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"This catalogue includes 42 paintings, 18 calligraphic works, and 12 studio objects by Professor Jao Tsung-i."--Page 7
"The articles in this volume present an important selection of Jao Tsung-i's research in the field of the early Chinese intellectual tradition, especially as concerns the question of the conditio humana. Whether his focus is on myth, religion, philosophy or morals, Jao constantly aims at describing the Chinese version of a series of developments that are broadly associated with the Axial Age in the study of the ancient world in general. He is particularly interested in showing how early China had developed its own notion of transcendence as well as a system of prediction and morals that allowed man to act on his own account, without having to rely on divine providence"--
The articles assembled in this volume present an important selection of Professor Jao Tsung-i’s research in the field of the early Chinese intellectual tradition, especially as it concerns the human condition. Whether his focus is on myth, religion, philosophy or morals, Jao consistently aims to describe how the series of developments broadly associated with the Axial Age unfolded in China. He is particularly interested in showing how early China had developed its own notion of transcendence as well as a system of prediction and morals that enabled man to act autonomously, without recourse to divine providence.
Jao Tsung-i was China's last great traditional man of letters, polymath, and pioneer of comparative humanistic inquiry during Hong Kong's global heyday. Dunhuang is China's traditional northwest frontier and overland conduit of exchange with the Old World. In this volume, Jao proposes an entirely new school of Chinese landscape painting, reconsiders Dunhuang's oldest manuscripts as its newest research field, and explores topics ranging from comparative religion to medieval multimedia.
Dunhuang: China’s traditional northwest frontier and overland conduit of exchange with the Old World. Jao Tsung-i: China’s last great traditional man of letters, polymath, and pioneer of comparative humanistic inquiry during Hong Kong’s global heyday. Jao and Dunhuang had a special relationship that this book makes accessible in English for the first time. Inside, Jao proposes an entirely new school of Chinese landscape painting, reconsiders Dunhuang’s oldest manuscripts as its newest research field, and explores topics ranging from comparative religion to medieval multimedia.
The Residue of Dreams is the first English-language publication of the classical-style poems of Jao Tsung-i (b. 1917), a prominent artist-calligrapher, scholar-poet, and polymath living in Hong Kong. Jao's poems in various traditional forms reflect the tumultuous history of twentieth-century China, but also demonstrate the enduring resonance of its classical culture. The Residue of Dreams contains a broad-ranging selection of Jao's poems covering topics from the Second World War and his travels in Southeast Asia, to Nietzsche and the scribes of medieval Dunhuang. The poems give a vivid impression of one of the most erudite minds of our time, and show a new side of contemporary Chinese literature that has mostly been overlooked in English-language publications. All poems are presented both in the original Chinese text and in English translation, accompanied by scholarly notes with identification of many of Jao's allusions and cultural references. The introduction places Jao's poetry in the context of modern Chinese literary studies and elucidates its cultural background for general readers.
Chronicles of Jao Tsung-I's Apprenticeship is a comprehensive overview on the master of Chinese culture Jao Tsung-I's scholarly research journey from the age of 6 in 1922 to age 95 in 2011. Read detailed records of Jao's life experiences and works in a different period, which is informative and textually rigorous. This is not only Jao's biography, but an important reference for researching his academic achievements. The book is a combination of the master of Chinese culture, the leading sinology authority, and the pride of Asian culture, which makes it a worthy collector's edition. About the Author Chen Hanxi was born in Guangdong, Chaozhou. He is a senior economist and has published other books, including The Direction of Economy Revolution and China Cooperative Bank. Publisher's website: http: //sbprabooks.com/ChenHanxi
This is an open access title available under the terms of a CC BY-NC-ND 4.0 licence. It is free to read at Oxford Scholarship Online and offered as a free PDF download from OUP and selected open access locations. This volume sets out to re-examine what ancient people - primarily those in ancient Greek and Roman communities, but also Mesopotamian and Chinese cultures - thought they were doing through divination, and what this can tell us about the religions and cultures in which divination was practised. The chapters, authored by a range of established experts and upcoming early-career scholars, engage with four shared questions: What kinds of gods do ancient forms of divination presuppose? W...