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This volume presents the findings of a study which examined the way immigrant students in Ireland learn English.
In The Nature and the Image of Princely Power in Kievan Rus', 980-1054, Walter K. Hanak offers a critical analysis of the annalistic, literary, and other works that provide rich if conflicting and contradictory information on the nature of princely power and their image or literary representations. The primary sources demonstrate an interaction between the reality and the notions concerning princely power and how this power generates an image of itself. The author also analyses the textual incongruities that appear to be a reflection of a number of currents -- Byzantine, Varangian, Khazar, and Eastern Slavic. The secondary sources provide a variety of interpretations, which Hanak seeks to uphold and dispute. His stress, however, is to view this evidence in the light of a newly Christianized state and the launching of a maturative process in its early history.
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An innovative exploration of "modern evil" in works of early- and late-modern theatre, focusing on ethics, religion, and aesthetics that speak to our present condition.
In the last decade of the 19th century, modernist sensibilities reached a critical mass and emerged more frequently in music as composers began employing dissonance, polyrhythm, atonality, and densities. Conversely, many 20th-century composers eschewed modernist devices and wrote accessible works in a tonal idiom, which drew chiefly on classical, romantic, and folk models. Then the postmodern sensibility followed, with its enthusiasm for the unprecedented availability of virtually every type of music, andit engendered numerous sub-groups, including multiculturalism, minimalism, multimedia, and free improvisation. Historical Dictionary of Modern and Contemporary Classical Music focuses on mod...
Historians in pre-revolutionary Russia, in the Soviet Union, in contemporary Russia, and in the West have consistently relegated the medieval dynasty of Chernigov to a place of minor importance in Kievan Rus'. This view was reinforced by the evidence that, after the Mongols invaded Rus' in 1237, the two branches from the House of Monomakh living in the Rostov-Suzdal' and Galicia-Volyn' regions emerged as the most powerful. However, careful examination of the chronicle accounts reporting the dynasty's history during the second half of the twelfth and the first half of the thirteenth century shows that the Ol'govichi of Chernigov successfully challenged the Monomashichi for supremacy in Rus'. Through a critical analysis of the available primary sources (such as chronicles, archaeology, coins, seals, 'graffiti' in churches, and architecture) this 2003 book attempts correct the pervading erroneous view by allocating to the Ol'govichi their rightful place in the dynastic hierarchy of Kievan Rus'.
For much of the past century, public discourse about gender and politics has been driven largely by progressive women--those voices on the left that support policies widely considered to be pro-women. Little scholarly attention has been paid to the dialogue of conservative women, and what literature there is tends to focus on specific issues rather than fundamentals like social and political identity. The authors focus on this under-studied yet rhetorically interesting group and their approach to political speech. The narratives and policy positions of Condoleezza Rice, Nikki Haley, Teri Lynn Land, Susana Martinez, Joni Ernst and others are examined for the ways in which they frame their political images as women in the GOP.