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Un Lugar Inacabado
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Transit through a doubtful strait
Virginia Peŕez Ratton, founder in 1994 of the Museo de Arte y Disenõ (MADC), and of editorial TEOReT́ica, amongst other spaces of cultural promotion for the Central American and Caribbean regions, died in October of 2010. A few week later, historian Vićtor Hugo Acunã along with journalist Alexandra Ortiz Wallner from the online magazine "Istmo" conceived the idea of publishing online a dossier of writings from her closest collaborators, artists and intellectuals titled "Virginia Peŕez Ratton y Centroameŕica: arte, pensamiento y propuesta" (Istmo, No. 22, enero-junio 2011). Those writings comprise the present book, an editorial project made possible with the support of the Getty Foundation and the participation of Dominique Ratton Peŕez, daughter of the noted artist, art historian, art critic and curator. As part of the presentation of the book and the anniversary of TEOReT́ica, the new Library and Study Center Virginia Peŕez Ratton was inaugurated in the museum.
Doubtful strait
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Kongreßschrift
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Enfoques a distancia sobre la producción de cultura en la situación contemporánea
"This volume presents the essays presented in a seminar in April 2003 as a 'topographic experiment' regarding the cultural and art expressions and production of Australia, Scandinavia and Central America, 3 regions that perceive themselves as periphery, but paradoxically never consider the other two as such. The seminar included conferences from participation experts like sociologist Nikos Papastergiadis (b. Greece 1962) and plastic artist Carlos Capelán (b. Uruguay 1948) and Virginia Pérez-Ratton"--Provided by vendor.
On Curating
Carolee Thea's interviewees are Joseph Backstein, Carolyn Christov-Bakargiev, Okwui Enwezor, Charles Esche, Massimiliano Gioni, RoseLee Goldberg, Mary Jane Jacob, Pi Li, Virginia Perez-Ratton and Rirkrit Tiravanija.
Armas equivocas III
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Art Work Nature
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Contemporary Perspectives on Art and International Development
Visual artists, craftspeople, musicians, and performers have been supported by the development community for at least twenty years, yet there has been little grounded and critical research into the practices and politics of that support. This new Routledge book remedies that omission and brings together varied perspectives from artists, policy-makers, and researchers working in the Pacific, Africa, Latin America, and Europe to explore the challenges and opportunities of supporting the arts in the development context. The book offers a series of grounded analyses which cover: strategies for the sustainability of arts enterprises; innovative evaluation methods; theoretical engagements with que...
