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Aesthetics and Anthropology
  • Language: en
  • Pages: 276

Aesthetics and Anthropology

"Aesthetics and Anthropology" is a collection of contributions by an international and interdisciplinary team of authors from the fields of anthropology, performance studies, curatorial studies and the arts. The title refers to the paths that lead to the in-betweens and the beyonds of aura and trace in the representation of life that is performed in aesthetic reflexivity. Aesthetic reflexivity refers not only to the authors' attempts at an interdisciplinary encounter with one another, but also to their encounter with the readers, and with the recipients of an intended message in an aesthetic dialogue. Our approach is innovative in that it looks upon aesthetics as a "topos of the living". We ...

The artist is present
  • Language: de

The artist is present

  • Type: Book
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  • Published: 1999
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  • Publisher: Unknown

None

Responding to Site
  • Language: en
  • Pages: 314

Responding to Site

  • Categories: Art

This book focuses on the performance art of Marilyn Arsem, an internationally acclaimed performance artist known for her innovative and experimental work. Arsem’s work addresses women’s history and myth-making capacities, the potency of site and geography, the idea of the audience as witnesses and the intimacy of one-to-one works. One of the most prolific performance artists working in the United States today, Arsem performs carefully choreographed durational actions that are developed site-responsively and range from deceptively simple interventions to elaborately orchestrated actions. This edited volume seeks to extend Arsem’s legacy beyond the audiences of her live performances and ...

Performance on the Edge
  • Language: en
  • Pages: 305

Performance on the Edge

  • Type: Book
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  • Published: 2002-06-01
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  • Publisher: A&C Black

Performance on the Edge takes the reader on a journey across geographical borders and conceptual boundaries in order to map out the new territory of contemporary theatre, dance, media arts and activism. Working across social, cultural and political fault lines, the book explores performance as both process and contact, as the commitment to political activism and the reconstruction of community, as site-specific intervention into the social and technological structures of abandonment, and as the highly charged embodiment of erotic fantasies.Performance on the Edge addresses the politics of community-oriented and reconstructive artmaking in an era marked by the AIDS crisis, cultural and racial polarization, warfare, separatism and xenophobia. Provocatively illustrated with work from North and Central America and Eastern and Western Europe, the book challenges our assumptions about the relations between media and activism, technological imperatives and social processes and bodily identities and virtual communities.

The Routledge Companion to the Anthropology of Performance
  • Language: en
  • Pages: 755

The Routledge Companion to the Anthropology of Performance

  • Categories: Art

The Routledge Companion to the Anthropology of Performance provides a cutting-edge, comprehensive overview of the foundations, epistemologies, methodologies, key topics and current debates, and future directions in the field. It brings together work from the disciplines of anthropology and performance studies, as well as adjacent fields. Across 31 chapters, a diverse range of international scholars cover topics including: Ritual Theater Storytelling Music Dance Textiles Land Acknowledgments Indigenous Identity Visual Arts Embodiment Cognition Healing Festivals Politics Activism The Law Race and Ethnicity Gender and Sexuality Class Religion, Spirituality, and Faith Disability Leisure, Gaming, and Sport In addition, the included Appendix offers tools, exercises, and activities designed by contributors as useful suggestions to readers, both within and beyond academic contexts, to take the insights of performance anthropology into their work. This is a valuable reference for scholars and upper-level students in anthropology, performance studies, and related disciplines, including religious studies, art, philosophy, history, political science, gender studies, and education.

The Gastronomica Reader
  • Language: en
  • Pages: 377

The Gastronomica Reader

Described in the 2008 Saveur 100 as "At the top of our bedside reading pile since its inception in 2001," the award-winning Gastronomica: The Journal of Food and Culture is a quarterly feast of truly exceptional writing on food. Designed both to entertain and to provoke, The Gastronomica Reader now offers a sumptuous sampling from the journal’s pages—including essays, poetry, interviews, memoirs, and an outstanding selection of the artwork that has made Gastronomica so distinctive. In words and images, it takes us around the globe, through time, and into a dazzling array of cultures, investigating topics from early hominid cooking to Third Reich caterers to the Shiite clergy under Ayatollah Khomeini who deemed Iranian caviar fit for consumption under Islamic law. Informed throughout by a keen sense of the pleasures of eating, tasting, and sharing food, The Gastronomica Reader will inspire readers to think seriously, widely, and deeply about what goes onto their plates. Gastronomica is a winner of the Utne Reader's Independent Press Award for Social/Cultural Coverage

On Knowing Humanity
  • Language: en
  • Pages: 255

On Knowing Humanity

Cover -- Title -- Copyright -- Contents -- Chapter authors -- Introduction -- 1 Engaging the religiously committed other: Anthropologists and theologians in dialogue -- PART I Epistemology for ethnography -- 2 Mystery: To know and be known in ethnography -- 3 Stranger: A biblical teaching as an anthropological resource -- 4 Witness: A post-critical and biblical epistemology for a committed anthropology -- 5 Humility: A Christian impulse as fruitful motif for anthropological theory and practice -- 6 Mission: Agnes C.L. Donohugh, early "apostle for ethnography"--PART II Ontology for anthropology -- 7 Principalities: Insights from practical theology for a transformed applied anthropology -- 8 Divine: The multiple expressions of the sacred in Andean ontology -- 9 Calling: Implications of the transcendent for love and purpose in migration -- 10 Trinity: Conceptual tools for an interdisciplinary theology of culture -- 11 Anthropology in the mirror of theology: Epistemology, ontology, ethics (an afterword) -- Index

Anthropological Abstracts 8/2009
  • Language: en
  • Pages: 216

Anthropological Abstracts 8/2009

Anthropological Abstracts is a reference journal published once a year in print, and it lists - in English language - most publications in the field of cultural/social anthropology published in the German language area (Austria, Germany, and Switzerland). Since many of these publications have been written in German, and most German publications in anthropology are not included in the major English language abstracting services, Anthropological Abstracts offers a convenient source of information for anthropologists and social scientists in general who do not read German. Included are journal articles, monographs, anthologies, exhibition catalogs, yearbooks, etc. Most abstracts are authored by the editor, while others are specified accordingly. The journal has been edited by Ulrich Oberdiek since 1993 (formerly: Abstracts in German Anthropology; since 2002: Anthropological Abstracts). (Series: Anthropological Abstracts - Cultural/Social Anthropology from German-speaking Countries - Vol. 8)

Ästhetische Orte und Zeichen
  • Language: de
  • Pages: 492

Ästhetische Orte und Zeichen

None

Caribbean Diaspora in the USA
  • Language: en
  • Pages: 216

Caribbean Diaspora in the USA

Caribbean Diaspora in the USA presents a new cultural theory based on an exploration of Caribbean religious communities in New York City. The Caribbean culture of New York demonstrates a cultural dynamism which embraces Spanish speaking, English speaking and French speaking migrants. All cultures are full of breaks and contradictions as Latin American and Caribbean theorists have demonstrated in their ongoing debate. This book combines unique research by the author in Caribbean New York with the theoretical discourse of Latin American and Caribbean scholars. Focusing on Caribbean religious communities, including Cuban/Puerto Rican Santería (Regla de Ocha), Haitian Vodou, Shango (Orisha Baptist) from Trinidad and Tobago, and Brazilian Pentecostal church, Schmidt's observations lead to the construction of a cultural concept that illustrates a culture in an ongoing state of change, with more than one form of expression depending on situation, time and context. Showing the creativity of religions and the way immigrants adapt to their new surroundings, this book fills a gap between Latin American and Caribbean Studies.