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Art critic, historian, writer, TV presenter, politician and professional provocateur, Vittorio Sgarbi is a prominent figure in Italy's cultural landscape. Controversial, often caustic, and always charismatic, his thought-provoking opinions and writings leave no room for indifference. In this highly readable and well-informed book, Sgarbi covers the life and works of Caravaggio, analyzing the genius's disordered and adventurous existence and the revolutionary greatness of his masterpieces. As Vittorio Sgarbi writes in the book: "The life and work of an artist always end up looking alike; but in Caravaggio's life there was a sense of fun, an enjoyment of burlesque and a lack of propriety that ...
Silvio Berlusconi, a self-made man with a taste for luxurious living, owner of a huge television empire and the politician who likened a German MEP to a Nazi concentration camp guard-small wonder that much of democratic Europe and America has responded with considerable dismay and disdain to his governance of Italy. Paul Ginsborg, contemporary Italy's foremost historian, explains here why we should take Berlusconi seriously. His new book combines historical narrative-Berlusconi's childhood in the dynamic and paternalist Milanese bourgeoisie, his strict religious schooling, a working life which has encompassed crooning, large construction projects and the creation of a commercial television empire-with careful analysis of Berlusconi's political development. While highlighting the particular italianita of Berlusconi's trajectory, Ginsborg also finds international tendencies, such as the distorted relationship between the media system and politics. Throughout, Ginsborg suggests that Berlusconi has gotten as far as he has thanks to the wide-open space left by the strategic weaknesses of modern left-wing politics.
From the late medieval period through the Renaissance and the Baroque era, the task of conferring an image onto Christ--whose physical aspect was never described in Scripture--fell to artists, who depicted him at every stage of life and in a multitude of roles. In the 350 images in this lavishly illustrated volume, Vittorio Sgarbi considers the variety and power of these portrayals: depictions of joy, suffering, anger, surprise, unmistakable judgment, mercy, weakness, gentleness, friendship, and even whimsy. The result moves beyond art to explore the fact that it was the image of the Son, and not the Father, that amplified the words of Scripture.
Udgivet i anledning af udstillingen: Photography/Venezia '79, arrangeret af Venezias kommune og Unesco i samarbejde med the International Center of Photography, New York
Carpaccio (1460?-1525) is best known for his large paintings still in their original sites in Venice, among them: the life of Saint Ursula in the Scuola di Sant'Orsola, and the stories of Saint Jerome and Saint George in the Scuola di San Giorgio degli Schiavoni. The author, an art scholar and flamb
This book proposes a unified approach to populism that sees it as a primarily rhetorical concept. Populism is on the rise worldwide with both populist leaders and movements gaining power, and the term “populism” resounds in political debate, journalism, and scholarship. Populism as a phenomenon seems to instantiate perennial issues besetting rhetoric (e.g., the charges of manipulation, exclusive reliance on opinion over knowledge, and abuse of emotional appeals), yet relatively little research on populism has emerged from the discipline of rhetoric. This volume investigates the theory and practice of populism under the heading of rhetoric but as an interdisciplinary effort involving scho...
This book offers a completely new approach to the complex social phenomenon of the Mafia: In addition to the origins, organization and actions of the Mafia, the author Anita Bestler examines above all the close connection between organized crime and politics. In the process, readers [also] gain an interesting insight into the complicated political development of Italy from the founding of the state to the present, as well as an answer as to why Italians have a different political mindset.
The work of Romualdo Locatelli, a renowned 20th-century Italian painter. Romualdo Locatelli (1905-1943) is considered the leading Italian exponent of that particular Orientalist genre of painting known as "Mooi Indie ". From the early successes at the Carrara Academy, to the main Italian art scenes of Brera Academy in Milan and "via Margutta" in Rome, where he became the most sought portraitist under the royal and papal patronage, he reached the peak of his art production in Bali, the island of the gods (1939). Throughout Southeast Asia's history of foreign relations, there have been several moments of cross-cultural connections that were immortalized on canvas. Romualdo Locatelli is respons...
This stunning book reveals how a version of the Medusa in private hands has been newly attributed to Caravaggio (1571-1610). The similarity of the work, and its frame, to the better-known version at the Uffizi in Florence attracted the attention of experts. X-rays and new technologies eventually confirmed that this version was the original. Here, the results of historical and technological research are accompanied by superb illustrations and close-ups of the painting, the X-rays, and more, enabling art lovers the opportunity to appreciate this previously neglected work.
Modern architecture articulated itself in specific centers of propulsion, revision and critique during the 20th century. The case of Milan is exemplary: Terragni and Razionalismo, the reconstruction (Ponti, Rogers, Moretti, Viganò, etc.), the Tendenza of Rossi, product design, up to the current research. MCM traces this history from several contributors' points of view.