Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
A book of verse
None
Chihuly at the V&A
"Drawing on the museum's historic Renaissance collections and expertise, the book also explores the development of the Venetian glass workshop and Chihuly's enormous influence in introducing it and Venetian glassmakers to the United States. It also includes a brief resume of his career and an assessment of his art and its significance."--BOOK JACKET.
Cameraless Photography
This volume is a remarkable historical survey of photographic images created without a camera. Cameraless Photography presents a concise historical overview of photographic images created independently of a camera. It surveys the corresponding techniques—including photograms, chemigrams, luminograms, dye destruction prints, and more—used to create those images. The book features one hundred key images from more than one hundred and seventy years of history, ranging from the earliest experiments in chemical photography, such as those by Anna Atkins in the nineteenth century, through seminal avant-garde photograms of modernists such as Man Ray in the 1920s and 1930s to the latest digital processes by Susan Derges. Visually compelling, Cameraless Photography is an outstanding introduction to the significant cameraless processes used throughout the history of photography and the cameraless work of some of photography’s greatest names.
The Kelmscott Chaucer
The Kelmscott Chaucer is the most memorable and beautiful edition of the complete works of the first great English poet. Next to The Gutenberg Bible, it is considered the outstanding typographic achievement of all time. There are 87 full-page illustrations by Sir Edward Burne-Jones, and the borders, decorations and initials are drawn byWilliam Morris himself. Only 425 copies of this magnificent work were produced in 1896, and this beautiful monochrome facsimile, slightly smaller than the original, makes this glorious book available to all. A fascinating Introduction by Nicholas Barker places the book and its importance in context. The main text is followed by a black and white facsimile of ANoteby William Morris on his Aims in Founding the Kelmscott Press, together with a Short History of the Press by S C Cockerell.
Fatimid Art At the V&A Museum
This is an in-depth study in English of the art of the Fatimids who ruled over part of North Africa, Egypt and Syria from 969 to 1171 AD. Based on the Victoria and Albert Museum's collection, the material is arranged in four sections: ceramic, rock crystals and glass, woodwork, and textiles.
La prose du Transsibérien et de la petite Jehanne de France
Blaise Cendrars' narrative about his life-changing journey on the Trans-Siberian Railway is a poem of memory and movement. Sonia Delaunay's designs create a parallel path as the reader slips down the palette while swimming through a river of words.
Winnie-the-Pooh
Winnie-the-Pooh is one of the best-loved and most successful children's characters of all time. Published to accompany a major exhibition at the Victoria and Albert Museum, London, this book explores the fascinating story behind the development of Winnie-the-Pooh and friends through the creative collaboration between author A. A. Milne and illustrator E. H. Shepard. Beautifully illustrated with original drawings from the first editions accompanied by extracts from the manuscripts and the published books, Winnie-the-Pooh: Exploring a Classic is a testament to the bear's enduring popularity.
Radical Fashion
First published to accompany an exhibition at the V&A, this book looks at the three main trends which are currently dominating international fashion: the arrival of the British superstar designers; the European conceptual, minimalist movement; and the influential Japanese designers.
Making It Up
A revealing and timely book, Making It Up is an illustrated history of staged photography. Presenting work from the earliest to the most contemporary photographers, Making It Up challenges the idea that the camera never lies. With approximately one hundred photographs supported by extended commentaries, the book illustrates that, though we often recognize the staged, constructed, or the tableau as a feature of contemporary photography, this way of working is almost as old as the practice itself. Remarkable in themselves, these photographic fictions, whether created by early practitioners such as Lewis Carroll or Roger Fenton, internationally renowned artists such as Cindy Sherman and Jeff Wall, or contemporary figures such as Hannah Starkey and Bridget Smith, find new, intriguing relevance in our Photoshopped and so-called post-truth age.
