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"Accompanies the exhibition Lost Treasures of Strawberry Hill: Masterpieces from Horace Walpole's Collection, 20 October 2018-24 February 2019"--Title page verso.
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Horace Walpole (1717-1797), as the youngest son of the powerful Whig minister Robert Walpole, grew up at the center of Georgian society and politics and circulated amongst the elite literary, aesthetic, and intellectual circles of his day. His brilliant letters and writings have made him the best-known commentator on the rich cultural life of 18th-century England. In his own day, he was most famous for his extraordinary collections of rare books and manuscripts, antiquities, paintings, prints and drawings, furniture, ceramics, arms and armor, and curiosities, all displayed at his pioneering Gothic Revival house at Strawberry Hill, on the banks of the Thames at Twickenham. This timely and groundbreaking study of the history and reception of Walpole’s collection as it was formed and arranged at Strawberry Hill coincides with a planned restoration of this endangered house. Horace Walpole’s Strawberry Hill assembles an international team of distinguished scholars to explore the ways in which Strawberry Hill and its collections engaged with the creation of various and interconnected political, national, dynastic, cultural, and imagined histories.
Gothic Architecture and Sexuality in the Circle of Horace Walpole shows that the Gothic style in architecture and the decorative arts and the tradition of medievalist research associated with Horace Walpole (1717–1797) and his circle cannot be understood independently of their own homoerotic culture. Centered around Walpole’s Gothic villa at Strawberry Hill in Twickenham, Walpole and his “Strawberry Committee” of male friends, designers, and dilettantes invigorated an extraordinary new mode of Gothic design and disseminated it in their own commissions at Old Windsor and Donnington Grove in Berkshire, Lee Priory in Kent, the Vyne in Hampshire, and other sites. Matthew M. Reeve argues ...
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My buildings are paper, like my writings, and both will blow away in ten years after I am dead.' Horace Walpole died in 1790 yet remarkably Strawberry Hill is still standing over 200 years later. During the latter part of the 18th century, Horace Walpole, son of England's first Prime Minister, transformed a modest house into his own 'little Gothic castle,' creating a tourist attraction, which was as popular in his day as it is in ours. Walpole was a compulsive collector and filled the house with a pioneering collection of antiques and curios. The house and gardens have recently undergone a multimillion-pound restoration project to return Walpole's Gothic vision to its original splendour. AUTHOR: John Iddon worked for several years at St Mary's University College where, amongst other things, he trained the Strawberry Hill guides, wrote the first guidebook and ran an MA in Interpreting Heritage Sites. He now lectures, writes and deals in art. 80 colour illustrations
A room-by-room tour of one of the wonders of the eighteenth-century architectural world
In The Flower Hunter, Lucy Hunter takes us on an inspirational journey through a year in her garden and artist’s studio set among the mountains of North Wales. Lucy's evocative, gently humorous words accompany her glorious photographs and exquisite floral arrangements, as she encourages the reader to marvel at the intricate cycles of the natural world, develop their own innate creativity, and to look for beauty in the everyday. Her garden provides the raw materials and inspires Lucy's floral artistry—breathtaking naturalistic arrangements with all the painterly beauty and flourish of a Dutch still life. Simple projects accompany Lucy’s text, from drying garden flowers for an autumnal wreath to making your own journals and natural dyes to assembling lavish arrangements that showcase the voluptuous beauty of garden roses. Lucy believes that we all have a creative voice buried deep within. The Flower Hunter will encourage you to find your own creativity and help it to blossom.
Conclusion -- Appendix -- Bibliography -- Glossary -- Index