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This book introduces a new conceptual category to philosophical and political discourse, namely Hecate-isms, which can be applied to post–postmodernist theory. This concept is defined here as resulting from the philosophical and political mechanisms of the rule of three, and as representing a tri-phase construction of homo triplex, including elements such as prosperity–security–freedom and distance–power–security. The book will appeal to the wider academic community, to PhD students, professors, and researchers with an interest in political philosophy, political science, postmodern philosophy, and cultural studies.
This book approaches the visual clues acknowledged by political philosophy, interested in the relationship of the philosophy and the politics of film. It also expresses and highlights a precise way of looking at things, indicating a frame able to verify the domains themes and constructs, in order not only to offer some illustrating insights, but also to provide reflections able to re-define the relationship between film and political philosophy. It will appeal to the wider academic community, PhD students, professors, and researchers with an interest in political philosophy, postmodern philosophy, media studies and cultural studies.
Today, we know what the Black Sea is not from a strategic perspective, but we do not know what it is. This strategic indecision is the explanation for all the conflicts, frozen or not, explicit or tacit, and all the political and geopolitical tensions that are now taking place in this space and that are becoming endemic. The story of the Black Sea continues… This text is the first encyclopaedia explicitly dedicated to the geopolitics of the Black Sea, written for Western audiences, an academic research which appeals to the wider academic community, PhD students, professors, and researchers, and to any reader interested in geopolitics, history, international relations, economy, sociology, history, and geography.
100 Years since the Great Union of Romania is a pertinent witness to the course of Romanian political thinking. It confirms that December 1918 demands to be celebrated as a fundamental historical event, which imparts a prominent force to the continuing dynamics of the preposition ‘since’, potentiating it not only with the structural valences of the initial moment and the starting point, but also giving it the meaning of the plenary symbols of a historical act which, after 100 years, celebrates its establishment by reaffirming and confirming its fully-mature vocation. This volume is dedicated to the 100 years since the Great Union of all Romanians. It will appeal to the wider academic community, PhD students, professors, and researchers, and to any reader interested in history, history of political thoughts, political philosophy and science or international relations.
In today’s context of rapid socio-political changes, with deepening ethnic and religious conflicts on the one hand, and a diminishing feeling of identification with the community on the other, reflection on the idea of “solidarity” is very much necessary. This book provides answers to the following questions: “What is the idea of solidarity today?”; “How can it be defined?”; “How has it evolved over recent decades?”; “How does it manifest itself in social life?”; “How is it reflected in the arts?”; and, above all, “How does it relate to collective memory and identity?” With this outline of topic areas in mind, this volume brings together essays analysing various...
Raphael’s artworks, paintings, altarpieces, drawings, tapestries, cartoons, prints, ceramics and all other artifacts derived from his works, including copies and forgeries, have been the object of an often-frantic search from his death in 1520 onwards. France, Spain, Germany, England, and Italy were the main destinations for such artworks between the 16th and the 18th centuries, while the market spread overseas from the 19th century onwards. This book is the first full exploration of this phenomenon and of the mechanisms of transmission of Raphael’s artifax through inheritance, sales, swaps and shady transactions. It includes essays in English, French and Italian by some of the most knowledgeable scholars on Raphael, museum curators and experts in the history of collecting, and is a landmark in scholarship on Raphael and art collecting.
The most significant phenomenon occurring around us today is the European crisis. As well as being a “total social phenomenon” as classical French sociologist Émile Durkheim would have said, it also affects all the levels of our lives—be they political, economic, cultural or social. Nothing remains untouched. In other words, it represents a “perfect storm”. This volume brings together the contributions of twenty authors, scientists from the “Ion I.C. Brătianu” Institute of Political Sciences and International Relations of the Romanian Academy, in response to this challenge. Using an expression that is becoming more abundantly associated with Europe, namely “the perfect storm”, the book decodes multiple layers of the crisis, whether they relate to migrants, terrorism, Brexit, the economic crisis of the Eurozone, the Turkish challenge, Russian pressures, TTIP, the resurrection of populism, or the (intermittent) hysteria of the European media.
At a time when even the foundations and pre-eminence of the Western order are called into question by both the weaknesses of the transatlantic partnership and the spectacular rise of the Asia-Pacific region, suggesting a switch to a post-Atlantic order, the contributors to this volume provide specific answers to present-day interrogations pertaining to various processes of transformation. This book offers multidisciplinary perspectives on political, economic, social, technological and cultural dimensions of change, and proposes various possible responses to current global and regional challenges.
"Latinx TV in the Twenty-First Century offers an expansive and critical look at contemporary TV by and about U.S. Latinx communities. This volume unpacks the negative implications of older representation and celebrates the progress of new representation all while recognizing that television still has a long way to go"--
This book approaches the visual clues acknowledged by political philosophy, interested in the relationship of the philosophy and the politics of film. It also expresses and highlights a precise way of “looking at things”, indicating a frame able to verify the domain’s themes and constructs, in order not only to offer some illustrating insights, but also to provide reflections able to re-define the relationship between film and political philosophy. It will appeal to the wider academic community, PhD students, professors, and researchers with an interest in political philosophy, postmodern philosophy, media studies and cultural studies.