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An interdisciplinary approach to establish the significance of the first illustrated edition of the plays of Terence, its commentary and iconographic traditions and legacy in sixteenth-century Italy and France.
The relationship between actors and spectators has been of perennial interest to playwrights. The Roman playwright Plautus (ca. 200 BCE) was particularly adept at manipulating this relationship. Plautus allowed his actors to acknowledge freely the illusion in which they were taking part, to elicit laughter through humorous asides and monologues, and simultaneously to flatter and tease the spectators. These metatheatrical techniques are the focus of Timothy J. Moore's innovative study of the comedies of Plautus. The first part of the book examines Plautus' techniques in detail, while the second part explores how he used them in the plays Pseudolus, Amphitruo, Curculio, Truculentus, Casina, and Captivi. Moore shows that Plautus employed these dramatic devices not only to entertain his audience but also to satirize aspects of Roman society, such as shady business practices and extravagant spending on prostitutes, and to challenge his spectators' preconceptions about such issues as marriage and slavery. These findings forge new links between Roman comedy and the social and historical context of its performance.
In a grand tour of comic theater over the centuries, Erich Segal traces the evolution of the classical form from its early origins in a misogynistic quip by the sixth-century B.C. Susarion, through countless weddings and happy endings, to the exasperated monosyllables of Samuel Beckett. With fitting wit, profound erudition lightly worn, and instructive examples from the mildly amusing to the uproarious, his book fully illustrates comedy's glorious life cycle from its first breath to its death in the Theater of the Absurd.
This contribution by Gesine Manuwald provides an introduction to all varieties of ‘Roman comedy’, including primarily fabula palliata (‘New Comedy’, as represented by Plautus and Terence) as well as fabula togata, fabula Atellana, mimus and pantomimus.
Identifies and explores Roman modes of poetry as received by twentieth- and twenty-first-century Anglo-American, German, and French poets.
From A.D. 395 to 404, Claudian was the court poet of the Western Roman Empire, ruled by Honorius. In 399 the eunuch Eutropius, the grand chamberlain and power behind the Eastern Roman throne of Honorius's brother Arcadius, became consul. The poem In Eutropium is Claudian's brilliantly nasty response. In it he vilifies Eutropius and calls on Honorius's general, Stilicho, to redeem this disgrace to Roman honor. In this literary and historical study, Jacqueline Long argues that the poem was, in both intent and effect, political propaganda: Claudian exploited traditional prejudices against eunuchs to make Eutropius appear ludicrously alien to the ideals of Roman greatness. Long sets In Eutropium...
Der in englischer Sprache verfasste Forschungsbericht zu Ovids Metamorphosen wurde von einem Forscher:innenteam der Universität Huelva unter Leitung von Antonio Ramírez de Verger und Luis Rivero García erstellt und arbeitet die schier unüberschaubare Literatur zu diesem gegenwärtig wohl meistgelesenen und meisterforschten Werk der römischen Dichtung kritisch auf. Im Zentrum des zweiten Teils stehen Arbeiten zu Sprache und Stil der Metamorphosen, außerdem Arbeiten zu Quellen und Vorbildern sowie zur Rezeptionsgeschichte.
"The reasons for the conspicuous popularity of Ovid--his life as well as his works--at the turn of the new millennium bear investigation.... This book speaks of the new bodies assumed in the twentieth century by the poems and tales to which Ovid gave their classic form--including prominently the account of his own life, which has been hailed by many writers of our time as the archetype of exile.... I intend to suggest some of the reasons for Ovid's appeal to different writers and different generations."--from the PrefaceTheodore Ziolkowski approaches Ovid's Latin poetry as a comparatist, not as a classicist, and maintains that the contextualization of individual works helps place them in a l...
The most recent addition to the popular POCKET GUIDE series, Trees of Zambia features 140 indigenous tree species and four naturalised exotics likely to be seen in Zambia and its 20 national parks. The trees are organised in five groups, each with a unique set of characteristics, to help narrow down options in identifying a tree. Each page describes a single tree species, combining concise text and photographs. Features include: Succinct species descriptions including bark, leaves, flowers and fruit. Full-colour photographs of trees and their parts. Up-to-date distribution maps. A brief introduction covering vegetation types. Table of family names and tree characteristics. Local names for trees. Best viewing locations, including national parks. Sales points: First compact and accessible guide to trees of the region. Ideal companion for exploring Zambia. Distribution maps for each species. Authors are regional experts.