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The human voice does not deceive. The one who is speaking is inevitably revealed by the singular sound of her voice, no matter "what" she says. Starting from the given uniqueness of every voice, Cavarero rereads the history of philosophy through its peculiar evasion of this embodied uniqueness.
In this book, Janet Kourany offers an antidote to the pervasive and pernicious strains in Western philosophy that discount women. Most areas of Western philosophy tend not only to ignore women, but also to perpetuate long-standing antifeminine biases of the society as a whole. It does not have to be this way. Rather than be part of the problem, philosophy can be a powerful force for much needed social change. In this collection of essays by some of the most noted feminist philosophers, Kourany showcases ideas on the newest work of Western philosophy that is benefiting women as well as men. Included here are articles by Eileen O'Neill, Louise Antony, Virginia Held, Susan Okin, Carolyn Korsmeyer, Nancy Frankenberry, Lorraine Code, Janet Kourany, Andrea Nye, and Susan Bordo, all of whom show further directions in which philosophy ought to proceed. This book demonstrates that feminist philosophy is not a separate area of philosophy that can safely be ignored by philosophers not "in" it. Rather, it relates to at least most of the major areas of philosophy, and its gains will stand to benefit all philosophers, no matter what their field.
This analysis of the relationship between philosophy and politics recognizes that political philosophers must continually struggle to distinguish their voices from others that clamor within political life. Author Andrew Fiala asks whether it is possible to maintain a distinction between philosophical speech and other political and poetic language. His answer is that philosophy's methodological self-consciousness is what distinguishes its voice from the voice of politics. By focusing on the different ways in which this methodological norm was enacted in the lives and work of Kant, Fichte, Hegel, and Marx, the author puts the problem in a larger context and considers the roles that these thinkers played in the political history of the nineteenth century.
Concentrating on the music, politics, and philosophy of Richard Wagner, Lydia Goehr addresses some fundamental questions of German Romanticism: Is all music musical? Is music made less musical by the presence of words? What is musical autonomy? How do composers avoid censorship? How are composers affected by exile? Can music articulate a 'politics for the future'? What is the relation between music and philosophy?
The essential toolkit for anyone reading this seminal Derrida text for the first time
This book is an invitation to the life of philosophy in the United States, as Emerson once lived it and as Stanley Cavell now lives it--in all its topographical ambiguity. Cavell talks about his vocation in connection with what he calls voice--the tone of philosophy--and his right to take that tone, and to describe an anecdotal journey toward the discovery of his own voice.