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'Capitol Complex/Ulterior Vistas' is an artist's book based on the English landscape movement that contains a spoken word script for a performance. The script is accompanied by a related sound-work on a 10" vinyl record, as well as a separate series of large-scale photographs. This publication accompanies an artwork by British artist Tris Vonna-Michell that is permanently installed within Focal Point Gallery's new building, which opened in late September 2013.
"The stories and the visual material assembled in this book originated and began their evolution in 2003. Since 2008, they have been gradually modified and further expanded in a series of projects ... Taking these projects as a starting point, Tris Vonna-Michell conceived this book as a further elaboration of his artistic practice, interweaving multiple narrative threads. Behind an identical cover, the seemingly 'same' is presented in variations that were developed through performative improvisations over the first version of the text, initial placing of the images and positioning of the inserts"--P. 74.
Here Eduardo Cadava demonstrates that Walter Benjamin articulates his conception of history through the language of photography. Focusing on Benjamin's discussions of the flashes and images of history, he argues that the questions raised by this link between photography and history touch on issues that belong to the entire trajectory of his writings: the historical and political consequences of technology, the relation between reproduction and mimesis, images and history, remembering and forgetting, allegory and mourning, and visual and linguistic representation. The book establishes the photographic constellation of motifs and themes around which Benjamin organizes his texts and thereby bec...
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This publication records the project which was comprised of public events and a large exhibition held at the Reykjavik Art Museum (2008) and at the Serpentine Gallery in London (2007).
Taking Aim The Business of Being an Artist Today is a practical, affordable resource guide filled with invaluable advice for the emerging artist. The book is specially designed to aid visual artists in furthering their careers through unfiltered information about the business practices and idiosyncrasies of the contemporary art world. It demystifies often daunting and opaque practices through first-hand testimonials, interviews, and commentary from leading artists, curators, gallerists, collectors, critics, art consultants, arts administrators, art fair directors, auction house experts, and other art world luminaries. Published in celebration of the 30th anniversary of Artist in the Marketpl...
The first collection of essays dedicated to experimental practice in contemporary British poetry, Modernist Legacies provides an overview of the most notable trends in the past 50 years. Contributors discuss a wide range of poets including Caroline Bergvall and Barry MacSweeney, showing these poets' connections with their Modernist predecessors.
This retrospective surveys the first five years of the project series The Front Room at the Contemporary Art Museum, St. Louis. The artists include Claire Fontaine, Kerry James Marshall and Tris Vonna-Michell.
This book presents distinct perspectives from both geographically-oriented creative practices and geographers working with arts-based processes. In doing so, it fills a significant gap in the already sizeable body of non-representational discourse by bringing together images and reflections on performances, art practice, theatre, dance, and sound production alongside theoretical contributions and examples of creative writing. It considers how contemporary art making is being shaped by spatial enquiry and how geographical research has been influenced by artistic practice. It provides a clear and concise overview of the principles of non-representational theory for researchers and practitioners in the creative arts and, across its four sections, demonstrates the potential for non-representational theory to bring cultural geography and contemporary art closer than ever before.
"Working from his studio in China, internationally acclaimed artist and activist Ai Weiwei has created a major series of site-specific installations for Alcatraz Island. In this essential catalog, beautiful photographs of the large-scale artworks provide an comprehensive look at this important project, while thought-provoking texts and archival vintage images proffer cultural and historical context"--