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The Unspeakable, Gender and Sexuality in Medieval Literature, 1000-1400
Frontcover -- Contents -- Acknowledgements -- Abbreviations -- Introduction: Words and Other Fragments -- 1 Speaking Up and Shutting Up: Expression and Suppression in the Old English Mary of Egypt and Ancrene Wisse -- 2 What Comes Unnaturally: Unspeakable Acts -- 3 Crying Wolf: Gender and Exile in Bisclavret and Wulf and Eadwacer -- 4 Taking the Words Out of Her Mouth: Glossing Glossectomy in Tales of Philomela -- Conclusion: After Words -- Bibliography -- Index
Cognitive Sciences and Medieval Studies
This study brings together medieval studies and cognitive methodologies in a study specifically aimed at medievalists. It presents a longer history of certain mental health conditions and locates contemporary debates about the mind in a broader historical framework. It considers both the benefits of incorporating insights from contemporary neuroscientific and cognitive studies into the exploration of the past, and the benefits of employing historical models and case studies in order to reflect on modern methods.
Medieval Mobilities
This collection explores the intersection of gender and mobility across the Global Middle Ages. Medieval Mobilities questions how medieval people, texts, images, and ideas move across physiological, geographical, literary, and spiritual boundaries. In what ways do these movements afford new configurations of gender, sexuality, and being? Enacting a dialogue between medieval studies, feminist thought, and queer theory, Medieval Mobilities proposes that attending to the undulations of premodern gender and sexuality may help destabilize unstated assumptions about ways of being and loving in the Middle Ages. This volume also brings together emergent and established scholars to challenge an increasingly static academy and instead envision a scholarly practice focused on intergenerational, international, and interdisciplinary collaboration. Drawing upon wide range of primary sources and theoretical frameworks, the resultant essays unsettle the imagined fixity of gender and propose alternative conceptualizations of embodiment, identity, and difference in the medieval world.
HEALING AND HARM
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Tracing the Jerusalem Code
With the aim to write the history of Christianity in Scandinavia with Jerusalem as a lens, this book investigates the image – or rather the imagination – of Jerusalem in the religious, political, and artistic cultures of Scandinavia through most of the second millennium. Jerusalem is conceived as a code to Christian cultures in Scandinavia. The first volume is dealing with the different notions of Jerusalem in the Middle Ages. Tracing the Jerusalem Code in three volumes Volume 1: The Holy City Christian Cultures in Medieval Scandinavia (ca. 1100–1536) Volume 2: The Chosen People Christian Cultures in Early Modern Scandinavia (1536–ca. 1750) Volume 3: The Promised Land Christian Cultures in Modern Scandinavia (ca. 1750–ca. 1920)
The Allegory of Love in the Early Renaissance
Described as ‘the most beautiful book ever printed’ previous research has focused on the printing history of the Hypnerotomachia and its copious literary sources. This monograph critically engages with the narrative of the Hypnerotomachia and with Poliphilo as a character within this narrative, placing it within its European literary context. Using narratological analysis, it examines the journey of Poliphilo and the series of symbolic, allegorical, and metaphorical experiences narrated by him that are indicative of his metamorphosing interiority. It analyses the relationship between Poliphilo and his external surroundings in sequences of the narrative pertaining to thresholds; the symbolic architectural, topographical, and garden forms and spaces; and Poliphilo’s transforming interior passions including his love of antiquarianism, language, and Polia, the latter of which leads to his elegiac description of lovesickness, besides examinations of numerosophical symbolism in number, form, and proportion of the architectural descriptions and how they relate to the narrative.
Household Goods and Good Households in Late Medieval London
The Black Death that arrived in the spring of 1348 eventually killed nearly half of England's population. In its long aftermath, wages in London rose in response to labor shortages, many survivors moved into larger quarters in the depopulated city, and people in general spent more money on food, clothing, and household furnishings than they had before. Household Goods and Good Households in Late Medieval London looks at how this increased consumption reconfigured long-held gender roles and changed the domestic lives of London's merchants and artisans for years to come. Grounding her analysis in both the study of surviving household artifacts and extensive archival research, Katherine L. Fren...
The Politics of Emotion
The Politics of Emotion explores the intersection of powerful emotional states—love, melancholy, grief, and madness—with gender and political power on the Iberian Peninsula from the Middle Ages to the early modern period. Using an array of sources—literary texts, medical treatises, and archival documents—Nuria Silleras-Fernandez focuses on three royal women: Isabel of Portugal (1428–1496), queen-consort of Castile; Isabel of Aragon (1470–1498), queen-consort of Portugal; and Juana of Castile (1479–1555), queen of Castile and its empire. Each of these women was perceived by their contemporaries as having gone "mad" as a result of excessive grief, and all three were related to Is...
Celebrity Blood
Julie is bored with her office in the French bank where she works - until the day she leaves on a business trip to London and meets Milo, a young computer hacker. Over the course of that weekend, Julie finds a USB drive. Back in Paris, Julie remembers the drive she found. It turns out to be a document written by Mortimer Diggler, a well-known and respected journalist - a document that accuses Stuart Shelby, a Hollywood favorite, of being a serial killer! Musicians call it "the art of counterpoint" - creating multiple melodies that sound simultaneously several octaves apart. In her own way, Nathalie Suteau practices this art, with all the subtlety it demands, for she is not content to share in her characters' joy at the brusque acceleration of their lives and in the background, she orchestrates a disturbing score. Thus, all the lives caught up in this strange plot are touched by the dark side that comes with an existence that is free from boredom and banality - risk, anguish, and Death as a constant companion.
Feminist Intersectionality
This book gathers contributions negotiating feminism's place within medieval studies. It is about overlaps and twists, about the inseparability of multiple means of critique – ecocriticism and disability studies, art history and race studies, legal history and modern activism – from a feminist perspective. The feminist scholarship in this book moves in many different directions and examines the medieval past (and its role in the present) from many different angles. What remains consistent throughout is the dedication to reconfiguring medieval studies, a commitment not to be content simply with adding women on as an extra in conventional European patriarchal accounts, or with analyzing gender in history or literature without fundamentally re-envisioning the intellectual foundations upon which those fields of study have been built. Previously published in postmedieval Volume 10, issue 3, September 2019
