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Woven from the Center presents breathtaking basketry from some of the greatest weavers in the Greater Southwest. Each sandal and mat fragment, each bowl and jar, every water bottle and whimsy is infused with layers of aesthetic, cultural, and historical meanings. This book offers stunning photos and descriptions of woven works from Indigenous communities across the U.S. Southwest and Northwest Mexico.
This book is about the tangled relationship between Native peoples and archaeologists in the American Southwest. Even as this relationship has become increasingly significant for both "real world" archaeological practice and studies in the history of anthropology, no other single book has synthetically examined how Native Americans have shaped archaeological practice in the Southwest and how archaeological practice has shaped Native American communities. From oral traditions to repatriations to disputes over sacred sites, the next generation of archaeologists (as much as the current generation) needs to grapple with the complex social and political history of the Southwest's Indigenous communities, the values and interests those communities have in their own cultural legacies, and how archaeological science has impacted and continues to impact Indian country.
In the early twentieth century, Native American artists began exploring artistic practices outside their utilitarian and ceremonial crafts. Having been recently introduced to Anglo-American media-pencil, ink, and watercolor-Native artists gravitated to the expressive quality of painting and drawing. The Native American Fine Art movement emerged, characterized by flattened compositions, bold outlines, and a narrative style similar to that found in traditional Indian pottery. From scenes of everyday life to depictions of nature, the works created by these artists became a valuable tool for the preservation of Native American traditions and philosophies. A major force in shaping the Native Amer...
"Drawing on the extensive collections of the Museum of Indian Arts & Culture/Laboratory of Anthropology, this publication examines the story of Cochiti and Santo Domingo pottery traditions from multiple interpretive viewpoints: artistic, anthropological, historical, as well as curatorial, cultural, and personal. The reader is given the opportunity to experience the world of Pueblo pottery on many levels, and through many avenues of experience, and provided with some interpretive tools with which to critique generally accepted authorities and assumptions about Pueblo pottery. A River Apart positions the ceramic traditions of these villages side by side: geographically, temporally, taxonomically, and artistically."--BOOK JACKET.
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A unique collection of recipes from the Yucatán region of Mexico, from home kitchens and rural market towns.
The timeline of American history has always swept through Santa Fe, New Mexico. Settled by ancient peoples, explored by conquistadors, conquered by the U.S. cavalry, Santa Fe owns a story that stretches from the talking drums of the Pueblos to the high math of complexity theory pioneered at the Santa Fe Institute. This fresh presentation, 400 years after the Spanish founded the town in 1610, presents the full arc of Santa Fe's story that sifts through its long, complex, thrilling history. From the moment of first contact between the explorers and the native peoples, Santa Fe became a crossroads, a place of accommodations and clashes. Faith defined, sustained, and liberated the people. All th...
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