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A central figure in twentieth-century art, the influence of Marcel Duchamp (1887-1968) was crucial to the development of Surrealism, Dada and Conceptual Art. Brother of the artist Raymond Duchamp-Villon and half brother of the painter Jacques Villon, Duchamp began to paint in 1908. In 1912, he painted the definitive version of Nude Descending a Staircase; this was shown at the Salon de la Section d’Or of that same year and subsequently created great controversy at the Armory Show in New York in 1913. On this time, he had abandoned traditional painting and drawing for various experimental forms, including mechanical drawings, studies, and notations that would be incorporated in a major work...
La obra recoge las obras realizadas por Long, entre 1985 y 1994, en diversos ámbitos de la geografía española.
This publication is the most complete monograph on Sigmar Polke to date, and includes a number of works never before published.
This monograph on the Cuban-born artist Ana Mendieta provides the most comprehensive overview of her career available in English. From her early performances to her Land Art works, sculptures, and drawings, examples from all phases of her career--from the late 1960s to her death in 1985-- are considered here in extensive color plates, several in-depth essays, and writings by the artist.
An analysis of the career of Ana Mendieta, a Cuban-American feminist artist who came to prominence in the late 70s and early 80s, in terms of gender and performance theory.
In the twenty-first century, we are continually confronted with the existential side of technology—the relationships between identity and the mechanizations that have become extensions of the self. Focusing on one of humanity’s most ubiquitous machines, Automotive Prosthetic: Technological Mediation and the Car in Conceptual Art combines critical theory and new media theory to form the first philosophical analysis of the car within works of conceptual art. These works are broadly defined to encompass a wide range of creative expressions, particularly in car-based conceptual art by both older, established artists and younger, emerging artists, including Ed Ruscha, Martha Rosler, Richard P...
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Bevat een overzicht van de sculpturen van deze kunstenaar.
"Christian Boltanski" Gloria Moure Christian Boltanski's first one-man Paris exhibition took place precisely in May 1968: at least in theory, therefore, his personality should coincide exactly with the archetypal "soixantehuitard "that postmodern critics are at such pains to discredit. On the other hand, however, if his work is examined retrospectively and compared to what young artists are producing today, a considerable number of connections is revealed which denotes at least identification between different creative approaches and very probably a considerable degree of influence. This would coincide with evidence that criticism of modernity is not the exclusive province of those who over ...