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Documents, oral testimony, and ethnographic description all play a role in text-aided archaeology, which in some broad sense includes all archaeology. This volume explores the relationships among many of these sources and addresses how historical documentation is used in archaeology. Public and official archives; mission and church sources; business and company sources; scholarly institutions; letters, diaries, and private papers; literature; transient documents; local sources and opinions; and maps are among the categories of historical sources used in this collection.
This volume explores how Sardinians and Sardinia have been portrayed in Italian cinema from the beginning of the 20th century until now, starting from the examination of Sardinian tropes in a wide range of texts – travel writing, fictional sources, essays and academic works. The purpose is to shed light on the cultural construction of the Sardinian character and to reveal the ideology that is behind this process. Hence the volume challenges topics such as the dynamics between verbal and visual imagery, and the intertwining between discourse, images and audience. It addresses the following questions: how was the Sardinian character translated from texts into films? Which strategies were developed to define Sardinian images on screen? For whom were these images intended? Which ideology lies behind the images? Focusing on cultural images within film and literature, this volume is of interest to those working in imagology, comparative, cultural and Italian studies.
The first English-language survey of medieval and modern Sardinia, this volume offers access to long-awaited European scholarship on a critical missing link in the Mediterranean. Based on new archaeological fieldwork and current research from a variety of academic perspectives— architecture, colonialism, ecclesiastic history, cartography, demography, law, musicology, politics, trade, and urban planning—the authors provide the foundation to incorporate Sardinia into a broader European history. Among other contributions, archaeology adds critical insight into the relationship between Christian, Muslim, and Jewish inhabitants of Sardinia, through examinations of urban and rural settlement patterns. This volume aims to stimulate further analysis of the critical role Sardinia has played as one of the largest and most strategically located islands in the Mediterranean. Contributors are Laura Biccone, Nathalie Bouloux, Henri Bresc, Marco Cadinu, Roberto Coroneo, Laura Galoppini, Henrike Haug, Michelle Hobart, Rossana Martorelli, Giampaolo Mele, Marco Milanese, Giovanni Murgia, Gian Giacomo Ortu, Daniela Rovina, Olivetta Schena, Cecilia Tasca, Raimondo Turtas, and Corrado Zedda.
The inhabitants of highland Sardinia proudly declare a long history of resistance to outside authority. Many even celebrate the belief that “not even the Roman Empire reached this far.” Yet, since the late nineteenth century, the Italian government has pacified and integrated the mountain districts of the island into the state, often through the use of force. In Legacies of Violence, Antonio Sorge examines local understandings of this past and the effects that a history of violence exercises on collective representations. This is particularly the case among the shepherds of the island, who claim to embody an ancient code of honour known as balentia that they allege to be uncorrupted by the values of mainstream Italian society. A perceptive ethnography of the mobilization of history in support of a way of life that is disappearing as the region’s inhabitants adopt a more mobile, cosmopolitan, and urbane lifestyle, Sorge’s work demonstrates how social memory continues to shape the present in the Sardinian highlands.
Music, Place, and Identity in Italian Urban Soundscapes circa 1550-1860 presents new perspectives on the role music played in the physical, cultural, and civic spaces of Italian cities from the sixteenth to the nineteenth century. Across thirteen chapters, contributors explore the complex connections between sound and space within these urban contexts, demonstrating how music and sound were intimately connected to changing social and political practices. The volume offers a critical redefinition of the core concept of soundscape, considering musical practices through the lenses of territory, space, representation, and identity, in five parts: Soundscape, Phonosphere, and Urban History Urban Soundscapes across Time Urban Soundscapes and Acoustic Communities Urban Soundscapes in Literary Sources Reconstructing Urban Soundscapes in the Digital Era Music, Place, and Identity in Italian Urban Soundscapes circa 1550-1860 reframes our understanding of Italian music history beyond models of patronage, investigating how sounds and musics have contributed to the construction of human identities and communities.
With one of the richest archaeological records and most complicated histories in the Mediterranean, Sardinia provides an important laboratory for studying the interaction of indigenous societies and outside forces in a partly isolated geographical context. Stephen L. Dyson and Robert J. Rowland, Jr. use both material culture and written documents to reconstruct the social and economic processes of an island society that showed both cultural creativity and continuity but responded to invasions from the Phoenicians through the Romans to the Aragonese. This first accessible reconstruction of island archaeology provides a balanced picture of the sweep of Sardinian history.
On 18 August 1572, Marguerite de Valois, sister of King Charles IX, was married in Paris to Henri de Navarre, "first prince of the blood" and a Protestant. This union, which was to cement the provisions of the Peace of St. Germain (1570) ending the third of the French wars of religion, was the occasion of an extraordinary influx of French Calvin ists into the notoriously Catholic capital. Hundreds of Huguenots had journeyed to Paris to honor their titular leader and participate in the wedding celebrations. Tensions were already running high when the court made the fatal decision to take advantage of the situation and assassinate the admiral of France, Gaspard de Coligny, the recognized leade...
Little has been written about the potato's Italian history. This book examines the important role it has played in Italy's social, cultural and economic history.
Islands have a long history of appealing to the architectural imagination and have served as sites for architectural expressions of cultural specificity, cultural conquest, and cultural hybridisation over millennia. From offshore financial centres to immigrant detention camps, tourist havens to military bases, the architectures of islands concretise the forces at play in our contemporary, crisis-ridden societies. Collecting writings by a wide range of established scholars together with exciting new voices in architecture and affiliated disciplines, this book shows the pertinence islands hold for critical spatial thinking and practice today. Covering war and colonialism, detention and tourism...
Est Antigoriu è un viaggio in terra sarda, un mosaico di profumi, usi, tradizioni, folklore e sentimento isolano che dà forma all'isola esattamente come l'autrice la percepisce. E' lo stesso titolo a definire la terra sarda antica, nel fascino, nella cultura, nella gastronomia, nell'arte e nell'architettura, nei suoni e in quei sentimenti che sparpaglia come grano al vento, capace come s'è dimostrata di trattenere dell'antico solo il meglio. L'isola viene letta e riletta sotto diversi aspetti: con gli occhi di donna tradita, amata, protetta o esposta, con lo sguardo delle Dee che l'hanno abitata, rivivendo feste, attraversando malattie e cure, sognando della Sardegna di ieri e ripercorrendone la storia attraverso l'arte che al suo interno vide nascere, d'intreccio, di pittura, di foto.