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The Meaning of Tingo
Did you know that people in Indonesia have a word that means 'to take off your clothes in order to dance'? Or how many words the Albanians have for eyebrows and moustaches? Or that the Dutch word for skimming stones is plimpplamppletteren? Drawing on the collective wisdom of over 154 languages, this intriguing book is arranged by theme so you can compare attitudes all over the world to such subjects as food, the human body and the battle of the sexes. Here you can find not only those words for which there is no direct counterpart in English (such as the Japanese age-otori which means looking less attractive after a haircut), but also a frank discussion of exactly how many 'Eskimo' terms there are for snow, and a vast array of information exploring the wonderful and often downright strange world of words. Oh, and tingo means 'to take all the objects one desires from the house of a friend, one at a time, by asking to borrow them'.
Proto-Kuki-Chin: A Reconstructed Ancestor of the Kuki-Chin Languages
This book represents a high-water mark in our understanding of the history of the Kuki-Chin branch of Tibeto-Burman. Nearly 1400 reconstructed cognate sets are presented, at various taxonomic levels: Proto-Kuki-Chin, Proto-Central-Chin, Proto-Northern-Chin, and Proto-Maraic. Special attention is paid to the subgrouping of this highly ramified family, based on the patterns of shared phonological innovations which the various languages display.
Heirs to World Culture
This volume brings together new scholarship by Indonesian and non-Indonesian scholars on Indonesia’s cultural history from 1950-1965. During the new nation’s first decade and a half, Indonesia’s links with the world and its sense of nationhood were vigorously negotiated on the cultural front. Indonesia used cultural networks of the time, including those of the Cold War, to announce itself on the world stage. International links, post-colonial aspirations and nationalistic fervour interacted to produce a thriving cultural and intellectual life at home. Essays discuss the exchange of artists, intellectuals, writing and ideas between Indonesia and various countries; the development of cultural networks; and ways these networks interacted with and influenced cultural expression and discourse in Indonesia. With contributions by Keith Foulcher, Liesbeth Dolk, Hairus Salim HS, Tony Day, Budiawan, Maya H.T. Liem, Jennifer Lindsay, Els Bogaerts, Melani Budianta, Choirotun Chisaan, I Nyoman Darma Putra, Barbara Hatley, Marije Plomp, Irawati Durban Ardjo, Rhoma Dwi Aria Yuliantri and Michael Bodden.
Continuing Vietnamese
"Quite simply the most serious early intermediate textbook currently available for thoughtful American students at the university level."--Professor Stephen O'Harrow, Director, Center for Southeast Asian Studies, University of Hawai'i at Manoa This is a second-year, intermediate Vietnamese language course designed for high school, college or self-study. Continuing Vietnamese is your next step toward master; it follows the best-selling, linguistically-based Elementary Vietnamese, and helps you progress to an intermediate level of communicating in Vietnamese. Invaluable for anyone planning to travel, study or work in Vietnam, this complete language course has been extensively tested at Harvard...
Power Plays
Based on ethnographic fieldwork spanning twenty years, Power Plays is the first scholarly book in English on wayang golek, the Sundanese rod-puppet theater of West Java. It is a detailed and lively account of the ways in which performers of this major Asian theatrical form have engaged with political discourses in Indonesia. Wayang golek has shaped, as well, the technological and commercial conditions of art and performance in a modernizing society. Using interviews with performers, musical transcriptions, translations of narrative and song texts, and archival materials, author Andrew N. Weintraub analyzes the shifting and flexible nature of a set of performance practices called Padalangan, ...
Total Synthesis II
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The Masai
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
Shilluk Grammar
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