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How do space and architecture shape liturgical celebrations within a parish? In Theology and Form: Contemporary Orthodox Architecture in America, Nicholas Denysenko profiles seven contemporary Eastern Orthodox communities in the United States and analyzes how their ecclesiastical identities are affected by their physical space and architecture. He begins with an overview of the Orthodox architectural heritage and its relation to liturgy and ecclesiology, including topics such as stational liturgy, mobility of the assembly, the symbiosis between celebrants and assembly, placement of musicians, and festal processions representative of the Orthodox liturgy. Chapters 2–7 present comparative ca...
MILLENNIUM pursues an interdisciplinary approach transcending historical eras. The editorial board and the advisory board represent a wide range of disciplines - contributions from art and literary studies are just as welcome as historical, theological and philosophical contributions on both the Latin and Greek and the Oriental cultures. The STUDIES present relevant monographs or collections of papers from across the whole range of topics. The YEARBOOK contains authoritative articles. As the links between the various articles are sketched out in a comprehensive editorial, their diversity is intended to encourage dialogue between the disciplines and national research cultures. MILLENNIUM does not publish individual reviews, but does on occasions produce literature surveys. The languages of publication are principally English and German, but articles in French, Italian and Spanish can also be accommodated.
This textbook is a product of William Bennett’s work in developing and teaching a course on the physics of music at Yale University to a diverse audience of musicians and science students in the same class. The book is a culmination of over a decade of teaching the course and weaves together historical descriptions of the physical phenomena with the author’s clear interpretations of the most important aspects of the science of music and musical instruments. Many of the historical examples are not found in any other textbook available on the market. As the co-inventor of the Helium-Neon laser, Prof. Bennett’s knowledge of physics was world-class. As a professor at one of the most presti...
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The most powerful military religious order of the Middle Ages and their sacred treasure. For a certain period in history, the Knights Templar—the most powerful military religious order of the Middle Ages—secretly guarded the Shroud of Turin. Worshipped in a relentlessly secret manner, and known in its intimate nature by only a handful of the order’s officials, the swathe of fabric was kept in the central treasury of the Knights Templar, who were known for their expertise in the field of relics. The precious cloth’s history and whereabouts were known only to the highest dignitaries of the secretive order. In an era of widespread doctrinal confusion in much of the Church, the Templars ...
A highly illustrated biography and study of Stradivari, the greatest violin maker, including colour photographs of his most famous instruments.
This volume chronicles Jesuit efforts to engage with Muslim populations in Christian Europe, such as the Moriscos, as well as the work of Jesuit missionaries in Muslim territory, such as Constantinople. It provides insights into the activities of the Society of Jesus along the eastern frontier of the Ottoman Empire, and tracks the careers of individual Jesuits such as Tomás de León and Antonio Possevino. These influential Jesuits devoted much of their lives to addressing the claims of Islam and the pressures applied on Christian Europe by Muslim polities. Some lesser-known Jesuits, such as the translator Ignazio Lomellini, are also profiled.
Metaphrasis: A Byzantine Concept of Rewriting and Its Hagiographical Products represents a first and authoritative discussion of rewriting in Byzantium. It brings together a rich variety of articles that treat the topic of hagiographical rewriting from various angles.The contributors discuss and comment on different kinds of texts in Greek and other languages, including Apophthegmata Patrum, Passions, Saints’ Lives, Enkomia, Miracle Collections, Synaxaria, and Menologia which date from late antiquity to late Byzantium. The volume offers a series of case studies examining how the same legends evolved through time by the process of rewriting. It is shown that the main driving force behind such rewriting was adaptation to different audiences and contexts. This work argues that rewriting is central to Christian cultures in the Middle Ages. Contributors are Andria Andreou, Anne Alwis, Stavroula Constantinou, Koen de Temmerman, Kristoffel Demoen, Marina Detoraki, Bernard Flusin, Laura Franco, Martin Hinterberger, Christian Høgel, Daria D. Resh, Klazina Staat, Julie van Pelt, Robert Wiśniewski, and † John Wortley.
Baroque, the cultural period extending from the mid-sixteenth to the mid-eighteenth century, created some of the world's most striking monuments, music, artworks, and literature. This Handbook goes beyond all existing studies by presenting Baroque not only as a style, but also as a global cultural phenomenon arising in response to enormous religious, political, and technological changes.