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“A beautifully rendered take on the life of Winsor McCay.” – The Beat “Smolderen and Bramanti seamlessly interweave the real biography of Winsor McCay with an intriguing fictional premise, bringing a new dimension (literally) to the story of his life and art.” – Brigid Alverson, Smash Pages In the enchanted world of dreams, a killer roams free and only the author of Little Nemo can stop him. 1889, the young Winsor McCay crosses paths with two men who will change the course of his life: Silas the anarchist, who could be his evil twin, and Professor Hinton, the renowned British mathematician and fourth-dimensional specialist. But a terrifying experience will change McCay forever. Twenty years later, a series of impossible murders forces McCay to face his demons, and travel back to a world between worlds…
Overcrowding, noise and air pollution, long commutes and lack of daylight can take a huge toll on the mental well-being of city-dwellers. With mental healthcare services under increasing pressure, could a better approach to urban design and planning provide a solution? The restrictions faced by city residents around the world during the COVID-19 pandemic has brought home just how much urban design can affect our mental health – and created an imperative to seize this opportunity. Restorative Cities explores a new way of designing cities, one which places mental health and wellness at the forefront. Establishing a blueprint for urban design for mental health, it examines a range of strategi...
This volume is the only existing biography of one of America's greatest and most influential cartoonists. Winsor McCay (1867-1934) is universally acknowledged as the first master of both the comic strip and the animated cartoon. Although invented by others, both genres were developed into enduring popular art of the highest imagination through McCay's innovative genius. Included are new materials found since the previous publication of the book such as new comic strips of Little Nemo in Slumberland, and new sketches of Gertie the Dinosaur. Key Features In the book the author reviews and fully analyzes mcCay's achievements in print and film while examining his work in relation to his life, family, and to American culture and values of the period. This painstakingly thorough biography begins with mcCay's childhood in Michigan to his seat as one of the greatest of the early animators. Originally published in 1987, it is now back in print in a new expanded and revised edition. Included are new amterials found since the previous publication of the book such as new comic strips of Little Nemo inSlumberland and new sketches of Gertie the Dinosaur.
Cartoonist Winsor McCay (1869-1934) is rightfully celebrated for the skillful draftmanship and inventive design sense he displayed in the comic strips Little Nemo in Slumberland and Dream of the Rarebit Fiend. McCay crafted narratives of anticipation, abundance, and unfulfilled longing. This book explores McCay's interest in dream imagery in relation to the larger preoccupation with fantasy that dominated the popular culture of early twentieth-century urban America. McCay's role as a pioneer of early comics has been documented; yet, no existing study approaches him and his work from an art historical perspective, giving close readings of individual artworks while situating his output within ...
Insights into the aesthetics of one of popular culture's favorite art forms
"This is the fourth volume in the Checker Book Publishing's series reprinting of the cartoons and illustrations of Winsor McCay. The majority of McCay's works published in these volumes are seeing print for the first time since their original publication in the early 1900s. Best known for "Little Nemo in Slumberland," this volume features McCay's other popular but less well known works, such as the 1908 strips of "Dream of the Rarebit Fiend," and "A Pilgrim's Progress," An assortment of McCay's editorial cartoons, meticulously drawn and bitingly funny, are also included in this volume. McCay's unique, artistic approach to the comic strip medium, combined so successfully with his unconventional themes and social satire, earned him both public and critical acclaim during his career and a lasting influence upon future generations of illustrators, cartoonists, and animators."--back cover.
Winsor McCay, the creator of Little Nemo in Slumberland, is internationally renowned as a pioneer in comics and animation. But author Ulrich Merkl’s dedicated sleuthing has unearthed a never-published strip by McCay that was lost following the artist’s untimely death. Titled simply Dino, it opens a surprising new window into McCay’s life and work and showcases his exquisitely beautiful and delicate delineations (exactingly reproduced from the original art). Merkl explores the influences McCay brought to the strip―including McCay’s own Gertie the Dinosaur animated shorts, the animation in 1933’s King Kong, and the growth of New York City from the Holland Tunnel to the Empire State Building ―and traces our love of dinosaurs and monster movies down through the decades. Breathtakingly designed, each page of this deluxe oversize volume is overflowing with amazing imagery, with more than 650 photographs and illustrations (more than 250 in color) ― most of them seen here for the first time in a century! An essential volume for everyone interested in the development of the comic strip ― and our never-ending fascination with dinosaurs!
The last installment of the acclaimed Behind the Silver Screen series, Animation explores the variety of technologies and modes of production throughout the history of American animation. Drawing on archival sources to analyze the relationship between production and style, this volume provides also a unique approach to understanding animation in general.