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Veruschka
"Turn to page 34. A women is unzipping herself. The woman is the artist, Vera Lehndorff, who in the 1960s, made her name internationally as the celebrated fashion model Veruschka. In 1970 she met the artist and photographer Holger Trulzsch and together they began to use her body as a canvas on which to create a new and startling art form. In their work, Vera Lehndorff's body is denied its reality. It mimics another - a glamorous film star, a gun-toting ganster - chameleon-like it disappears into its surroundings, transformed into dead or decaying matter, sculpture, stones, trees. This disturbing yet utterly enthralling work is reproduced here for the first time in full colour."--BOOK JACKET.
Veruschka
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'Veruschka'
The radical "body art" showcased here--witty, shocking, and erotic--is the result of the collaboration between Truzsch, a highly regarded European photographer, and Vera Lehndorff, the internationally celebrated model and actress. 215 color illustrations.
Veruschka
Capturing the romance and beauty of la dolce vita, this volume features intimate and rare moments of Veruschka, the iconic face of 1960s glamour, from the forgotten and unpublished photographic archive of Johnny Moncada. When fashion photographer Johnny Moncada unlocked a trunk he had left sealed for forty years, he and his daughter discovered ten thousand of his unpublished negatives. They revealed the world of 1960s Italian fashion in all its languid glamour, personified by the iconic Veruschka. In three thousand images, Moncada captured the German-born model in both beautifully staged and informal poses. A selection of these photographs is presented in this lavish volume. They were taken over the course of a year in Rome, including seaside shoots in Capri, Sardinia, and other locales of la dolce vita. While serving as an invaluable source of inspiration to aficionados of 1960s style, Moncada's work also presents a rare glimpse of a young woman, known to friends as Vera, transforming in front of the camera into the image of perfection that we know as Veruschka.
Veruschka
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Body art
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Camuflaje
Engaño, ocultación e invisibilidad son algunos de los conceptos que emparentan arte y camuflaje. Desde que los cubistas contribuyeran al nacimiento del diseño del camuflaje militar moderno durante la Primera Guerra Mundial, la esfera del arte no ha dejado de mantener, a lo largo de los siglos XX y XXI, fructíferas relaciones con el camuflaje. Este libro, que supone una síntesis novedosa en el ámbito de lengua española, traza la historia de esos intercambios, partiendo de la ideación de diversos «engaños de guerra» por parte del cubismo y de la pasión por la invisibilidad que caracterizó al surrealismo; analiza la presencia del camuflaje militar en el arte pop y conceptual, así como los sutiles vínculos entre mujer y camuflaje; y, por último, aborda la dedicación de algunos artistas actuales a unas estrategias hechas de secretos y mentiras.
Family Punishment in Nazi Germany
In the Third Reich, political dissidents were not the only ones liable to be punished for their crimes. Their parents, siblings and relatives also risked reprisals. This concept - known as Sippenhaft – was based in ideas of blood and purity. This definitive study surveys the threats, fears and infliction of this part of the Nazi system of terror.
