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The Fiction of Truth
  • Language: en
  • Pages: 328

The Fiction of Truth

The Fiction of Truth offers a rigorous reexamination of allegory. Rejecting the traditional notion that allegory says thing and means another, Carolynn Van Dyke proposes a new definition of the genre, derived both from contemporary critical theory and from the practice of medieval and Renaissance allegorists. Allegories, Van Dyke asserts, differ from other kinds of narrative in the syntactic rules that seem to generate their plots. Through a reading of Prudentius' Psychomachia, the earliest allegory, Van Dyke formulates a semiotic code that she finds implicit in allegorical works. She shows how allegorists adopted and altered that code in such works as The Romance of the Rose, medieval morality plays, The Pilgrim's Progress, The Divine Comedy, and The Faerie Queene. Her book is both a bold theoretical examination of allegory and a history of its evolution over the twelve centuries during which it played a major—even a dominant—role in Western literature.

Rethinking Chaucerian Beasts
  • Language: en
  • Pages: 440

Rethinking Chaucerian Beasts

  • Type: Book
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  • Published: 2012-11-12
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  • Publisher: Springer

Building on recent work in critical animal studies and posthumanism, this book challenges past assumptions that animals were only explored as illustrative of humanity, not as interesting in their own right. The contributors combine close reading of Chaucer's texts with insights drawn from cultural or critical animal studies.

Chaucer's Agents
  • Language: en
  • Pages: 388

Chaucer's Agents

Chaucer's Agents draws on medieval and modern theories of agency to provide fresh readings of the major Chaucerian texts. Collectively, those readings aim to illuminate Chaucer's responses to two greta problems of agency: the degree to which human beings and forces qualify as agents, and the equal reference of "agent" to initiators and instruments. Each chapter surveys medieval conceptions of the agency in question-- allegorical Realities, intelligent animals, pagan gods, women, and the author--and then follows that kind of agent through representative Chaucerian texts. Readers have long recognized Chaucer's interest in questions of causation; Van Dyke shows that his answers to those questions shape, even constitute, his narratives. --Fairleigh Dickinson University Press.

Vernacular Aesthetics in the Later Middle Ages
  • Language: en
  • Pages: 312

Vernacular Aesthetics in the Later Middle Ages

  • Type: Book
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  • Published: 2019-07-03
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  • Publisher: Springer

Vernacular Aesthetics in the Later Middle Ages explores the formal composition, public performance, and popular reception of vernacular poetry, music, and prose within late medieval French and English cultures. This collection of essays considers the extra-literary and extra-textual methods by which vernacular forms and genres were obtained and examines the roles that performance and orality play in the reception and dissemination of those genres, arguing that late medieval vernacular forms can be used to delineate the interests and perspectives of the subaltern. Via an interdisciplinary approach, contributors use theories of multimodality, translation, manuscript studies, sound studies, gender studies, and activist New Formalism to address how and for whom popular, vernacular medieval forms were made.

Nature in the Middle Ages and the Early Modern Times
  • Language: en
  • Pages: 606

Nature in the Middle Ages and the Early Modern Times

The study of pre-modern anthropology requires the close examination of the relationship between nature and human society, which has been both precarious and threatening as well as productive, soothing, inviting, and pleasurable. Much depends on the specific circumstances, as the works by philosophers, theologians, poets, artists, and medical practitioners have regularly demonstrated. It would not be good enough, as previous scholarship has commonly done, to examine simply what the various writers or artists had to say about nature. While modern scientists consider just the hard-core data of the objective world, cultural historians and literary scholars endeavor to comprehend the deeper meani...

The Medieval Medea
  • Language: en
  • Pages: 296

The Medieval Medea

Wide-ranging study of the myth of Medea, concentrating on but not exclusively confined to its medieval incarnation.

Salman Rushdie
  • Language: en
  • Pages: 260

Salman Rushdie

Rushdie Has Put Behind Him The Political And Religious Controversy That Surrounded Him In The Aftermath Of The Appearance Of The Satanic Verses. These Two Volumes Endeavour To Continue The Literary-Critical Study Of His Works By Bringing Together Some Of The Best Critical Essays Written In The Post- Verses Controversy Period. The Essays Present An Honest Assessment Of Rushdie S Works By Creatively Engaging With The Issues Each Of Them Raises.

Medieval Ovid: Frame Narrative and Political Allegory
  • Language: en
  • Pages: 163

Medieval Ovid: Frame Narrative and Political Allegory

  • Type: Book
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  • Published: 2015-03-20
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  • Publisher: Springer

Ovid's Metamorphoses played an irrefutably important role in the integration of pagan mythology in Christian texts during the Middle Ages. This book is the only study to consider this Ovidian revival as part of a cultural shift disintegrating the boundaries between not only sacred and profane literacy but also between academic and secular politics.

The Song of Songs in the Middle Ages
  • Language: en
  • Pages: 212

The Song of Songs in the Middle Ages

'The Song of Songs in the Middle Ages is a wide-ranging and insightful book that is carefully researched and gracefully written. It is of importance alike to those interested in mysticism, Middle English, the twelfth century, the fourteenth century, and feminist approaches to literature.' --- Studia Mystica

JEGP, Journal of English and Germanic Philology
  • Language: en
  • Pages: 596

JEGP, Journal of English and Germanic Philology

  • Type: Book
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  • Published: 2007
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  • Publisher: Unknown

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