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Midlife Is Not a Crisis combines astrology, inspiration, and wisdom about aging to empower people to live more fully in the second half of life. It is based on the generational life cycles we all share at certain ages, from the Saturn Return at 29 and Midlife, which peaks at 42, all the way to the Uranus Return at 84. These cycles are the great crossroads of life, and each cycle is a journey in itself. Strung together they offer a road map to life’s most challenging and rewarding passages. In every decade there are trials, lessons, and losses; in this we have no choice. Our freedom lies in how we respond—consciously or unconsciously, awake or asleep. The planet that governs each cycle ac...
More than 5 million Americans are currently living with Alzheimer's disease or a related form of dementia. By the year 2030, experts estimate that as many as 66 million people around the world will be faced with this life-altering disease. Unfortunately, these staggering statistics impact millions of caregivers, too. Compared with all types of caregivers, those who assist someone with dementia experience the highest levels of burnout, depression, poor health, and premature death. A Dignified Life, Revised and Expanded offers hope and help with a proven approach. Ten years ago, the first edition of A Dignified Life changed the way the caregiving community approached Alzheimer's disease by sho...
A memoir of life on a backwoods Virginia farm in the first half of the 20th century. Virginia Bell Dabney recalls the hardships of the Depression, the fire that destroyed her home and how her mother struggled to make a life for her family, but also finds much to rejoice in her country childhood.
Taboo breakers and trendsetters, shameless hucksters and famous directors. Exploitation filmmaking has seen it all. Fred Olen Ray made his first movie for $298. In 1936 Marijuana-Weed with Roots in Hell showed drug use and nudity on screen in an effort to "educate the public." Kroger Babb, the man behind Mom and Dad, spliced color medical footage of a baby's birth into his black and white "classic." Russ Meyer, John Waters, Andy Milligan, Doris Wishman, and many others are covered. "Classic" films such as The Immoral Mr. Teas, The Texas Chainsaw Massacre, and Nude on the Moon are examined. Production techniques and innovations are also discussed.
Set in the heart of the Sussex Downs, Charleston Farmhouse is the most important remaining example of Bloomsbury decorative style, created by the painters Vanessa Bell and Duncan Grant. Quentin Bell, the younger son of Clive and Vanessa Bell, and his daughter Virghinia Nicholson, tell the story of this unique house, linking it with some of the leading cultural figures who were invited there, including Vanessa's sister Virginia Woolf, the writer Lytton Strachey, the economist Maynard Keynes and the art critic Roger Fry. The house and garden are portrayed through Alen MacWeeney's atmostpheric photographs; pictures from Vanessa Bell's family album convey the flavour of the household in its heyday.
The Best Friends Approach to Alzheimer's Care shows how easily you can make a difference in the life of a family member or client in your care. Here's the help you've been looking for: families will gain a renewed sense of hope, nursing facility staff will find simple applications for resident care, adult day center staff can enrich programming and attract more volunteers, and individuals with emerging Alzheimer's disease will gain valuable insights. Learn new ways to solve problems, encourage positive behavior, and improve communications. Make every day consistently reassuring, enjoyable, and secure.
Photographs, some barely known, on the domestic lives of Virginia Woolf (1882-1941) and Vanessa Bell (1879-1961) and the historical, cultural and artistic milieux of their circle in Bloomsbury, including Vivienne Eliot, Vita Sackville-West, Lady Ottoline Morrell and Dora Carrington.
This biography examines the special relationship between the sisters, Vanessa Bell and Virginia Woolf. The author has also written "Moon in Eclipse: A Life of Mary Shelley".
When Virginia wakes up feeling "wolfish," her sister, Vanessa, tries to cheer her up. After treats, funny faces and other efforts fail, Vanessa begins to paint a glorious mural depicting the world of the sisters’ imagination. Will it help lift Virginia from her doldrums?
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