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Vito Acconci
Noted and notorious for his conceptually based body art and performance pieces of the late 1960s and early 1970s, Vito Acconci has uniquely invigorated the American art scene for more than two decades and has exerted a profound influence on the current generation of artists. This first full-scale study of the artist's career traces the shift from his early "language pieces" to his first visual art in 1969 (photographs that recorded the actions of his body - bending, throwing, jumping - in a landscape) to the filmed live performances and provocative installations of the 1970s and to his sculptural furniture and architecture and the public projects of the 1980s and early 1990s.
Vito Acconci
A survey of the 20th-century pioneer of performance, video and installation.
Language to Cover a Page
Poems and other texts from the 1960s by a pioneering conceptual artist that show a continuity with his subsequent work in performance and video art. Pioneering conceptual artist Vito Acconci began his career as a poet. In the 1960s, before beginning his work in performance and video art, Acconci studied at the Iowa Writers Workshop and published poems in journals and chapbooks. Almost all of this work remains unknown; much of it appeared in the self-produced magazines of the Lower East Side's mimeo revolution, and many other pieces were never published. Language to Cover a Page collects these writings for the first time and not only shows Acconci to be an important experimental writer of the...
Vito Acconci
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Vito Acconci. Escritos, obras, proyectos
'Vito Acconci Escritos, obras y proyectos' forma parte de la colección '20-21' integrada por una serie de monografías que abordan la interdisciplinareidad y los límites de la propia definición de arte, además de ofrecer un foro para la consideración críti
Body Art/performing the Subject
"With great originality and scholarship, Amelia Jones maps out an extraordinary history of body art over the last three decades and embeds it in the theoretical terrain of postmoderism. The result is a wonderful and permissive space in which the viewer...can wander"...-Moira Roth, Trefethen professor of art history, Mills College.
Vito Acconci
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Vito Acconci
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The Concrete Body
Cover -- Half-title -- Title -- Copyright -- Contents -- Acknowledgments -- Introduction. When the Body Is the Material -- 1 Hurray for People: Yvonne Rainer -- 2 Concretions: Carolee Schneemann -- 3 Reasons to Move: Vito Acconci -- Coda. Forming the Senses -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y -- Z -- Illustration Credits
0 to 9
Published from 1967 to 1969 in seven limited mimeographed editions, "0 to 9" was edited by artist Vito Acconci and poet Bernadette Mayer. Seeking to explore the relationship between language and the page, Mayer and Acconci brought together the pioneers of 1960s experimental poetry and conceptual art. Sol LeWitt, Adrian Piper, Dan Graham, Ted Berrigan, Clark Coolidge, Robert Barry, Les Levine, Robert Smithson, Hannah Weiner, Emmett Williams, Dick Higgins, Yvonne Rainer, Aram Saroyan, Bernar Venet, Alan Sondheim and the editors themselves are but a few of the artists and writers who appeared in "0 to 9."~When considered as a whole, the chronological development of "0 to 9" provides a key under...
