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Toledo Cathedral
Medieval Toledo is famous as a center of Arabic learning and as a home to sizable Jewish, Muslim, and Christian communities. Yet its cathedral—one of the largest, richest, and best preserved in all of Europe—is little known outside Spain. In Toledo Cathedral, Tom Nickson provides the first in-depth analysis of the cathedral’s art and architecture. Focusing on the early thirteenth to the late fourteenth centuries, he examines over two hundred years of change and consolidation, tracing the growth of the cathedral in the city as well as the evolution of sacred places within the cathedral itself. He goes on to consider this substantial monument in terms of its location in Toledo, Spain’s most cosmopolitan city in the medieval period. Nickson also addresses the importance and symbolic significance of Toledo’s cathedral to the city and the art and architecture of the medieval Iberian Peninsula, showing how it fits in with broader narratives of change in the arts, culture, and ideology of the late medieval period in Spain and in Mediterranean Europe as a whole.
Finding the Right Words
Isidore of Seville (circa 570-636) was the author of the Etymologiae,. the most celebrated and widely circulated encyclopaedia of the western Middle Ages. In addition, Isidore's Synonyma were very successful and became one of the classics of medieval spirituality. Indeed, it was the Synonyma that were to define the so-called 'Isidorian style,' a rhymed, rhythmic prose that proved influential throughout the Middle Ages. Finding the Right Words is the first book-length study to deal with the transmission and reception of works by Isidore of Seville in Anglo-Saxon England, with a particular focus on the Synonyma. Beginning with a general survey of Isidore's life and activity as a bishop in earl...
What Makes a Church Sacred?
"If churches belong to no one, what is their purpose? Mary K. Farag persuasively demonstrates that three interest groups cared about this question in late antiquity: law-makers, Christian leaders, and wealthy lay-persons. Most of the time, their answers co-existed, sitting side-by-side like tectonic plates. Yet the plates did not always sit still, and it is events on their colliding boundaries that account for familiar Christian controversies in novel ways. What Makes a Church Sacred? argues that scholarship misunderstands well-known religious figures by ignoring the legal issues they faced. In this seminal text, Farag nuances the scholarly conversations on sacred space, gift-giving, wealth, and poverty in the late antique Mediterranean world, making use not only of Latin and Greek sources, but also Coptic and Arabic evidence"--
Moral Dilemmas in Medieval Thought
The history of moral dilemma theory often ignores the medieval period, overlooking the sophisticated theorizing by several thinkers who debated the existence of moral dilemmas from 1150 to 1450. In this book Michael V. Dougherty offers a rich and fascinating overview of the debates which were pursued by medieval philosophers, theologians and canon lawyers, illustrating his discussion with a diverse range of examples of the moral dilemmas which they considered. He shows that much of what seems particular to twentieth-century moral theory was well-known long ago - especially the view of some medieval thinkers that some forms of wrongdoing are inescapable, and their emphasis on the principle 'choose the lesser of two evils'. His book will be valuable not only to advanced students and specialists of medieval thought, but also to those interested in the history of ethics.
Identity and Locality in Early European Music, 1028–1740
This collection presents numerous discoveries and fresh insights into music and musical practices that shaped distinctly localized individual and collective identities in pre-modern and early modern Europe. Contributions by leading and emerging European music experts fall into three areas: plainchant traditions in Aquitania and the Iberian peninsula during the first 700 years of the second millennium; late medieval musical aesthetics, traditions and practices in Paris, Padua, Prague and more generally England, Germany and Spain; and local traditions in Renaissance Augsburg and Baroque Naples and Dresden. In addition to in-depth readings of anonymous musical traditions, contributors provide new details concerning the lives and music of well-known composers such as Ad r de Chabannes, Bartolino da Padova, Ciconia, Josquin, Senfl, Alessandro Scarlatti, Heinichen and Zelenka. This book will appeal to a broad range of readers, including chant scholars, medievalists, music historians, and anyone interested in music's place in pre-modern and early modern European culture.
Facts and Artefacts - Art in the Islamic World
The scholarly search on the art of the object is of enduring interest and enjoys a new renaissance in the last few years. This book mainly explores the art and craft of Islamic artefacts and presents to the reader a diverse range of approaches. Despite this variety, in which also artefacts of the pre-Islamic, period as well as 'orientalized' European artefacts of the modern era are included, there is an overarching theme – the linking of the interpretation of objects and their specific aesthetics to textual sources and the aim of setting them in historical and artistic context. In this impressive collection honouring the German scholar of Islamic art Jens Kröger on his 65th birthday, Avinoam Shalem and Annette Hagedorn bring together contributions from a highly distinguished group of scholars of Asiatic, Sasanian, Islamic as well as European art history. Unpublished artefacts and new interpretations are presented in this book.
Creating Christian Granada
Creating Christian Granada provides a richly detailed examination of a critical and transitional episode in Spain's march to global empire. The city of Granada—Islam's final bastion on the Iberian peninsula—surrendered to the control of Spain's "Catholic Monarchs" Isabella and Ferdinand on January 2, 1492. Over the following century, Spanish state and Church officials, along with tens of thousands of Christian immigrant settlers, transformed the formerly Muslim city into a Christian one.With constant attention to situating the Granada case in the broader comparative contexts of the medieval reconquista tradition on the one hand and sixteenth-century Spanish imperialism in the Americas on...
Herculean Labours: Erasmus and the Editing of St. Jerome's Letters in the Renaissance
The first monograph in English on Erasmus of Rotterdam as an editor of St. Jerome, this book belongs to the growing scholarship on the reception of the Church Fathers in early modern Europe. Erasmus, like other Renaissance humanists, particularly admired Jerome (d. 419 or 420), and he expressed his admiration most conspicuously in his edition of Jerome’s letters. Proclaiming his editorial Herculean labours, Erasmus energetically promoted himself and his publication. Erasmus’ self-promotion cannot be reduced to a secular appropriation of Jerome, however. A detailed examination of a variety of editorial interventions demonstrates Erasmus’ religious purpose, his debt to previous editorial traditions as well as his editorial novelty, and his influence on subsequent sixteenth-century editions of Jerome.
The Renaissance of Empire in Early Modern Europe
Examines the intellectual and artistic foundations of the Imperial Renaissance in fourteenth- and fifteenth-century Italy and traces its political realization in sixteenth- and seventeenth-century Europe.
