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Feminst Critiques of Popular Culture
First Published in 1986. This is Volume nine of the Communication Journal of 1986 which provides a forum for new and challenging discussions about communication in general, and media studies in particular. Focusing on Feminist critiques of popular culture, it includes articles on feminist approaches to popular culture, the situation of lesbianism as Feminism's magical sign in the US, identifying ideological seams and interventions in feminist theory and communication studies.
Being Scioto Hopewell: Ritual Drama and Personhood in Cross-Cultural Perspective
This book, in two volumes, breathes fresh air empirically, methodologically, and theoretically into understanding the rich ceremonial lives, the philosophical-religious knowledge, and the impressive material feats and labor organization that distinguish Hopewell Indians of central Ohio and neighboring regions during the first centuries CE. The first volume defines cross-culturally, for the first time, the “ritual drama” as a genre of social performance. It reconstructs and compares parts of 14 such dramas that Hopewellian and other Woodland-period peoples performed in their ceremonial centers to help the soul-like essences of their deceased make the journey to an afterlife. The second vo...
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Archaeologies of Cosmoscapes in the Americas
This volume examines how pre-Columbian societies in the Americas envisioned their cosmos and iteratively modeled it through the creation of particular objects and places. It emphasizes that American societies did this to materialize overarching models and templates for the shape and scope of the cosmos, the working definition of cosmoscape. Noting a tendency to gloss over the ways in which ancestral Americans envisioned the cosmos as intertwined and animated, the authors examine how cosmoscapes are manifested archaeologically, in the forms of objects and physically altered landscapes. This book’s chapters, therefore, offer case studies of cosmoscapes that present themselves as forms of architecture, portable artifacts, and transformed aspects of the natural world. In doing so, it emphasizes that the creation of cosmoscapes offered a means of reconciling peoples experiences of the world with their understandings of them.
