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From the former Edinburgh Makar, Valerie Gillies, comes a selection of works from over eight collections of poetry, including previously uncollected poems and a new selection of poems A Year as an American Bird.
A unique poetic guide to the locations of springs in Scotland, their history and folklore and an exploration of their mysterious properties.
The last three decades have seen unprecedented flourishing of creativity across the Scottish literary landscape, so that contemporary Scottish poetry constitutes an internationally renowned, award-winning body of work. At the heart of this has been the work of poets. As this poetry makes space for its own innovative concerns, it renegotiates the poetic inheritance of preceding generations. At the same time, Scottish poetry continues to be animated by writing from other places. The Edinburgh Companion to Contemporary Scottish Poetry is the definitive guide to this flourishing poetic scene. Its chapters examine Scottish poetry in all three of the nation's languages. It analyses many thematic preoccupations: tradition and innovation; revolutions in gender; the importance of place; the aesthetic politics of devolution. These chapters are complemented by extended close readings of the work of key poets that have defined this era, including Edwin Morgan, Kathleen Jamie, Don Paterson, Aonghas MacNeacail and John Burnside.
Celebrating its 900th year, Edinburgh is an unrivalled theatre of story. In this commemorative book, Donald Smith unravels the city's storytelling evolution across the centuries, illustrated with vivid detail by Cat Outram. How did Edinburgh get its name? What gives the city its unique character? Why do nation and planet come together here? How did Edinburgh become the city of literature, and a Festival city? Which books have made the most impact? Through its nine official centuries Edinburgh has thrived on books, words and ideas. Everyone who loves Edinburgh will love Donald Smith's exploration of this storied town, as will anyone interested in how place shapes people and people, place.
This book examines how contemporary Scottish writers and artists revisit and reclaim nature in the political and aesthetic context of devolved Scotland. Camille Manfredi investigates the interaction of landscape aesthetics and strategies of spatial representation in Scotland’s twenty-first-century literature and arts, focusing on the apparatuses designed by nature writers, poets, performers, walking artists and visual artists to physically and intellectually engage with the land and re-present it to themselves and to the world. Through a comprehensive analysis of a variety of site-specific artistic practices, artworks and publications, this book investigates the works of Scotland-based artists including Linda Cracknell, Kathleen Jamie, Thomas A. Clark, Gerry Loose, John Burnside, Alec Finlay, Hamish Fulton, Hanna Tuulikki and Roseanne Watt, with a view to exploring the ongoing re-invention of a territory-bound identity that dwells on an inclusive sense of place, as well as on a complex renegotiation with the time and space of Scotland.
"The reflective expanse and circle of the pond at Deuchar Mill inspired Douglas to explore the scroll format, and gave Valerie Gillies the idea of writing a poem in Chinese form using couplets to encircle the creatures which live in the pond. The result, poempondscroll, is a horizontal hand scroll over 5 metres long, which visually evokes light and reflections on water, with an intergrated text that merges and disappears within the rendered details of water insects, rushes and the pond itself."--Weproductions website.
The early medieval manuscripts of Ireland and Britain contain tantalizing clues about the cosmology, religion and mythology of native Celtic cultures, despite censorship and revision by Christian redactors. Focusing on the latest research and translations, the author provides fresh insight into the beliefs and practices of the Iron Age inhabitants of Ireland, Britain and Gaul. Chapters cover creation and cosmogony, the deities of the Gaels, feminine power in narrative sources, druidic belief, priestesses and magical rites.
The most wide-ranging anthology of twentieth-century poetry in English and Scots available.
The controversy over Jacques Derrida's legacy is one of the most effective engines driving the contemporary debate, far beyond the bounds of philosophy. By now, the variety of contesting positions is so wide that it calls for a critical assessment to achieve a unified theoretical scheme. The dyad of deconstruction and reconstruction, to which the title of the volume refers, aims at composing a kind of map of this debate. The three sections of the book include essays that investigate specific aspects of Derrida's reception, from the view of 1. philosophy, 2. literary studies and 3. politics and law. These contributions study the implications of deconstruction beyond its original scope and intervene by taking stock of its most relevant aporias.
This new and updated edition of the guide includes information on how to access family data utilising electronic resources and the Internet - a must if conducting research from an overseas base - and is a very welcome addition to the family library.