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Ship of Fools
A science fiction novel about a spaceship that has wandering in space for many years.
Unofficial Britain
There is a Britain that exists outside of the official histories and guidebooks - places that lie on the margins, left behind. This is the Britain of industrial estates, and tower blocks, of motorway service stations and haunted council houses, of roundabouts and flyovers. Places where modern life speeds past but where people and stories nevertheless collect. Places where human dramas play out: stories of love, violence, fear, boredom and artistic expression. Places of ghost sightings, first kisses, experiments with drugs, refuges for the homeless, hangouts for the outcasts. Struck by the power of these stories and experiences, Gareth Rees set out to explore these spaces and the essential part they have played in the history and geography of our isles. Though neglected and forgotten, they can be as powerfully influential in our lives, and imaginations, as any picture postcard tourist destination. Welcome to Unofficial Britain, a personal and occasionally fevered journey along the edges of a landscape brimming with magic and mystery, tragedy and myth; a story of Britain that gets cut from the narrative; a map of the cracks in the urban façade where unexpected life can flourish.
Hope Screams Eternal
Not everything that emerges in springtime is meant to come to life. The proverbial expression "Hope springs eternal" was coined by English poet and satirist Alexander Pope, meaning people will keep on hoping, no matter the odds. But what if the odds aren''t in your favor? We decided to change the phrase into something a little more unsettling: Hope Screams Eternal. Spring hearkens thoughts of rebirth, rejuvenation, renewal, resurrection, and regrowth. What happens when creative minds nurture a more sinister mindset, awakening twisted and nefarious interpretations of the season of eternal hope? Authors, poets, and artists from around the globe accepted our challenge to answer that question. W...
One Bloody Thing After Another
Jackie's mother is a ghosht that only Jackie can see, while Ann's mother and sister have turned into violent creatures that must be kept in the basement. Up the road, Charlie and his blind dog live in a building haunted by a headless ghost.
Unsettling Narratives
Children’s books seek to assist children to understand themselves and their world. Unsettling Narratives: Postcolonial Readings of Children’s Literature demonstrates how settler-society texts position child readers as citizens of postcolonial nations, how they represent the colonial past to modern readers, what they propose about race relations, and how they conceptualize systems of power and government. Clare Bradford focuses on texts produced since 1980 in Canada, the United States, Australia, and New Zealand and includes picture books, novels, and films by Indigenous and non-Indigenous publishers and producers. From extensive readings, the author focuses on key works to produce a thorough analysis rather than a survey. Unsettling Narratives opens up an area of scholarship and discussion—the use of postcolonial theories—relatively new to the field of children’s literature and demonstrates that many texts recycle the colonial discourses naturalized within mainstream cultures.
Unsettling
The time has come to reimagine our relationship to the environment before it is too late. As wildfires char the American West, extreme weather transforms landscapes, glaciers retreat, and climate zones shift, we are undeniably experiencing the effects of the climate crisis in more and more destructive ways. Climate change is impacting every inhabited region of the world, but there is much we can still do. Unsettling explores human impacts on the environment through science, popular culture, personal narrative, and landscape. Using the stories of animals, landscapes, and people who have exhibited resilience in the face of persistent colonization across the North American continent, science wr...
Haverscroft
Kate Keeling leaves all she knows and moves to Haverscroft House in an attempt to salvage her marriage. Little does she realise, Haverscroft's dark secrets will drive her to question her sanity, her husband and fatally engulf her family unless she can stop the past repeating itself. Can Kate keep her children safe and escape Haverscroft in time, even if it will end her marriage?Haverscroft is a gripping and chilling dark tale, a modern ghost story that will keep you turning its pages late into the night.
Unsettling the Bildungsroman
Unsettling the Bildungsroman combines genre and cultural theory and offers a cross-ethnic comparative approach to the tradition of the female novel of development and the American coming-of-age narrative. Examines the work of Jamaica Kincaid, Sandra Cisneros, Maxine Hong Kingston, and Audre Lorde.
A House at the Bottom of a Lake
A haunting tale of love and mystery from the New York Times bestselling author of Bird Box and Malorie. At seventeen years old, James and Amelia can feel the rest of their lives beginning. They have got this summer and this summer alone to experience the extraordinary. But they didn't expect to find it in a house at the bottom of a lake. The house is cold and dark, but it's also their own. Caution be damned, until being carefree becomes dangerous. For the teens must decide: swim deeper into the house-all the while falling deeper in love? Whatever they do, they will never be able to turn their backs on what they discovered together. And what they learned: Just because a house is empty, doesn't mean nobody's home.
The Need for Roots
Hailed by Andre Gide as the patron saint of all outsiders, Simone Weil's short life was ample testimony to her beliefs. In 1942 she fled France along with her family, going firstly to America. She then moved back to London in order to work with de Gaulle. Published posthumously The Need for Roots was a direct result of this collaboration. Its purpose was to help rebuild France after the war. In this, her most famous book, Weil reflects on the importance of religious and political social structures in the life of the individual. She wrote that one of the basic obligations we have as human beings is to not let another suffer from hunger. Equally as important, however, is our duty towards our community: we may have declared various human rights, but we have overlooked the obligations and this has left us self-righteous and rootless. She could easily have been issuing a direct warning to us today, the citizens of Century 21.
