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A graphic novel that re-imagines Delhi in the 1970s Imagine waking up one morning to learn that all your rights as a citizen are suspended this moment onwards. Imagine living the way the State tells you to-being told how, where and when to laugh, live or love. Imagine constant surveillance-all your acts, words, thoughts watched, all forms of expression subverted for the purpose of nation-building.'Work More, Talk Less', yell microphones as you walk down the streets. But do not worry-Delhi is still calm. It is the India of the mid-1970s. Three young men with vastly different perspectives, but all dreaming of'change', cross paths during this time. Do they sink as individuals or swim as a collective? Was William Penn right to say that'Democracy dies in the hearts of democrats, before it dies in the hands of a dictator'? Find out in Vishwajyoti Ghosh's powerful graphic re-imagining of one of the most seminal moments in the history of Indian democracy.
About the Book A STEP-BY-STEP MANUAL FOR BUILDING INCLUSIVE WORKPLACES—AND A LESS UNEQUAL WORLD. The reading down of Section 377 by the Supreme Court in 2018 has led to a fundamental shift in the rights of India’s LGBTQ citizens and necessitated policy changes across the board—not least in the conservative world of Indian business. In this path-breaking and genre-defying book, Parmesh Shahani draws from his decade-long journey in the corporate world as an out and proud gay man, to make a cogent case for LGBTQ inclusion and lay down a step-by-step guide to reshaping office culture in India. He talks to inclusion champions and business leaders about how they worked towards change; traces...
The dark legacies of partition have cast a long shadow on the lives of people of India, Pakistan and Bangladesh. The borders that were drawn in 1947, and redrawn in 1971, divided not only nations and histories but also families and friends. The essays in this volume explore new ground in Partition research, looking into areas such as art, literature, migration, and notions of ‘foreignness’ and ‘belonging’. It brings focus to hitherto unaddressed areas of partition such as the northeast and Ladakh.
This book is a detailed study of the Indian graphic novel as a significant category of South Asian literature. It focuses on the genre’s engagement with history, memory and cultural identity and its critique of the nation in the form of dissident histories and satire. Deploying a nuanced theoretical framework, the volume closely examines major texts such as The Harappa Files, Delhi Calm, Kari, Bhimayana, Gardener in the Wasteland, Pao Anthology, and authors and illustrators including Sarnath Banerjee, Vishwajyoti Ghosh, Durgabai Vyam, Amrutha Patil, Srividya Natarajan and others. It also explores — using key illustrations from the texts — critical themes like contested and alternate histories, urban realities, social exclusion, contemporary politics, and identity politics. A major intervention in Indian writing in English, this volume will be of great importance to scholars and researchers of South Asian literature, cultural studies, art and visual culture, and sociology.
Art. South Asia Studies. TIMES NEW ROMAN & COUNTRY is a book of 25 postcards observed by Vishwajyoti Ghosh. "A single India is presented here from two vantage points in time. The small bites of 'classified' text sell the excellent-quality-superb-condition-dynamic-India we live in, while the illustrations are 'declassified' Hindi film visuals from the India we grew up in. Of course, everything is open to interpretation..." All advertisements reproduced here are in their original form in terms of content and lettering layout. Readers are cautioned to make appropriate enquiries and seek advice before sending money, incurring any expenses, acting on any medical recommendations or entering into any commitment in relation to any advertisement found in this publication. The printers, publishers, editor, and artist shall not be held liable for any consequences in the event that claims are not honored by the advertisers.
Fun, fun and more fun. This issue has more pages, more Tinkle Toons and loads of exciting features. After all we celebrate both the Tinkle Anniversary and Children’s Day on November 14! So, the theme for the issue is 3-bute. We pay 3-bute to the iconic writers and artists of Tinkle with get-to-know features on Subba Rao, Luis Fernandes, Ram Waeerkar, VB Halbe, Pradeep Sathe and Dev Nadkarni. What’s more? Each feature is accompanied by a story from our Classics! Sir Arthur Conan Doyle and a Sherlock Holmes ComiClassic feature in our 3-bute to famous authors. What better 3-bute to our beloved readers than a Fan Fiction story? And finally, we have a 3-bute to Tinkle Toons. With an All-Toon ...
The Man Who Loved Children is Christina Stead's masterpiece about family life. Set in Washington during the 1930s, Sam and Henny Pollit are a warring husband and wife. Their tempestuous marriage, aggravated by too little money, lies at the centre of Stead's satirical and brilliantly observed novel about the relations between husbands and wives, and parents and children. Sam, a scientist, uses words as weapons of attack and control on his children and is prone to illusions of power and influence that fail to extend beyond his family. His wife Henny, who hails from a wealthy Baltimore family, is disastrously impractical and enmeshed in her own fantasies of romance and vengeance. Much of the care of their six children is left to Louisa, Sam's 14-year-old daughter from his first marriage. Within this psychological battleground, Louisa must attempt to make a life of her own. First published in 1940, The Man Who Loved Children was hailed for its satiric energy. Now its originality is again lauded by novelist, Jonathan Franzen, in his illuminating new introduction.
Longform Annual presents stories that subvert conventional narrative; stories about ordinary people; autobiographies; travel tales - and through these stories establish comics as a permanent feature on a reader's shelf. The name 'Longform' is inspired by a Joe Sacco essay on the shrinking space to tell long graphic stories. The anthology takes us through the streets of Rome and Kolkata, modern day Tehran and ancient Bhutan, around-the-corner dystopias, imaginary cities and kaleidoscopic dreamscapes. The artists presented here include well-known names from India and elsewhere, such as Prakash Moorthy, Barroux, Venkat Shyam, Allen Shaw, as well as emerging artists.
Urban Comics: Infrastructure and the Global City in Contemporary Graphic Narratives makes an important and timely contribution both to comics studies and urban studies, offering a decolonisation and reconfiguration of both of these already interdisciplinary fields. With chapter-length discussions of comics from cities such as Cairo, Cape Town, New Orleans, Delhi and Beirut, this book shows how artistic collectives and urban social movements working across the global South are producing some of the most exciting and formally innovative graphic narratives of the contemporary moment. Throughout, the author reads an expansive range of graphic narratives through the vocabulary of urban studies to...
Timeless, silent tales of love, adventure and obsession Legends of Halahala is a dark, comic ride through a mythical world, and through different periods in its history - from the long-gone Oberian Age to the dystopian era of dome-cities. Appupen's distinctive art and his quirky engagement with worlds real and imagined mark him out as one of the great myth-builders of our time.