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Gerhard Mercator (1512–1594) was the most important cartographer and globemaker of the 16th century. He is particularly remembered for his publication Atlas sive Cosmographicae Meditationes de Fabrica Mundi et Fabricati Figura (1595), and for his specific cylindrical map projection (1569), which is still used widely today. This book brings together the latest research on Mercator with a view to his sources and his relationships with other scientific disciplines and cartographers of his time, as well as his role in the wider worlds of Renaissance cartography and Humanism.
Joshua Widcombe and Kaya Trent were the golden couple of Abbeyford’s School of Art and Drama; good-looking, popular and from loving, stable families. So why did they kill themselves on the grassy stage of the college’s outdoor theatre? Detective Chief Inspector Anderton thinks there might be something more to the case than a straightforward teenage suicide pact. Detective Sergeant Kate Redman agrees with him, but nothing is certain until another teenager at the college kills herself, quickly followed by yet another death. Why are the privileged teens of this exclusive college killing themselves? Is this a suicide cluster? As Kate and the team delve deeper into the case, secrets and lies rear their ugly heads and Abbeyford CID are about to find out that sometimes, the most vulnerable people can be the most deadly… Creed is the seventh in the bestselling Kate Redman Mysteries series, by crime writer Celina Grace.
Sociable Knowledge reconstructs the collaborations of seventeenth-century naturalists who, dispersed across city and country, worked through writing, conversation, and print to convert fragmented knowledge of the hyper-local and curious into an understanding and representation of Britain as a unified historical and geographical space.
This lavishly illustrated book is the first systematic exploration of cartographic cartouches, the decorated frames that surround the title, or other text or imagery, on historic maps. It addresses the history of their development, the sources cartographers used in creating them, and the political, economic, historical, and philosophical messages their symbols convey. Cartouches are the most visually appealing parts of maps, and also spaces where the cartographer uses decoration to express his or her interests—so they are key to interpreting maps. The book discusses thirty-three cartouches in detail, which range from 1569 to 1821, and were chosen for the richness of their imagery. The book will open your eyes to a new way of looking at maps.
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Title pages and frontispieces have been recognized as a fascinating decorative genre in their own right. Rodney Shirley illustrates 100 of the most important decorative titlepages and frontispieces, dating from the 15th to the late 19th centuries.
Colours make the map: they affect the map’s materiality, content, and handling. With a wide range of approaches, 14 case studies from various disciplines deal with the colouring of maps from different geographical regions and periods. Connected by their focus on the (hand)colouring of the examined maps, the authors demonstrate the potential of the study of colour to enhance our understanding of the material nature and production of maps and the historical, social, geographical and political context in which they were made. Contributors are: Diana Lange, Benjamin van der Linde, Jörn Seemann, Tomasz Panecki, Chet Van Duzer, Marian Coman, Anne Christine Lien, Juliette Dumasy-Rabineau, Nadja Danilenko, Sang-hoon Jang, Anna Boroffka, Stephanie Zehnle, Haida Liang, Sotiria Kogou, Luke Butler, Elke Papelitzky, Richard Pegg, Lucia Pereira Pardo, Neil Johnston, Rose Mitchell, and Annaleigh Margey.