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Kapıdan girdiğinde gözleri Kirman’ı aradı. Felaket, sessizlik olup çökmüştü evin her yerine. Cemile olanlardan bihaber kızının odasına çevirdi adımlarını. Dudağının kenarından hâlâ Veysel Karani İlahisi dökülüyordu. Kirman’ı yatakta kıvrılmış, ağzı yüzü kanamış görünce aklı başından gitti. “Düştün mü yoksa kız?” diye elini yüzünü okşadı Kirman’ın. Kirman hiç konuşmuyor, durmaksızın hıçkırıyordu. Gözyaşları yanaklarında akmak için buldukları yolları temizlemiş, diğer yerler kan bulaşığından kirli bir görüntüye gark olmuştu. Ellerini bacaklarının arasında birbirine birleştirmiş, sanki annesini görm...
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This Handbook provides a comprehensive overview of Turkish literature within both a local and global context. Across eight thematic sections a collection of subject experts use close readings of literature materials to provide a critical survey of the main issues and topics within the literature. The chapters provide analysis on a wide range of genres and text types, including novels, poetry, religious texts, and drama, with works studied ranging from the fourteenth century right up to the present day. Using such a historic scope allows the volume to be read across cultures and time, while simultaneously contextualizing and investigating how modern Turkish literature interacts with world lit...
Architectural historian and philosopher Bozdogan began planning this study while she was researching her book on Turkish architect Sedad Hakki Eldem. Now based in Boston, she situates Turkish architecture during the early decades of the 20th century within the contexts of nationalist impulses and modern architecture in western culture generally. Annotation copyrighted by Book News, Inc., Portland, OR
Combined edition of four documentary books on the repression and violation of human rights in Turkey after the March 12, 1971 military coup, edited in the name of Democratic Resistance of Turkey and sent to all European institutions and human rights organisation: File On Turkey, Man Hunts in Turkey, Turkey on Torture and Resistance posters.
In 1909, the US Circuit Court in Cincinnati set out to decide “whether a Turkish citizen shall be naturalized as a white person”; the New York Times article on the decision, discussing the question of Turks’ whiteness, was cheekily entitled “Is the Turk a White Man?” Within a few decades, having understood the importance of this question for their modernization efforts, Turkish elites had already started a fantastic scientific mobilization to position the Turks in world history as the generators of Western civilization, the creators of human language, and the forgotten source of white racial stock. In this book, Murat Ergin examines how race figures into Turkish modernization in a process of interaction between global racial discourses and local responses.