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One of the stated goals of the Naturalist movement was to present a depiction of life faithful to the empirical method. In practice, however, the works emphasize the more sordid and base elements. This study explains how Vicente Blasco Ibáñez's use of coloration is a consciously manipulated narrative technique instead of a faithful portrayal of reality. In fact, a close examination of the Valencian cycle concludes that the «scientific objectivity» of the Naturalist movement is tenuous, at best, and that Blasco Ibáñez's narratives include more art and artifice than have been recognized heretofore.
One of the secrets of the immense power exercised by the novels of Vicente Blasco Ibáñez is that they are literary projections of his dynamic personality. Not only the style, but the book, is here the man. This is especially true of those of his works in which the thesis element predominates, and in which the famous author of The Four Horsemen of the Apocalypse appears as a novelist of ideas-in-action. It is, of course, possible to divide his works into the "manners" or "periods" so dear to the literary cataloguers, and it may thus be indicated that there are such fairly distinct genres as the regional novel, the sociological tale and the psychological study; a convenient classification of...
Vincente Blasco Ibanez in Blood and Sand, wrote a novel that can never lose its popularity because it presents a blazing picture of Spanish life as it can be lived only in Spain. A life that was flaming, tempestuous, fierce and magnificent while it lasted a life of heroes and idol worship, of hate and love in a setting of gorgeous beauty. It is the story of one of the world’s most fearless men — men who defy death in the arena for love and fame. From the lowest ranks of poverty to unprecedented heights of riches and popular acclaim—thus was the career of Juan Gallardo, Spanish bull fighter. In telling his story, Ibanez has achieved a novel even more dramatic and powerful than his legen...
The Four Horsemen of The Apocalypse is a novel by the Spanish author Vicente Blasco Ibáñez. First published in 1916, it tells a tangled tale of the French and German sons-in-law of an Argentinian landowner who find themselves fighting on opposite sides during the First World War.