You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
How is a writer formed? Yes, through labour, commitment, perseverance, grit and various other things that we keep hearing about. But equally, a writer is formed through the workings of a particular kind of sensibility. As Vineet Gill attempts to understand this writerly sensibility in Nirmal Verma's life and work, he finds that the personal and the literary are, on some level, inseparable. In this masterly deep dive into the world of one of Hindi literature's pioneers, Gill looks at the scattered elements of Verma's life as ingredients that went into the making of the writer. The places he lived in, the people he knew, the books he read are all reflected, in Gill's view, in Verma's stories and novels. This is a work of intense readerly analysis and considered excavation-a contemplation on Verma's oeuvre and its place in world literature.
In an age of accelerating ecological crises, global inequalities and democratic fragility, it has become crucial to achieve renewed articulations of human commonality. With anchorage in critical theory as well as world literary studies, this volume approaches literature - and modes of literary thinking - as a key resource for such a task. "Universality" is understood here not as an established "universalism", but as a horizon towards which intellectual inquiry and literary practices orient themselves. In the field of world literature, there is by now a wide repertoire of epistemological resources through which claims to universality can be both questioned and reconfigured. If, at one end of ...
The country's first and only publication devoted to narrative journalism, The Caravan occupies a singular position among Indian magazines. It is a new kind of magazine for a new kind of reader, one who demands both style and substance. Since its relaunch in January 2010, the magazine has earned a reputation as one of the country's most sophisticated publications-a showcase for the region's finest writers and a distinctive blend of rigorous reporting, incisive criticism and commentary, stunning photo essays, and gripping new fiction and poetry. Its commitment to great storytelling has earned it the respect of readers from around the world. "India's best English language magazine", The Guardian, London "For those with an interest in India, it has become an absolute must-read", The New Republic, Washington The Caravan fills a niche in the Indian media that has remained vacant for far too long, catering to the intellectually curious and aesthetically refined reader, who seeks a magazine of exceptional quality.
Where is India going today? Is it surging forward, having just overtaken the United Kingdom to become the fifth-largest economy in the world? Or is it flailing, unable to provide jobs for the millions joining the labour force? What should India do to secure a better future? India is at a crossroads today. Its growth rate, while respectable relative to other large countries, is too low for the jobs our youth need. Intense competition in low-skilled manufacturing, increasing protectionism globally and growing automation make the situation still more difficult. Divisive majoritarianism does not help. India broke away from the standard development path—from agriculture to low-skilled manufactu...
Are you a seeker, rebel, non-conformist and free-spirit? Yes? ... This book is for you. This book is for the rational, the practical, the seeker, the non-conformist, the leader, the rebel and the free spirit . . . This book is for you, dear reader, to destroy your self-limiting beliefs and realize your full potential. As this journey of self-discovery spanning eighteen years unfolds, Lenaa keeps a promise she made to herself during her darkest hours: 'If I can stay off psychiatric medication for two years, I will write a book for fellow sufferers of anxiety, depression and the rigid psychiatric system.' Now, five years later, the clarity has distilled down to five questions, one answer and a system of instant self-realization. What am I? Who am I? Where am I? When am I? Why am I? Can you answer these questions to your own satisfaction? If the answer is not a definite ‘Yes’, dive right into The Autobiography of God.
This book interrogates the relationship of theatre and the dialectics of centre and the margins. It looks into the exciting world of performance to examine how theatre as an art form is perfectly placed to both perform and critique complex relations of power, politics, and culture. The volume looks into how drama has historically served as a stage for expressing and showcasing prevalent social, historical, and cultural contexts from which it has emerged or intends to critique. Including a wide range of performative practices like Dalit Theatre, Australian Aboriginal theatre, Western realism, and Yoruba theatre, it explores varied lived experiences of people, and voices of subversion, subalternity, resistance, and transformation. The book scrutinises the strategies of representation enunciated through textuality, theatricality, and performance in these works and the politics they are inextricably linked with. This book will be of interest and use to scholars, researchers, and students of theatre and performance studies, postcolonial studies, race and inequality studies, gender studies, and culture studies.
Careers are changing, and the capabilities required to stay relevant are changing even more rapidly. We seem to have endless choices, at least at the beginning of a career, but these start narrowing after middle management. How does one think about one's own life and career in this changing decade? The whole discipline of career management now has three elements to it: Managing yourself; Managing your team; and Managing your business In this book, Shiv Shivakumar points out that today, unlike in the past, all the three elements are your responsibility. With in-depth interviews with top leaders across the spectrum and an insightful foreword by Sachin Tendulkar, The Art of Management is a must-read.
Oblivion and Other Stories is an anthology of twenty short stories by Gopinath Mohanty, the doyen of Oriya (now Odia) literature. The stories, written across a half-century (1935-1988), sample his oeuvre of writings and the variety of his themes-from 'Dã' (mid-1930s) to 'Oblivion' (1951) to 'The Upper Crust' (1967) to 'Lustre' (1971) and 'Festival Day' (1985). They capture the forgotten others, the banality of marginal living on life's edge-of the poor, the tribals and ordinary people-invisible in the feudal landscape of Orissa in the twentieth century. Originally written in Oriya by the Padma Bhushan awardee, these have now been translated for the first time into English and recreate the social life of mid-twentieth century India. The embellished past in the stories is not one of nostalgia but a full-toned portrait of society. Marginalization is the running thread: dispossession, disenfranchisement, class/caste social exclusivity and lack of education.
Suryakant Tripathi ‘Nirala’ was among the maverick writers who shaped modern Hindi literature. In his prose writings—fearless, provocative and startlingly original, much like his poetry—Nirala regards the world with the eyes of a compulsive satirist, committed to laying bare its hypocrisies. A Portrait of Love is an ode to Nirala’s genius, drawing attention to his long-ignored legacy in prose. From his poignant yet humorous sketch of rural India in Billesur Bakriha to the sophisticated urbanity of Lucknow in ‘Portrait of a Lady-Love’; from questioning the ideals of marriage and love in ‘Sukul’s Wife’ to celebrating the nexus between writers and courtesans in colonial Calcutta in ‘What I Saw’; from hailing agency among the oppressed castes in ‘Chaturi Chamar’ to shining a light on an uneasy relationship between education and progress in ‘Jyotirmayee’—this collection sparkles with wit, atmosphere and an unmistakable autobiographical streak, taking readers to the heart of India and introducing them to the colourful cosmos of Hindi literature.
'I could hear wild animals, as hungry as I was, growling down below, having caught my human smell. They attempted to scale the rocks. If there was one among them that could climb the cliff, my helplessness would turn me into its dinner tonight.' On the eve of Independence Day, Mahesh reads a small news item about a mysterious forest dweller who appeared in the middle of a rainforest out of nowhere and disappeared without a clue. Immediately, he recognizes the man to be Freddie Robert, their friend, guide, leader and the one they had all named Yudhisthira, who had disappeared into the forest several months ago, in search of a rare new bird. Mahesh and his four friends, each named after a Pand...