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-- First in-depth history of the VandA and the personalities behind it.-- Published to coincide with the UK opening of the VandA's centenary exhibition, A Grand Design.-- Full of lively anecdotes and behind-the-scenes details.
Renowned for her elegantly sleek sculptures in stone, wood, and bronze, Barbara Hepworth (1903-1975) is among Britain's most important modern artists. This groundbreaking new publication focuses on the spaces and contexts, physical and conceptual, in which the artist is positioned. It examines her interest in staging and presenting work--indoors and out--in studio, film, garden, stage, architecture, photography, and print. As well as placing her work alongside her British and international contemporaries, a broad range of distinguished contributors also consider wider technical and intellectual concerns. Richly illustrated with more than 200 color images drawn from her entire career, the catalog represents some of Hepworth's best-known works in addition to introducing some of her less familiar pieces. The book features previously unseen documentary material, including photographs and film stills that cast new light on one of the 20th century's greatest artists.
Design Objects and the Museum brings together leading design historians, curators, educators and archivists to consider the place of contemporary design objects within museums. Contributors draw on a wide range of 20th century and contemporary examples from international museums to consider how design objects have been curated and displayed within and beyond the museum. The book continues contemporary global debates on the ways in which museums of design engage and educate their public. Chapters are grouped into three thematic sections addressing The Canon and Design in the Museum; Positioning Design within and Beyond the Museum; and Interpretation and the Challenge of Design, with chapters exploring museological practice and issues, the roles people play in creating meaning, and the challenges contemporary design presents to interpretation and learning within the museum.
"Published to accompany the exhibition The Fabric of India at the Victoria and Albert Museum, London, from 3 October 2015 to 10 January 2016"--Title page verso.
A comprehensive bibliography and exhibition chronology of the world's greatest museum of the decorative arts and design. The Victoria and Albert Museum, or South Kensington Museum as it used to be known, was founded by the British Government in 1852, out of the proceeds from the Great Exhibition of 1851. Like the Exhibition, it aimed to improve the expertise of designers, and the taste of the public, by exposing them to examples of good design from all countries and periods. 2,500 publications have to date been produced by, for, or in association with the V&A. The National Art Library, which is part of the Museum, has prepared this detailed catalogue, supplemented by a secondary list of 500 other books closely related to the V&A. The 1,500 exhibitions and displays recorded include those held in the main Museum and at its branches, the Bethnal Green Museum (now the National Museum of Childhood) and the Theatre Museum, Covent Garden, and additionally those it has organized at external venues, in Great Britain and abroad. The exhibitions and publications are fully cross-referenced, and there are name, title and subject indexes to the whole work, as well as an explanatory introduction.
This book brings together artists, historians and museum professionals to explore the history and contribution of artists working in museums as members of staff. It examines how the museum has functioned as a specific site of cultural production and subjective engagement for artists and designers in their role as directors, curators, project managers, and educators. Drawing on specific case studies and interviews, the essays document the historically contingent, problematic character of the artist museum professional, and his/her agency within the museum system.
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Stanhope Alexander Forbes has always been known as 'the Father of the Newlyn School'. His presence as its figure-head, guiding hand and representative to the wider world made him famous but this book celebrates his own work - the paintings he made through a long life lived in and around the fishing village of Newlyn. It marks the anniversary of seventy years since his death in 1947 with the largest survey of his paintings ever produced.
"Fashion has always sought to celebrate nature - from sumptuous silks and floral patterns, to the spectacular creations of designers such as Alexander McQueen and Christian Dior, the two have long been entwined. Yet this reverence is sometimes combined with a damaging need for raw materials. From the seventeenth century to the present day, Fashioned from Nature examines our dependence on the natural world and the devastating effect of certain trends, as seen in the demand for ivory, fur, skins and exotic feathers. Today, intense consumerism and fast fashion have a different impact on the world around us, and this book discusses the need for a more responsible fashion cycle. But which has the greater environmental impact - a leather handbag or a white cotton t-shirt? Consider the effects of land clearance, insecticides and water consumption - not to mention washing after every wear - and the answer may not be completely clear. Fascinating and beautifully illustrated, this book will stimulate an important and timely debate." -- provided by publisher.