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Meaning and Its Objects
Gifts and Exchange Andrew Cowell Swords, Clubs and Relics: Performance, Identity and the Sacred Deborah McGrady 'Tout son païs m'abandonna': Reinventing Patronage in Machaut's Fonteinne amoureuse Margaret Burland Narrative Objects and Living Stories in Galeran de Bretagne Images and Portraits Peggy McCracken Miracles, Mimesis, and the Efficacy of Images Alexa Sand Vision and the Portrait of Jean le Bon Cynthia Brown Books in Performance: The Parisian Entry (1504) and Funeral (1514) of Anne of Brittany Ann Rosalind Jones Habits, Holdings, Heterologies: Populations in Print in a 1562 Costume Book George Hoffmann Montaigne's Nudes: The Lost Tower Paintings Rediscovered Plans and Procedures Jeff Persels Taking the Piss out of Pantagruel: Urine and Micturition in Rabelais David LaGuardia Interrogation and the Performance of Truth in the Registre Criminel du Châtelet de Paris Andrea Tarnowski Material Examples: Philippe de Mézières's Order of the Passion Michael Randall Sword and Subject in Du Haillan's Histoire de France (1576)
Living Memoria
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Jaarboek voor middeleeuwse geschiedenis 14 (2011)
In dit 'Jaarboek' worden diverse interessante thema's uit de middeleeuwse geschiedenis van de Nederlanden behandeld. Nicolas Mazeure onderzoekt de omgang van monnik Folcuin met de archivalia van de Vlaamse abdij van Sint-Bertijns. J.A. (Hans) Mol biedt een nieuwe kijk op de eind elfde eeuw op gang gekomen veenontginningen in het huidige Noordwest-Overijssel en Zuid-Friesland. Aan de hand van de door de dertiendeeeuwse Vlaams-Henegouwse gravin Johanna van Constantinopel uitgevaardigde oorkonden belicht Els De Paermentier het bestuur en de machtsuitoefening door vrouwen. Jaap van Moolenbroek ontrafelt het ontstaan van de mythe rond de inname van Damietta door Haarlemse kruisvaarders. Ellen Wurtzel laat zien hoe de stedelijke verdedigingswerken in het vijftiende- en zestiende-eeuwse Lille in toenemende mate werden beschouwd als collectief bezit. Truus van Bueren, Kim Ragetli en Arnoud-Jan Bijsterveld belichten de mogelijkheden en uitdagingen van het brede onderzoeksterrein van middeleeuwse 'memoria', in het bijzonder van het Utrechtse MeMo-project.
Religion, the Supernatural and Visual Culture in Early Modern Europe
This volume brings together some of the most exciting new scholarship on these themes, and thus pays tribute to the ground-breaking work of Charles Zika. Seventeen interdisciplinary essays offer new insights into the materiality and belief systems of early modern religious cultures as found in artworks, books, fragmentary texts and even in Protestant ‘relics’. Some contributions reassess communal and individual responses to cases of possession, others focus on witchcraft and manifestations of the disordered natural world. Canonical figures and events, from Martin Luther to the Salem witch trials, are looked at afresh. Collectively, these essays demonstrate how cultural and interdisciplinary trends in religious history illuminate the experiences of early modern Europeans. Contributors: Susan Broomhall, Heather Dalton, Dagmar Eichberger, Peter Howard, E. J. Kent, Brian P. Levack, Dolly MacKinnon, Louise Marshall, Donna Merwick, Leigh T.I. Penman, Shelley Perlove, Lyndal Roper, Peter Sherlock, Larry Silver, Patricia Simons, Jennifer Spinks, Hans de Waardt and Alexandra Walsham.
Rethinking the Dialogue between the Verbal and the Visual
In this volume, specialists from different fields present case studies of text-image relationships in the religious field (1400-1700) with a methodological and/or theoretical dimension.
Piety in Practice and Print
The late Middle Ages provide us with a fascinating religious landscape. The quest for new religious ideals and intense spirituality can be observed in movements such as the Modern Devotion and the Franciscan Observance, marking the late fourteenth and fifteenth century with new institutional dynamics and the formation of a variety of religious communities. The dissemination of these new religious ideas and ideals profited from the advent of the printing press. It is these subjects that Koen Goudriaan, professor of Medieval History at VU University Amsterdam, has studied for decades. This volume, edited by Anna Dlabačová and Ad Tervoort, presents a collection of eleven of his best essays. It focuses on three themes: the institutional parameters of late medieval religious movements, the cult of remembrance, and the interaction between religious movements and the early printing press. Together, these essays provide a representative sample of Goudriaan’s substantial contribution to scholarship on late medieval history.
Pleasant Places
The variations of pleasure and their expression in Dutch rustic landscapes of the seventeenth century are recurring themes in Walter S. Gibson's engaging new book. Gibson focuses on Haarlem between 1600 and 1635, in his interpretation of Dutch landscapes and emphasizes prints, the medium in which the rustic view was first made available to the general art-buying public. Gibson begins by looking at the origins of the rustic landscape in the sixteenth-century Flanders and its later reformation by Dutch artists, a legacy very much alive today. He next offers a critical review of "scriptural reading," a popular mode of interpreting the Dutch rustic landscape that incorporates Calvinist-influence...
Memory & Oblivion
Memory is a subject that recently has attracted many scholars and readers not only in the general historical sciences, but also in the special field of art history. However, in this book, in which more than 130 papers given at the XXIXth International Congress of the History of Art (Amsterdam) 1996 have been compiled, Memory is also juxtaposed to its counterpart, Oblivion, thus generating extra excitement in the exchange of ideas. The papers are presented in eleven sections, each of which is devoted to a different aspect of memory and oblivion, ranging from purely material aspects of preservation, to social phenomena with regard to art collecting, from the memory of the art historian to workshop practices, from art in antiquity, to the newest media, from Buddhist iconography to the Berlin Wall. The book addresses readers in the field of history, history of art and psychology.
Gender and Emotions in Medieval and Early Modern Europe: Destroying Order, Structuring Disorder
States of emotion were vital as a foundation to society in the premodern period, employed as a force of order to structure diplomatic transactions, shape dynastic and familial relationships, and align religious beliefs, practices and communities. At the same time, societies understood that affective states had the potential to destroy order, creating undesirable disorder and instability that had both individual and communal consequences. These had to be actively managed, through social mechanisms such as children's education, acculturation, and training, and also through religious, intellectual, and textual practices that were both socio-cultural and individual. Presenting the latest research from an international team of scholars, this volume argues that the ways in which emotions created states of order and disorder in medieval and early modern Europe were deeply informed by contemporary gender ideologies. Together, the essays reveal the critical roles that gender ideologies and lived, structured, and desired emotional states played in producing both stability and instability.
