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Chartres, 1145. Ten years earlier, a fire, believed to be deliberate, destroyed the town and the culprit has still not been traced. Visiting a friend in Chartres, Galeran de Lesnevan believes the culprit to still be in the area, and that this time he has committed murder.
France, 1145, and the Normandy coast is bracing itself against the approaching autumn Equinox. Terrible storms are brewing, the north wind has frozen beaches and the lower planes are being flooded. Then, one morning, two river watchmen see a fountain of air shoot out of the water. A whale has made its way into the River Seine. They raise a cry, which reaches back to the Forest of Jumieges, and the Abbey bells ring out to call the monks and peasants to the river. Rurik, a tall blond Dane, is hired to kill the whale. Meanwhile the Chevalier Galeran has called by the Bishop of Lisieux to investigate the Abbot Eustache of the Abbey of Jumieges. There have been rumours of corruption in the Church ... Galeran arrives in town, where the stench of burning whale flesh is still overpowering, to hear of another death: the horrific killing of a young bride on her wedding night. He soon discovers that the town is riddled with theft, corruption, black magic - and murder.
The fourth Galeran de Lesneven medieval mystery. Follows, The darkest red.
Combining elements of medievalism, the historical novel and the detective narrative, medieval crime fiction capitalizes upon the appeal of all three--the most famous examples being Umberto Eco's The Name of the Rose (one of the best-selling books ever published) and Ellis Peters' endearing Brother Cadfael series. Hundreds of other novels and series fill out the genre, in settings ranging from the so-called Celtic Enlightenment in seventh-century Ireland to the ruthless Inquisition in fourteenth-century France to the mean streets of medieval London. The detectives are an eclectic group, including weary ex-crusaders, former Knights Templar, enterprising monks and nuns, and historical poets such as Geoffrey Chaucer. This book investigates the enduring popularity of the largely unexamined genre and explores its social, cultural and political contexts.
This book surveys the influence of the middle ages, and of medieval attitudes and values, on later periods and on the modern world. Many artistic, political and literary movements have drawn inspiration and sought their roots in the thousand years between 500 and 1500 AD. Medieval Christianity, and its rich legacy, has been the essential background to European culture as a whole.Gothic architecture and chivalry were two keys to Romanticism, while nationalists, including the Nazis, looked back to the middle ages to find emerging signs of national character. In literature few myths have been as durable or popular as those of King Arthur, stretching from the Dark Ages to Hollywood. In Search of the Holy Grail is a vivid account of how later ages learnt about and interpreted the middle ages.
More than 200,000 words of the best mystery and suspense fiction from around the world The world's Finest Mystery and Crime Stories Each year, editors Ed Gorman and Martin H. Greenberg cast their net far and wide, across the seas, throughout the world to catch the best-the most suspenseful, most original, intriguing, confounding, downright entertaining stories of crime and mystery. Edgar winners from the U.S., Silver Dagger winners from the U.K., and stories from elsewhere as well come together here in a bountiful crop of great stories by the best in the business, including Lawrence Block - Jon L. Breen - Stanley Cohen - Bill Crider - Jeffery Deaver - Jeremiah Healy - Clark Howard - Susan Isaacs - John Lutz - Sharyn McCrumb - Ralph McInerny - Anne Perry - Bill Pronzini - Donald E. Westlake and many others. This book's a killer! At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
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Book provides in-depth information and reviews of city places and events and features a companion password-protected website which is continually updated. Password is printed in the book.
The beginning of the 21st century has seen important shifts in mobility cultures around the world, as the West’s media-driven car culture has contrasted with existing local mobilities, from rickshaws in India and minibuses in Africa to cycling in China. In this expansive volume, historian Gijs Mom explores how contemporary mobility has been impacted by social, political, and economic forces on a global scale, as in light of local mobility cultures, the car as an ‘adventure machine’ seems to lose cultural influence in favor of the car’s status character.