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Set the Stage!
Set the Stage! is a collection of essays on teaching Italian language, literature, and culture through theater. From theoretical background to course models, this book provides all the resources that teachers and students need to incorporate the rich and abundant Italian theater tradition into the curriculum. Features of the book include ? the ?Director's Handbook,” a comprehensive guide with detailed instructions for every step of the process, from choosing a text to the final performance, ? an exclusive interview with Nobel laureate Dario Fo, ? a foreword by prize-winning author Dacia Maraini.
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Italian Playwrights from the Twentieth Century
Italian theater brings early on stage some of the most signifi cant productions of the 20th century, with major playwrights holding a pivotal role in the renewal of the European stage: Gabriele DAnnunzio, Eduardo De Filippo, Dario Fo, Luigi Chiarelli, Luigi Antonelli, Rosso di San Secondo, Enrico Cavacchioli, Massimo Bontempelli, Dacia Maraini, Ugo Betti, Diego Fabbri, thanks to such innovative movements from the early century called grotteschi and futuristi. If the early Pirandellian plays are added, we will have a comprehensive view of twentieth century theater, and the weight it will carry upon the coming generations.
D.W. Griffith: Master of Cinema
Exhaustively researched and accessibly written, D.W. Griffith: Master of Cinema is a remarkably comprehensive biography of the legendary director and his days creating his craft at the American Biograph Company between 1908 through 1913. Meticulously detailed, utilizing a wealth of archival documents and photographs, the book effectively details Griffith’s place as a film pioneer. Even a casual film fan can see the lines being drawn from the techniques Griffith developed to modern cinematic experience. Ira Gallen’s exploration of Griffith’s family and his early life sets the stage for his career, and give great context for who he would become. His intricate details about early stage and film paint such a vivid and evocative picture of the time that you will be truly drawn into another world while reading it.
Shelhorn Genealogy
Lewis Shelhorn (b.1756/1757) married twice and moved from Pennsylvania to Cumberland County, New Jersey, dying after 1843. Descendants lived in New Jersey, New York, Pennsylvania, Indiana, Illinois, Wisconsin, California and elsewhere.
General Thoracic Surgery
Long considered the bible of thoracic surgery, this comprehensive text guides readers through open and endoscopic surgical techniques with expert commentary by the leaders in thoracic surgery. Coverage includes extensive sections on lung cancer and other pulmonary tumors. Includes access to a companion Web site.
Giorgio Strehler Directs Carlo Goldoni
Giorgio Strehler Directs Carlo Goldoni uses Giorgio Strehler’s Goldoni productions (and Arlecchino servitore di due padroni in particular) as a means to defining his directorial aesthetic. The book provides a framework for examining the director’s career that is expansive rather than restrictive, using Goldoni and Arlecchino servitore di due padroni as a through-line for Strehler’s fifty-year career at the Piccolo Teatro di Milano. This research defines Strehler’s multifaceted style and brings to light interrelationships among his various works, creating a base from which a variety of subsequent critical inquiries can be made. It also establishes Strehler’s identity within the larg...
2021
This volume explores the fraught relationship between Futurism and the Sacred. Like many fin-de-siècle intellectuals, the Futurists were fascinated by various forms of esotericism such as theosophy and spiritualism and saw art as a privileged means to access states of being beyond the surface of the mundane world. At the same time, they viewed with suspicion organized religions as social institutions hindering modernization and ironically used their symbols. In Italy, the theorization of "Futurist Sacred Art" in the 1930s began a new period of dialogue between Futurism and the Catholic Church. The essays in the volume span the history of Futurism from 1909 to 1944 and consider its different configurations across different disciplines and geographical locations, from Polish and Spanish literature to Italian art and American music.
