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This bibliography lists English-language translations of twentieth-century Italian literature published chiefly in book form between 1929 and 1997, encompassing fiction, poetry, plays, screenplays, librettos, journals and diaries, and correspondence.
Part autobiographical novel and part cookbook, Keeping House tells the story of a young Italian woman struggling to find self-definition and self-identity. Born into a prominent Jewish Italian family full of strong personalities and colorful figures, Clara narrates the humorous, dramatic, and often poignant events that inform her life. Intertwining recipes with her narrative, Clara uses food as markers for the cornerstones of her life, allowing her to discover and remember both public and private events—a Yom Kippur dinner, fascism and antifascism, the early years of the young Italian republic, the politics and culture of the Italian left, the openness of the 1960s and '70s, and the retreat into privacy of the 1980s.
This book explores Darwinism in modern Italian literature. In the years between Italy’s unification (1861) and the rise of fascism, many writers gave voice to anxieties connected with the ideas of evolution and progress. This study shows how Italian authors borrowed and reworked a scientific vocabulary to write about the contradictions and the contrasting tensions of Italy’s cultural and political-economic modernization. It focuses, above all, on novels by Italo Svevo, Federico De Roberto and Luigi Pirandello. The analysis centers on such topics as the struggle against adverse social conditions in capitalistic society, the risk of failing to survive the struggle itself, the adaptive issues of individuals uprooted from their family and work environments, the concerns about the heredity of maladapted characters. Accordingly, the book also argues that the hybridization and variation of both narrative forms and collective mindsets describes the modernist awareness of the cultural complexity experienced in Italy and Europe at this time.
Ugo Spirito's Memoirs of the Twentieth Century is the intellectual autobiography of one of the most original and anticonformist contemporary Italian philosophers. In it, Spirito makes an evaluation of his long career (spanning from the decade of the 20's to that of the 70's of the twentieth century) as a thinker who was never satisfied with any theoretical or philosophical system, while constantly aiming at finding a definitive truth: the “incontrovertible” or absolute. The various stages of his search deal with different philosophical and scientific systems - from positivism to actual idealism, from problematicism to omnicentrism, from scientism to neoproblematicism - revealing at the s...
Rethinking Place Through Literary Form regards the relationship between place and linguistic form as challenging real and perceived configurations of place and renegotiating geopolitically determined categories of the ‘centre’ and ‘periphery’. The volume argues that the rise of scattered communities, displaced physically and psychologically by urban and alienated geographies, necessitates linguistic negotiations of one’s locatedness in place as the chief means of uncovering and re-building identity. By looking at narrative re-imaginings of forgotten and interrupted intimacies between habitation and place from diverse parts of the world, the twelve chapters address the growing need to expand and alter approaches to literary representations of modernity and modes of self-location.
"Michael Vena highlights here some of the significant innovations of these "grotteschi" both in terms of ideas and in the relationship between author, actor, and the public, thereby suggesting that the time is ripe for a systematic rassessment of these and other voices of that brief but significant movement, widely acclaimed then, certainly underestimated now, and perhaps all along misunderstood."--BOOK JACKET.
Despite the phenomenal international success that Italian director Lina Wertmüller attained in the 1970s with films such as Swept Away and Seven Beauties, there has been no full length in-depth study of her four major films. This book fills that inexplicable void in the scholarship of Italian cinema.
Italian theater brings early on stage some of the most signifi cant productions of the 20th century, with major playwrights holding a pivotal role in the renewal of the European stage: Gabriele DAnnunzio, Eduardo De Filippo, Dario Fo, Luigi Chiarelli, Luigi Antonelli, Rosso di San Secondo, Enrico Cavacchioli, Massimo Bontempelli, Dacia Maraini, Ugo Betti, Diego Fabbri, thanks to such innovative movements from the early century called grotteschi and futuristi. If the early Pirandellian plays are added, we will have a comprehensive view of twentieth century theater, and the weight it will carry upon the coming generations.
"We witness the playwright's uncanny ability to mix comic and tragic elements simultaneously as romantic courtship prevails despite poverty and infirmity in Philosophically Speaking: a tired marriage and the temptation of youthful flirtation oppose each other in Gennareniello: a government clerk happens upon the demolition of his childhood home in So Long, Fifth Floor; an old actor fantasizes about performing a major role once again in The Part of Hamlet: and a tired salesman learns that his room has been used for the laying out of his deceased landlord in Dead People Aren't Scary."--BOOK JACKET.
The Routledge Companion to Death and Literature seeks to understand the ways in which literature has engaged deeply with the ever-evolving relationship humanity has with its ultimate demise. It is the most comprehensive collection in this growing field of study and includes essays by Brian McHale, Catherine Belling, Ronald Schleifer, Helen Swift, and Ira Nadel, as well as the work of a generation of younger scholars from around the globe, who bring valuable transnational insights. Encompassing a diverse range of mediums and genres – including biography and autobiography, documentary, drama, elegy, film, the novel and graphic novel, opera, picturebooks, poetry, television, and more – the ...