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The Lost Journalism of Ring Lardner
Ring Lardner’s influence on American letters is arguably greater than that of any other American writer in the early part of the twentieth century. Lauded by critics and the public for his groundbreaking short stories, Lardner was also the country’s best-known journalist in the 1920s and early 1930s, when his voice was all but inescapable in American newspapers and magazines. Lardner’s trenchant, observant, sly, and cynical writing style, along with a deep understanding of human foibles, made his articles wonderfully readable and his words resonate to this day. Ron Rapoport has gathered the best of Lardner’s journalism from his earliest days at the South Bend Times through his years ...
Relaciones públicas y la historia de las ideas
Este libro es una publicación estimulante e innovadora que explora diez grandes obras de pensadores y oradores reconocidos, con un impacto intelectual, práctico y global. Estas obras son en su mayoría un precedente significativo de las relaciones públicas en tanto que expresión o profesión, pero todas ellas se relacionan sin ninguna duda con la fuerza de la comunicación pública organizada y el poder ligado a aquellos que gestionan el proceso.Estas obras, estimulantes y diversas, se escribieron con el objetivo de abordar algunos de los grandes retos de la sociedad. Aunque tradicionalmente no han sido el foco de investigación de las relaciones públicas, todas ellas han tenido un impa...
Statement of Disbursements of the House
Covers receipts and expenditures of appropriations and other funds.
Italian Humanist Photography from Fascism to the Cold War
Spanning four decades of radical political and social change in Italy, this interdisciplinary study explores photography’s relationship with Italian painting, film, literature, anthropological research and international photography. Evocative and powerful, Italian social documentary photography from the 1930s to the 1960s is a rich source of cultural history, reflecting a time of dramatic change. This book shows, through a wide range of images (some published for the first time) that to fully understand the photography of this period we must take a more expansive view than scholars have applied to date, considering issues of propaganda, aesthetics, religion, national identity and international influences. By setting Italian photography against a backdrop of social documentary and giving it a distinctive place in the global history of photography, this exciting volume of original research is of interest to art historians and scholars of Italian and visual culture studies.
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