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Between the Museum and the City
An unprecedented collaboration between the Museum of Contemporary Art, Chicago, and the College of Architecture and the Arts at the University of Illinois at Chicago resulted in the architectural project Between the Museum and the City: Garofalo Architects. Chicago-based architect Douglas Garofalo, a significant emerging talent, was commissioned to design and construct a temporary architectural space that would enliven the museum's plaza, making it a bridge between the museum and the city of Chicago. The final design emerged after an unusually diverse group of people had participated in small sessions and public forums. Cultural theorists, museum workers, educators, urban planners, engineers...
Visionary Chicago
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Harold Haydon
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Undergraduate Catalog
Excerpt from Undergraduate Catalog: The University of Illinois at Chicago Circle; 1968 1969 Student Aff airs Admission to the University The College of Architecture and Art The College of Business Administration The College of Education The College of Engineering The College of Liberal Arts and Sciences The Division of Physical Education Courses of Instruction. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Reimagining A Raisin in the Sun
This book is a collection of four contemporary plays that reflect the themes of racial and cultural difference of Lorraine Hansberry's 1959 play A Raisin in the Sun.
A Guide to Art at the University of Illinois
Placing her subjects in a social as well as art historical context, Muriel Scheinman provides engaging catalog entries describing how various pieces came to the university and how critics, faculty, and students received them.
American Framing
From its origins in the Midwest in the early nineteenth century, the technique of light timber framing-also known at the time as "Chicago construction"-quickly came to underwrite the territorial and ideological expansion of the United States. Softwood construction was inherently practical, as its materials were readily available and required little skill to assemble. The result was a built environment that erased typological and class distinctions: no amount of money can buy you a better 2 x 4. This fundamental sameness paradoxically underlies the American culture of individuality, unifying all superficial differences. It has been both a cause and effect of the country's high regard for nove...
Barbecue / Bootycandy (TCG Edition)
"Searing and sensationally funny... As raw in its language and raucous in spirit as it is smart and provocative."—The New York Times "Funny, smutty and enticingly subversive. . . . A toxically satiric portrait of American life."—Washington Post "When I told my mother that a theater was putting on my play Bootycandy, her response was, 'What?! Bootycandy? These white folks are going to let you put on a play called Bootycandy?!? Are they crazy???' And my response was, 'Yes. Yes indeed.'"—Robert O'Hara Sutter is on an outrageous odyssey through his childhood home, his church, dive bars, motel rooms, and even nursing homes. The journey uncovers characters who are at once fascinating, zany, ...
