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Collectively, the essays brought together in this book represent a discursive confluence on Nollywood as a local film culture with a global character, aspiration and reach. The governing concern of the book is that texts, including film texts, are animated by a particular sociology and anthropology which gives them concrete existence and meaning. The book argues that Nollywood, the Nigerian video film text, is deeply rooted in the sub-soil of its social and cultural milieux. Nollywood is therefore, engaged in the relentless negotiation and re-negotiation of the everyday lives of the people against the backdrop of their cultural traditions, social contradictions and the politics of their ethnic/national identity, longing and belonging. The essays weave an intricate and delicate argument about the critical role of Nollywood to the idea of nationhood and the logic of its narration with implications for language, politics and culture in Africa. The book is a valuable addition to the critical discourse on the important place of film and cinema studies in national engineering processes.
One of the failings of Nollywood has been the absence of research into what makes a production truly great. Making Movies the Nollywood Way is a compedium of unique insights into the thought process behind most of the movies made in Nollywood as well as the motivation behind the movies.The book shares the opinions and viewpoints of 21 of the most impactful Nollywood Movie Makers on how the industry operates, what its unique challenges are and what the Nollywood loving audience look for in their favorite movies. This book will help students of Theatre Arts, Researchers in Nollywood, movie enthusiasts and anyone seeking knowledge about the industry.
When females lead, societies and organizations benefit tremendously. However, females continue to struggle, and finding proper guidance is challenging even when a woman’s heart is in the right place. As we journey into the future, we must facilitate the emergence and success of future-focused female leaders in society and the workplace. The Future-Focused Female Leader is for ladies intending to develop or strengthen their leadership skills to excel. It is also a resource that can be leveraged to coach and mentor younger female leaders to continue developing themselves and their perspectives. Dr. Chinyere Almona leverages her 30 years of leadership experience in diverse roles across Africa. She shares her ups and downs, failures and successes, strengths and weaknesses, showing anyone striving to lead successfully that the secret lies in strengthening or developing certain attributes. The Future-Focused Female Leader is a great read, with insights and actionable ideas. It is a book that will genuinely resonate with female leaders at different stages of leadership. It is personal, practical, and powerful, making it relatable for female leaders in their leadership journeys.
The African World in Dialogue: An Appeal to Action! is a probing and politically timely collection of essays, interviews, speeches, poetry, short stories, and proposals. These rich works illuminate the struggles, dreams, triumphs, impediments, and diversity of the contemporary African world. The African World in Dialogue contains five sections: "Listen: The Ink Speaks"; "Restitutions, Resolutions, Revolutions"; "Africanity, Education, and Technology"; "Life Lines from the Front Lines"; and "Gender, Power, and Infinite Promise." Each section brims with provocative and compelling insights from elder-warriors, wordsmiths, journalists, and academics, many of whom are also activists. The volume's...
The Nigerian and West African practice of aso ebi fashion invokes notions of wealth and group dynamics in social gatherings. Okechukwu Nwafor’s volume Aso ebi investigates the practice in the cosmopolitan urban setting of Lagos, and argues that the visual and consumerist hype typical of the late capitalist system feeds this unique fashion practice. The book suggests that dress, fashion, aso ebi, and photography engender a new visual culture that largely reflects the economics of mundane living. Nwafor examines the practice’s societal dilemma, whereby the solidarity of aso ebi is dismissed by many as an ephemeral transaction. A circuitous transaction among photographers, fashion magazine ...
Elevates global entertainment to an area of worthy media study that was previously reserved for global news and takes a worldwide approach, encompassing Nigeria, Egypt, Brazil, and India - in addition to the more high-profile, heavily researched areas of Europe and East Asia.
"The borders don't make any sense, there's no rule of law, no running water, you never know when the electric's on, the last war's fucked everything, and the next war will fuck everything else" A dark and deeply funny tale of foreign aid workers in far-flung Tambia... Truly alternative Christmas entertainment, not for the faint hearted or politically correct. The God Botherers was produced by The Bush Theatre in November 2003.
This book places television in Africa in the digital context. It address the onslaught of multimedia platforms, digital migration and implication of this technology for society. The discussions in the chapters contained in this book encompass a wide range of issues such as digital disruption of television news, internet television and video on demand platforms, adaptations, digital migration, business strategies and management approaches, PBS, consumption patterns, scheduling and programming, evangelical television, and many others. The book is an important reading for academics, students and television practitioners. It offers an insightful view of television in Africa.
Yemi Adebiyi, a poet, salesman and public speaker, is also a marketing consultant in the Imaging industry. The son of a farmer from Igbole Ekiti in Nigeria, he attended Notre Dame College in Ekiti and Abeokuta Grammar School. He had a successful selling career with General Oil Limited, Ess-ay Holdings Limited, Daily Best Industries and Banksway International Limited in Nigeria. Yemi is currently the Kodak Brand Manager with CKC Investment Limited, Lagos Island, Nigeria. He lives in Ajasa, a quiet suburb near Lagos.
Includes the plays The Mentalists, Under the Whaleback and The God Botherers "The Mentalists confirms Richard Bean as a writer of beguilling originality with a gift for both laugh-out-loud dialogue and a sympathetic understanding of the darker recesses of the human heart" - Charles Spencer, Daily Telegraph on The Mentalists "An instant modern classic" - Kate Bassett, The Guardian on Under the Whaleback "Richard Bean must have had a hell of a life" - Michael Billington, The Guardian on The God Botherers