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In two comprehensive volumes, Commercial Contracts: Strategies for Drafting and Negotiating, Second Edition presents the insights and guidance of over 30 leading specialists, all experts in their fields. These noted authorities examine the growing influence of New York law on multi-jurisdictional transactions, discuss the general expectations of parties to commercial transactions, and identify critical issues that drafters and litigators need to consider when dealing with different types of agreements, from joint ventures and strategic alliances to government contracts, from employment agreements to shareholder agreements, and many others. By putting the expert analysis, practice tips and il...
Cut through the legalese to truly understand construction law Smith, Currie & Hancock's Common Sense Construction Law is a guide for non-lawyers, presenting a practical introduction to the significant legal topics and questions affecting the construction industry. Now in its fifth edition, this useful guide has been updated to reflect the most current developments in the field, with new information on Public Private Partnerships, international construction projects, and more. Readers will find full guidance toward the new forms being produced by the AIA, AGC, and EJDC, including a full review, comparison to the old forms, areas of concern, and advice for transitioning to the new forms. The c...
Gawain: A Casebook is a collection of 12-15 classic and original essays on the hero of Arthurian legend that investigates the figure of Gawain as he appears in major medieval traditions, as well as modern literature and film. As with other volumes in the Arthurian Characters and Themes series, this casebook includes an extended introduction examining the character's evolution from the earliest tales to his most recent appearances in popular culture, as well as an extensive annotated bibliography. Students, scholars, and anyone interested in medieval legend will find a wealth of insight into the mystery of this most poignant and perplexing of Arthurian heroes.
An International Court of Civil Justice would give victims of multinationals a day in court while offering corporate defendants a cheaper, fairer litigation alternative.
An examination of the ways in which late medieval lyric poetry can be seen to engage with contemporary medical theory. This book argues that late medieval love poets, from Petrarch to Machaut and Charles d'Orléans, exploit scientific models as a broad framework within which to redefine the limits of the lyric subject and his body. Just as humoraltheory depends upon principles of likes and contraries in order to heal, poetry makes possible a parallel therapeutic system in which verbal oppositions and substitutions counter or rewrite received medical wisdom. The specific case of blindness, a disability that according to the theories of love that predominated in the late medieval West foreclosed the possibility of love, serves as a laboratory in which to explore poets' circumvention of the logical limits of contemporary medical theory. Reclaiming the power of remedy from physicians, these late medieval French and Italian poets prompt us to rethink not only the relationship between scientific and literary authority at the close of the middle ages, but, more broadly speaking, the very notion of therapy. Julie Singer is Assistant Professor of French at Washington University, St Louis.
Much work has already been done on the conventions and formulae of Old French literature, particularly epic literature, and on parody in the French Middle Ages. This book links these approaches, widens the concept of 'formula', and aims to show that certain authors, far from being enslaved by the conventions within which they worked, were conscious of them and could master them with sufficient independence to exploit them for calculated literary effect, and in particular for parody. It studies the fabliaux, Aucassin et Nicolette and Le Pèlerinage de Charlemagne, texts in which formulae play a varied and subtle part. In the fabliaux we find that formulae borrowed from serious literature add parodic depth to the often simple humour of these tales, but that the genre as a whole is not essentially parodic. Aucassin et Nicolette uses conventions to arouse expectations which may or may not be satisfied; parody proves to be fundamental to this work. The approach shows its full potential when applied to Le Pèlerinage de Charlemagne; study of this text's use of formulae of the epic and romance traditions reveals a high degree of complexity and a finely nuanced parody.
The Fiction of Truth offers a rigorous reexamination of allegory. Rejecting the traditional notion that allegory says thing and means another, Carolynn Van Dyke proposes a new definition of the genre, derived both from contemporary critical theory and from the practice of medieval and Renaissance allegorists. Allegories, Van Dyke asserts, differ from other kinds of narrative in the syntactic rules that seem to generate their plots. Through a reading of Prudentius' Psychomachia, the earliest allegory, Van Dyke formulates a semiotic code that she finds implicit in allegorical works. She shows how allegorists adopted and altered that code in such works as The Romance of the Rose, medieval morality plays, The Pilgrim's Progress, The Divine Comedy, and The Faerie Queene. Her book is both a bold theoretical examination of allegory and a history of its evolution over the twelve centuries during which it played a major—even a dominant—role in Western literature.