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Disorientations
Cultural Writing. Art. DISORIENTATIONS: ART ON THE MARGINS OF THE "CONTEMPORARY," the latest book by up-and-coming cult author Travis Jeppesen, proposes that rarest of things: a poetics of art criticism. Mirroring the author's years spent in Central and Eastern Europe, Jeppesen's writings on artists and scenes situated outside the radar of the larger art world bring together a motley crew of outsiders whose work is destined to push the margins to the center. Encompassing a selection of reviews, essays, riffs and rants on the state of the visual arts, Disorientations is a joltingly unconventional - and confrontational - addition to the literature of art criticism. Disorientations is destined to be the talk of the art world for years to come, and is a must-read for artists, critics, historians, gallerists, collectors, teachers and students alike. Other books by Jeppesen available from SPD include WOLF AT THE DOOR, POEMS I WROTE WHILE WATCHING TV, and VICTIMS.
See You Again in Pyongyang
A "close-up look at the cloistered country" (USA Today), See You Again in Pyongyang is American writer Travis Jeppesen's "probing" and "artful" (New York Times Book Review) chronicle of his travels in North Korea--an eye-opening portrait that goes behind the headlines about Trump and Kim, revealing North Koreans' "entrepreneurial spirit, and hidden love of foreign media, as well as their dreams and fears" (Los Angeles Times). In See You Again in Pyongyang, Travis Jeppesen culls from his experiences traveling and studying in North Korea to create a multifaceted portrait of the country and its idiosyncratic capital city. Jeppesen challenges the notion that Pyongyang is merely a "showcase capital" where everything is staged for the benefit of foreigners, as well as the idea that Pyongyangites are brainwashed robots. Jeppesen introduces readers to an array of fascinating North Koreans, from government ministers with a side hustle in black market Western products to young people enamored with American pop culture. Revealing a complex society, rife with contradictions, See You Again in Pyongyang is an essential addition to the literature about one of the world's most fascinating places.
Victims
In a barren field in the fictional town of Monkhole, Herbert stands watch over the cows-his sole form of amusement-daydreaming of his mother, who has disappeared with a UFO cult, the Overcomers. Meanwhile, his friend Howard works obsessively on a tome about victimology. It may be up to their friend Ruphis to unravel the mystery of the Overcomers, Herbert's battle against gravity, Howard's against the great white wall and the nature of those mysterious lights hovering in the clouds... Travis Jeppesen's debut novel, first published in 2003, set literary culture off balance by giving voice to the demented lifestyle of cultists. Victims returns to reanimate these spectral figures, and the forces and forms hidden in their shadows. "Victims holds a remarkably confident and able line through complicated waters... brilliant." -Tom McCarthy "An artfully fractured vision of memory and escape..." -Village Voice "Jeppesen's novel has the potential to change your life." -Bookslut
The Bodies That Remain
The Bodies That Remain is a collection of bodies and absences. Through biography, experimental essay and interview, fictional manifestation, and poetic extraction, The Bodies That Remain is a collection of texts and images on the bodies of artists and writers who battled with the frustration of their own physicality and whose work reckoned with these limitations and continued beyond them. The Bodies That Remain looks back at how the identity of these bodies was shaped by the spaces around them, through the retelling of memory, through stories told by others; of how their work, processed by their body, made it possible for others to experience sensations - mourning, desire, or a nostalgia tha...
Poems I Wrote While Watching TV
Poetry. Travis Jeppesen's debut collection POEMS I WROTE WHILE WATCHING TV is a ruthlessly implosive meditation on the death of language in a media-saturated world. Perfectly complimented by Jeremiah Palecek's sardonic illustrations, POEMS I WROTE WHILE WATCHING TV ponders the mundane and the un-nameable with a highly personal mixture of devastation and humor.
Chalk
**A New York Times Editors Choice** "The most substantive biography of the artist to date...propulsive, positive and persuasive."—Holland Cotter, New York Times Book Review **PEN / Jacqueline Bograd Weld Award for Biography Finalist** **A Marfield Prize Finalist** Cy Twombly was a man obsessed with myth and history—including his own. Shuttling between stunning homes in Italy and the United States where he perfected his room-size canvases, he managed his public image carefully and rarely gave interviews. Upon first seeing Twombly’s remarkable paintings, writer Joshua Rivkin became obsessed himself with the mysterious artist, and began chasing every lead, big or small—anything that mig...
Stet
Fiction. STET tells the life story of Stet, a filmmaker from Soviet Leningrad, who is sent for his artistic crimes to a prison camp in the 1960's, and dies there without having produced much more than a single film. Narrated in an extravagant third-person voice that emulates the sound and attitude of the classic "Russian Novel,"--opinionated, discursive, soulful--the novel depicts the fate of the artist, or of the individual, in any society. It imagines a world where we do not live by our judgments of others, nor by our fear of what other people think of us. "Fascinating, gorgeous...in a dense, imagistic style reminiscent of Michael Ondaatje or Gyorgy Konrad... For the uncommon reader..."--King's English.
Bad Writing
Essays that forge a path to a truly radical “bad” modernism in art and literature. What, exactly, constitutes the “bad”? Can one consciously produce in the name of “badness,” or is badness a value judgment that comes after the fact, from an Other? How does one begin to assign aesthetic value to an object? If one is to accept the “bad” as “good,” or to find aesthetic value in badness, then when does the bad succeed and when does it fail? If, pace Beckett, we are to embrace failure as an inevitable goal, then isn't it necessary to invent a new mode of criticism that accommodates this aesthetic reality? Travis Jeppesen's Bad Writing offers a series of interconnected essays, ...
Wolf at the Door
Fiction. A sculptor dying of a mysterious illness leaves the city behind in order to live out his final days in solitude in a village somewhere in Eastern Europe. His sole contact is with a deaf-mute gravedigger named Vojtech, a golem-like figure who delivers the necessary provisions--when he remembers to show up. A nameless wanderer traverses the barren streets of an unknown city in search of his next prey...
Anything Could Happen
Poetry. Translated from the Slovene by Barbara Jurša, with Laura Solomon, Travis Jeppesen, and Bridgette Bates. Jana Putrle Srdić's poetry is widely published in both her native Slovenia and abroad (she's been translated into twelve languages). ANYTHING COULD HAPPEN is the first collection of work in English. This sampling of poems from her first three collections shows off her range of subjects and language- work that is sometimes dark, sometimes playful, but always reveals her astute and acerbic eye on culture and, especially, relationships.
