The deliberate adoption of a 'weaker' voice by a speaker not obliged to do so is a widespread phenomenon in Latin literature. This volume traces this strategy across a range of genres, periods, and authors, exploring how it establishes, perpetuates, and challenges hierarchies and values in very different literary and cultural-political contexts.
The Master of Signs
In Herodotus's Histories, almost anything is capable of being invested with meaning--human speech, gifts, markings, and even the human body. This book represents an unprecedented examination of signs and their interpreters, as well as the terminology Herodotus uses to describe sign transmission, reception, and decoding.
