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Art Practice as Research
Art Practice as Research, Second Edition continues to present a compelling argument that the creative and cultural inquiry undertaken by artists is a form of research. The text explores themes, practices, and contexts of artistic inquiry and positions them within the discourse of research. Sullivan argues that legitimate research goals can be achieved by choosing different methods than those offered by the social sciences. The common denominator in both approaches is the attention given to rigor and systematic inquiry. Artists emphasize the role of the imaginative intellect in creating, criticizing, and constructing knowledge that is not only new but also has the capacity to transform human understanding.
Zones of Contact
A catalogue of exhibits from Australian and international artists. Includes narratives from the artists about their experiences and inspirations.
Current
Current: Contemporary Art From Australia and New Zealand is the first comprehensive survey of all that is cutting edge in Australian and New Zealand contemporary practice. In a landmark publication, the book features eighty artists, carefully chosen to best reflect the vibrancy of art of the moment. While Current could be seen as a hot list of contemporary taste in the tradition of Taschen's Art Now, inclusivity is the book's abiding theme. Current is also underpinned by scholarship with commissioned essays by the region's leading writers and curators. Current's beautifully designed pages are filled with many names familiar to followers of contemporary art - including Paddy Bedford, Simryn G...
Searching for Gaia
Offers an artist's view of life and art in Sydney during the better part of the 20th century. His career began in pre-war Sydney, continued in war-time Bougainville, then in post-war England and back in Sydney. Documents the life and works of a Sydney artist who has witnessed the transition from modernism to post-modernism.
The Design Collective
The rise of social networking and open-source technology, the return of community-focussed activities (e.g. gardens, knitting groups, food cooperatives) and creative collectives across the fields of design and the visual arts have reawakened the discourse around human capital, flat structures and collectives as a means for ‘making’ the things of everyday life. As the essays presented in this collection illustrate, there is an emerging field of discourse about the potential of the collective as an organising and generative community structure that links creativity, social change and politics. Furthermore it is clear that in this developing context there are a number of issues central to d...
