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While Indigenous media have gained increasing prominence around the world, the vibrant Aboriginal media world on the Canadian West Coast has received little scholarly attention. As the first ethnography of the Aboriginal media community in Vancouver, Sovereign Screens reveals the various social forces shaping Aboriginal media production including community media organizations and avant-garde art centers, as well as the national spaces of cultural policy and media institutions. Kristin L. Dowell uses the concept of visual sovereignty to examine the practices, forms, and meanings through which Aboriginal filmmakers tell their individual stories and those of their Aboriginal nations and the int...
My Home As I Remember describes literary and artistic achievements of First Nations, Inuit and Metis women across Canada and the United States, including contributions from New Zealand and Mexico. Their voices and creative expression of identity and place are richly varied, reflecting the depth of the culturally diverse energy found on these continents. Over 60 writers and visual artists are represented from nearly 25 nations, including writers such as Lee Maracle, Chrystos and Louise Bernice Halfe, and visual artists Joane Cardinal-Schubert, Teresa Marshall, Kenojuak Ashevak, Doreen Jensen and Shelley Niro; and some who are published for the first time in this landmark volume. Lee Maracle is the author of numerous books, including Ravensong. Sandra Laronde, writer/actor, is Executive Director of Native Women in the Arts.
Surviving in the Hour of Darkness: The Health and Wellness of Women of Colour and Indigenous Women addresses the health issues - physical, mental, emotional, and spiritual - of black women, First Nations women, and other women of colour. The book is a collection of scholarly essays, case studies, personal essays, poetry, and prose written by over 45 contributors. It illustrates, through the voices of many women, that gender, religious, cultural, and class background strongly influence how one experiences illness, how and when one is diagnosed, and how one is treated within the healthcare system. The book also focuses on the need for cultural sensitivity and inclusiveness in the delivery of h...
"Say My Name is a fictional account of the life of a young Cowichan man who took his own life. There are too many like him, who die of invisibility, the plague that came in the same blankets as smallpox. Linda Rogers determined to grieve her friend in the name of all who have died because their identity has been taken away by contact with European culture, Indian reserves and residential schools. Say My Name, written in the voice of Charlie Louie, is the naming of him. It records the terrible sadnesses but also the great tenacity of a people who will be seen and heard and the sense of irony that helps them deal with an unsympathetic culture. Say My Name is funny and sad, a story offered with tenderness and affection by the mother who lost Charlie and found him again, in his own words"--Publisher's description.
Getting the Land Acknowledgement Right Land Acknowledgements often begin academic conferences, cultural events, government press gatherings, and even hockey games. They are supposed to be an act of Reconciliation between Indigenous peoples in Canada and non-Indigenous Canadians, but they have become so routine and formulaic that they have sometimes lost meaning. Seen more and more as empty words, some events have dropped Land Acknowledgements altogether. Métis artist and educator Suzanne Keeptwo wants to change that. She sees the Land Acknowledgement as an opportunity for Indigenous peoples in Canada to communicate a message to non-Indigenous Canadians—a message founded upon Age Old Wisdom about how to sustain the Land we all want to call home. This is an essential narrative for truth sharing and knowledge acquisition.
Discografie van een eeuw Noord-Amerikaanse indiaanse volksmuziek en van populaire muziek van musici met indiaans bloed of met indiaanse thema's.
"Wild Rice Dreams" is a collection of Aboriginal poetry that delves into the human experience from an Anishinaabe perspective. The book captures sensible cultural and emotional challenges, and ultimately shares subtle insight and compassion. The poems explore how intricate relationships between people, dreams and memories play an integral role in the complex life of being an Anishinaabe.
A variety of genres are represented here--from life-writing to poetry to short autofiction. Readers will enjoy this compelling collection, which represents the voices of women who who have not been visible in more ways than one.
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