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An unstructured genre that blends high aesthetic standards with nonfiction commentary, the journalistic crónica, or chronicle, has played a vital role in Latin American urban life since the nineteenth century. Drawing on extensive archival research, Viviane Mahieux delivers new testimony on how chroniclers engaged with modernity in Mexico City, Buenos Aires, and São Paulo during the 1920s and 1930s, a time when avant-garde movements transformed writers' and readers' conceptions of literature. Urban Chroniclers in Modern Latin America: The Shared Intimacy of Everyday Life examines the work of extraordinary raconteurs Salvador Novo, Cube Bonifant, Roberto Arlt, Alfonsina Storni, and Mário d...
Freud's Mexican disciples, Mexican books, Mexican antiquities, and Mexican dreams. Freud's Mexico is a completely unexpected contribution to Freud studies. Here, Rubén Gallo reveals Freud's previously undisclosed connections to a culture and a psychoanalytic tradition not often associated with him. This book bears detailed testimony to Freud's relationship to a country he never set foot in, but inhabited imaginatively on many levels. In the Mexico of the 1920s and 1930s, Freud made an impact not only among psychiatrists but also in literary, artistic, and political circles. Gallo writes about a “motley crew” of Freud's readers who devised some of the most original, elaborate, and influe...
2020 International Latino Book Awards Honorable Mention in Best Nonfiction (Multi-Author) Latinx Writing Los Angeles offers a critical anthology of Los Angeles's most significant English-language and Spanish-language (in translation) nonfiction writing from the city's inception to the present. Contemporary Latinx authors, including three Pulitzer Prize winners and writers such as Harry Gamboa Jr., Guillermo Gómez-Peña, and Rubén Martínez, focus on the ways in which Latinx Los Angeles's nonfiction narratives record the progressive racialization and subalternization of Latinxs in the southwestern United States. While notions of racial memory, coloniality, biopolitics, internal colonialism,...
The Colombian Gothic in Cinema and Literature traces the aesthetic and political development of the Gothic genre in Colombia. Gabriel Eljaiek-Rodríguez shows how, in the hands of Colombian writers and filmmakers, Gothic tropes are taken to their extremes to reflect particularly Colombian issues, like the ongoing armed conflict in the country since the 1950s as various left wing guerillas, government factions and paramilitary groups escalated violence. In this context, collectives such as the “Cali group” challenge both the centrality of US and European Gothics as well as the centrality of Bogota-centered perspectives of Colombian politics and conflict. The book demonstrates how writers and filmmakers transform the European and American Gothic to show genealogical links between colonization, imperialism and domestic elites’ maintenance of social inequalities.
The Contemporary Spanish-American Novel provides an accessible introduction to an important World literature. While many of the authors covered—Aira, Bolaño, Castellanos Moya, Vásquez—are gaining an increasing readership in English and are frequently taught, there is sparse criticism in English beyond book reviews. This book provides the guidance necessary for a more sophisticated and contextualized understanding of these authors and their works. Underestimated or unfamiliar Spanish American novels and novelists are introduced through conceptually rigorous essays. Sections on each writer include: *the author's reception in their native country, Spanish America, and Spain *biographical history *a critical examination of their work, including key themes and conceptual concerns *translation history *scholarly reception The Contemporary Spanish-American Novel offers an authoritative guide to a rich and varied novelistic tradition. It covers all demographic areas, including United States Latino authors, in exploring the diversity of this literature and its major themes, such as exile, migration, and gender representation.
From his first fifteen years in Chile, to his nine years in Mexico City from 1968 to 1977, to the quarter of a century he lived and worked in the Blanes-Barcelona area on the Costa Brava in Spain through his death in 2003, Roberto Bolaño developed into an astonishingly diverse, prolific writer. He is one of the most consequential and widely read of his generation in any language. Increasingly recognized not only in Latin America, but as a major figure in World Literature, Bolaño is an essential writer for the 21st century world. This volume provides a comprehensive mapping of the pivotal contexts, events, stages, and influences shaping Bolaño's writing. As the wide-ranging investigations of this volume's 30 distinguished scholars show, Bolaño's influence and impact will shape literary cultures worldwide for years to come.
Why slavery was so resilient and how people in Latin America fought against it are the subjects of this compelling study.
The photographers discussed in this book probe the most contentious aspects of social organization in Mexico, questioning what it means to belong, to be Mexican, to experience modernity, and to create art as a culturally, politically, or racially marginalized person. By choosing human subjects, spaces, and aesthetics excluded from the Lettered City, each of the photographers discussed in this volume produces a corpus of art that contests dominant narratives of social and cultural modernization in Mexico. Taken together, their work represents diverging and diverse notions of what is meant by Mexican modernity. The book will be of interest to scholars working in art history, history of photography, women’s studies, and Mexican studies.
"Collection of essays analyzing a wide array of Latin American narratives through the lens of food studies"--
Making a vital contribution to the understanding of Latin American modernism, Esther Gabara rethinks the role of photography in the Brazilian and Mexican avant-garde movements of the 1920s and 1930s. During these decades, intellectuals in Mexico and Brazil were deeply engaged with photography. Authors who are now canonical figures in the two countries’ literary traditions looked at modern life through the camera in a variety of ways. Mário de Andrade, known as the “pope” of Brazilian modernism, took and collected hundreds of photographs. Salvador Novo, a major Mexican writer, meditated on the medium’s aesthetic potential as “the prodigal daughter of the fine arts.” Intellectuals...