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Troubling Arthurian Histories
  • Language: en
  • Pages: 538

Troubling Arthurian Histories

  • Type: Book
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  • Published: 2007
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  • Publisher: Peter Lang

Drawing on a range of approaches in cultural, gender and literary studies, this book presents Chrétien de Troyes's Erec et Enide as a daring and playful exploration of scandal, terror and anxiety in court cultures. Through an interdisciplinary reading, it locates Erec et Enide, the first surviving Arthurian romance in French, in various contexts, from broad cultural and historical questionings such as medieval vernacular 'modernity's' engagement with the weight of its classical inheritance, to the culturally fecund and politically turbulent histories of the families of Eleanor of Aquitaine and Henry II Plantagenet. Where previous accounts of the tale have not uncommonly presented Chrétien's poem as a decorous 'resolution' of tensions between dynastic marriage and fin'amors, between personal desire and social duty, this reading sees these forces as in permanent and irresolvable tension, the poem's key scenes haunted - whether mischievously or traumatically - by questions and skeletons from various closets.

Avant-Garde / Neo-Avant-Garde
  • Language: en
  • Pages: 346

Avant-Garde / Neo-Avant-Garde

  • Type: Book
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  • Published: 2016-08-01
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  • Publisher: BRILL

This collection of critical essays explores new approaches to the study of avant-garde literature and art, film and architecture. It offers a theoretical framework that avoids narrowly defined notions of the avant-garde. It takes into account the diversity of artistic aims and directions of the various avant-garde movements and encourages a wide and open exploration of the multifaceted and often contradictory nature of the great variety of avant-gardist innovations. Individual essays concentrate on cubist collage and dadaist photomontage, on abstract painting by members of the Dutch group De Stijl, on verbal chemistry and dadaist poetry and on body art from futurism to surrealism. In additio...

Proust in Perspective
  • Language: en
  • Pages: 344

Proust in Perspective

Marcel Proust speaks to us today as a contemporary and a classic. His great novel resonates across languages and time, summing up the past, interpreting the present, and envisioning the future. For Proust in Perspective, scholars from France, Italy, Belgium, Germany, Sweden, Japan, Canada, and the United States have drawn on rich new editions of Proust's novel and correspondence to bring us fresh views of his work. In nineteen original essays, a foreword by Jean–Yves Tadié, and an introduction by editors Armine Kotin Mortimer and Katherine Kolb, this volume guides readers through the dense weave of Proust's fiction and correspondence. The essays take us into the realm of Proustian languag...

Kleist on Stage, 1804-1987
  • Language: en
  • Pages: 264

Kleist on Stage, 1804-1987

Until now, there has been no general reference work that describes the various stagings of Kleist's plays since the first performance of Die Familie Schroffenstein in 1804. Several dissertations dealing with the stage history of individual works appeared between 1920 and 1932 and some articles discussing influential individual productions have been published. In Kleist on Stage, 1804 1987, however, William Reeve has used the reviews of newspaper critics during the nineteenth and twentieth centuries to provide the first general survey of the reception of Kleist's seven completed dramas.

Words and Images on the Screen
  • Language: en
  • Pages: 405

Words and Images on the Screen

The screen has never been merely a canvas for the images to be displayed but also – to quote Jean-Luc Godard – “a blank page”, a surface for inscriptions and a “stage” for all kinds of linguistic occurrences be their audible or visual. Word did not come into the world of cinema at the time of the talkies but has been a primordial medial “companion” that has shaped the cinematic experience from its very beginnings. This volume offers a collection of essays that question the role of words and images in the context of moving pictures covering a wide area of their interconnectedness. How can we analyse literary adaptations? What is the role of adaptations in the evolution of spec...

Proust and the Visual
  • Language: en
  • Pages: 264

Proust and the Visual

This collection of essays is aiming at capturing the rich and complex category of the 'visual' both in Proust's novel itself (in its philosophical and stylistic implications) and beyond it, in other visual practices (cinema, painting, dance) inspired by the novel.

Writing and Filming the Painting
  • Language: en
  • Pages: 243

Writing and Filming the Painting

  • Type: Book
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  • Published: 2008-01-01
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  • Publisher: BRILL

This innovative interdisciplinary study compares the uses of painting in literary texts and films. In developing a framework of four types of ekphrasis, the author argues for the expansion of the concept of ekphrasis by demonstrating its applicability as interpretive tool to films about the visual arts and artists. Analyzing selected works of art by Goya, Rembrandt, and Vermeer and their ekphrastic treatment in various texts and films, this book examines how the medium of ekphrasis affects the representation of the visual arts in order to show what the differences imply about issues such as gender roles and the function of art for the construction of a personal or social identity. Because of...

Film's Musical Moments
  • Language: en
  • Pages: 240

Film's Musical Moments

The scope of this collection is indicative of the breadth and diversity of music's role in cinema, as is its emphasis on musical contributions to 'non-musical' films. By bringing together chapters that are concerned both with the relationship between performance, music and film and the specificity of national, historical, social, and cultural contexts, Film's Musical Moments will be of equal importance to students of film studies, cultural studies and music. The book is organised into four sections: Music, Film, Culture focuses on cinema representations of music forms; Stars, Performance and Reception explores stars, fan cultures and intertextuality; The Post-Classical Hollywood Musical considers the importance of popular music to contemporary cinema; and Beyond Hollywood looks to specific national contexts.

Theatre Cultures within Globalising Empires
  • Language: en
  • Pages: 359

Theatre Cultures within Globalising Empires

This volume presents the proceedings of the international conference “Theatre Cultures within Globalising Empires: Looking at Early Modern England and Spain”, held in 2012 as part of the ERC Advanced Grant Project Early Modern European Drama and the Cultural Net (DramaNet). Implementing the concept of culture as a virtual network, it investigates Early modern European drama and its global dissemination. The 12 articles of the volume – all written by experts in the field teaching in the United Kingdom, the USA, Russia, Switzerland, India and Germany – focus on a selection of English and Spanish dramas from the sixteenth and seventeenth centuries. Analysing and comparing motifs, formal parameters as well as plot structures, they discuss the commonalities and differences of Early modern drama in England and Spain.