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D. Francisco Manuel De Mello (Classic Reprint)
Excerpt from D. Francisco Manuel De Mello Edward Lawson, appeared twice in the early nineteenth century, but is so rare that I could never find a copy on sale. Hence he is unknown to all save professed students of the two chief Peninsular literatures, though he ranks in them as a classic. The lack of a history of Portuguese literature is probably the principal reason why few educated Englishmen could even name any Portuguese writer save Camoens. The forthcoming work of Mr. Aubrey Bell, translator of Gil Vicente, a competent scholar with a fascinating pen, may be expected to show the anglo-saxon world that Portugal possesses a literature, which, like her history and scenery, is rich and varie...
Vicente de Mello
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Boletim
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Photography, Ecology and Historical Change in the Anthropocene
Moving beyond existing scholarship, this book connects photography, archives, ecology and historical change and critically applies the Anthropocene as framework to the in-depth study of artists’ projects. It discards single modes of seeing environmental transformations in favour of a multiple and de-centred environmental imagination. Bergit Arends uses multidisciplinary perspectives to view localized environmental, social and political issues through research-based artistic practices. The book not only makes available original research into newly and recently discovered archives of ecological and historical change but also shows how this research is manifest in exhibition formats. This boo...
Novas Travessias
This volume highlights the work of contemporary Brazilian photographers with an emphasis on images which reflect the dynamism and eclecticism of Brazilian society. The editor has collected the work of 21 of Brazil’s most prominent photographers and accompanies their work with a commentary describing the new uses of photography within the contemporary arts and the burgeoning alternatives to traditional photography. The book begins with an historical overview, continuing with the experiences of the independent photo agencies of the 1970s, the creative surge in the 80s, and the recent emergence of photography as a means of personal and artistic expression. The direct participation of indigenous authors and photographers from all regions of Brazil allows this book to show how writers and artists see themselves and their work in a de-exoticized framework.
Texts from Brazil
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